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Similarly, in the visual arts, samples may emerge throughout the creative process – whether through experimental methods, the appropriation of external content, or the incorporation of elements from other disciplines, methodologies, or conceptual frameworks. Ideas, materials, methods, or visuals can be sampled. A sample can thus represent transdisciplinary collaboration or reflect a dynamic, exploratory process marked by iteration, testing, and discovery. ",[803],{"type":145,"attrs":804},{"color":147},{"_uid":806,"component":349,"propRichtext":807},"333b44ee-1e33-483f-b226-229ccff07b52",{"type":134,"content":808},[809,826,845],{"type":137,"attrs":810,"content":811},{"textAlign":34},[812,820],{"text":813,"type":142,"marks":814},"Hubert Blanz",[815,817,818],{"type":145,"attrs":816},{"color":147},{"type":254},{"type":359,"attrs":819},{"class":361},{"text":533,"type":142,"marks":821},[822,824],{"type":145,"attrs":823},{"color":147},{"type":359,"attrs":825},{"class":361},{"type":137,"attrs":827,"content":828},{"textAlign":34},[829,834,840],{"text":830,"type":142,"marks":831},"graduated in 1999 from the Department of Sculpture (",[832],{"type":145,"attrs":833},{"color":147},{"text":835,"type":142,"marks":836},"Bildhauerei",[837,839],{"type":145,"attrs":838},{"color":147},{"type":154},{"text":841,"type":142,"marks":842},"). His artistic work deals primarily with urban infrastructures, spatial grids, and geographical and virtual networks. Within this context, megacities have emerged as a central theme: the rapid and constant development, the challenges and visions that accompany them, and the influence of these changes on our coexistence. In addition to elements of the big city, networks from nature also serve as templates for large-format collages and animations.",[843],{"type":145,"attrs":844},{"color":147},{"type":137,"attrs":846},{"textAlign":34},{"_uid":848,"component":349,"propRichtext":849},"0f0cd776-5e16-42ab-9555-b0b3c0dc30e0",{"type":134,"content":850},[851,862],{"type":137,"attrs":852,"content":853},{"textAlign":34},[854],{"text":855,"type":142,"marks":856},"Margareta Klose",[857,859,860],{"type":145,"attrs":858},{"color":147},{"type":254},{"type":359,"attrs":861},{"class":361},{"type":137,"attrs":863,"content":864},{"textAlign":34},[865,870,876],{"text":866,"type":142,"marks":867}," explores topics of coexistence within a queer-feminist, poetic practice. Her artistic work and research are situated at the intersection of fine arts, literature, education, knowledge production, and memory – centered around painting, writing, computational photography, and ",[868],{"type":145,"attrs":869},{"color":147},{"text":871,"type":142,"marks":872},"objets trouvés",[873,875],{"type":145,"attrs":874},{"color":147},{"type":154},{"text":877,"type":142,"marks":878},". In her work, she develops site-specific installations and performances that resemble cabinets of curiosities, scientific experimental settings, and artists’ studios – or rather: alchemists’ kitchens. At the University of Applied Arts Vienna, she studied in the Department of TransArts and graduated in 2020.",[879],{"type":145,"attrs":880},{"color":147},{"_uid":882,"component":349,"propRichtext":883},"daffa193-ab1d-46cb-943a-9a7b6cd1e3d9",{"type":134,"content":884},[885,902,910],{"type":137,"attrs":886,"content":887},{"textAlign":34},[888,896],{"text":889,"type":142,"marks":890},"Marlene Lahmer’s",[891,893,894],{"type":145,"attrs":892},{"color":147},{"type":254},{"type":359,"attrs":895},{"class":361},{"text":533,"type":142,"marks":897},[898,900],{"type":145,"attrs":899},{"color":147},{"type":359,"attrs":901},{"class":361},{"type":137,"attrs":903,"content":904},{"textAlign":34},[905],{"text":906,"type":142,"marks":907},"work is material-based and takes the form of sculptures, multimedia installations, and text performances. Literary and theory-informed approaches overlap translucently, incongruently, and at times complementarily. One of her main focuses lies in the aesthetic and physical qualities of glass, in the visual and auditory spaces found for texts, and in exploring concepts from cultural theory and linguistics. Lahmer graduated in 2022 from the TransArts department.",[908],{"type":145,"attrs":909},{"color":147},{"type":137,"attrs":911},{"textAlign":34},{"_uid":913,"component":349,"propRichtext":914},"1e4f1811-5a17-4c35-b7ad-a4b26765b019",{"type":134,"content":915},[916,927],{"type":137,"attrs":917,"content":918},{"textAlign":34},[919],{"text":920,"type":142,"marks":921},"Rafael Lippuner",[922,924,925],{"type":145,"attrs":923},{"color":147},{"type":254},{"type":359,"attrs":926},{"class":361},{"type":137,"attrs":928,"content":929},{"textAlign":34},[930],{"text":931,"type":142,"marks":932}," is an artist and exhibition designer who employs the processes of assembling materials, installing, and managing as artistic practices. The means of presentation are linked to the role of objects in terms of interaction and storytelling – especially in a time when images and symbols displace language. His multimedia works sample and intervene in everyday situations, structures, and codes to retain a certain wilderness in how we perceive our surroundings. In 2019, Lippuner graduated from the Department of Art & Science.",[933],{"type":145,"attrs":934},{"color":147},{"_uid":936,"component":349,"propRichtext":937},"2ac82904-c6a7-46da-a61b-b9c15759afc3",{"type":134,"content":938},[939,950],{"type":137,"attrs":940,"content":941},{"textAlign":34},[942],{"text":943,"type":142,"marks":944},"Mona Rith",[945,947,948],{"type":145,"attrs":946},{"color":147},{"type":254},{"type":359,"attrs":949},{"class":361},{"type":137,"attrs":951,"content":952},{"textAlign":34},[953],{"text":954,"type":142,"marks":955}," is a textile artist, who weaves abstract objects and explores the possibilities between fixed structures and the limits of their dissolution. She plays with tension, shrinkage, and other material behaviors through weaving techniques combined with the inherent properties of the materials used. With great curiosity, Rith observes and investigates dependencies, interactions, and connections. She is an alumna of the Institute of Studies in Art and Art Education and graduated in 2021.",[956],{"type":145,"attrs":957},{"color":147},{"_uid":959,"component":349,"propRichtext":960},"e9716a37-371b-4381-9750-03be6143f7a8",{"type":134,"content":961},[962,973],{"type":137,"attrs":963,"content":964},{"textAlign":34},[965],{"text":966,"type":142,"marks":967},"Laura Stoll",[968,970,971],{"type":145,"attrs":969},{"color":147},{"type":254},{"type":359,"attrs":972},{"class":361},{"type":137,"attrs":974,"content":975},{"textAlign":34},[976],{"text":977,"type":142,"marks":978},"works in the fields of sculpture, installation, and performance. After earning a degree in medicine in Berlin, she graduated from the University of Applied Arts Vienna in the Department of Art & Science in 2021. In her projects, she operates at the intersection of medicine, psychology, and philosophy, applying individual methodologies from these fields to her artistic practice. Using a variety of formats, she investigates questions of personal identity and what constitutes our sense of being.",[979],{"type":145,"attrs":980},{"color":147},{"_uid":982,"component":349,"propRichtext":983},"0a5d7961-f6da-4dc3-830d-0877eaff7975",{"type":134,"content":984},[985,996],{"type":137,"attrs":986,"content":987},{"textAlign":34},[988],{"text":989,"type":142,"marks":990},"Martin Veigl",[991,993,994],{"type":145,"attrs":992},{"color":147},{"type":254},{"type":359,"attrs":995},{"class":361},{"type":137,"attrs":997,"content":998},{"textAlign":34},[999],{"text":1000,"type":142,"marks":1001},"is a painter, interested in the smallest gestures and daily situations that convey social and historical codes and messages. Each found configuration can be seen as an unconscious, natural, and authentic fragment of reality. His paintings often do not fill the entire canvas, are fragmentary in nature, and suggest moments of memory. Veigl graduated from the Department of Painting in 2016.",[1002],{"type":145,"attrs":1003},{"color":147},[1005],{"_uid":667,"component":668,"propColor":1006,"propSubheadline":1008,"propPreviewImage":1009,"propPreviewVideo":1013,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1015,"propMetadescription":684,"propDescriptionShort":685},{"_uid":670,"color":1007,"plugin":672},"#cde052","Intervention at Counter 13 with Hubert Blanz, Margareta Klose, Marlene Lahmer, Rafael Lippuner, Mona Rith, Laura Stoll and Martin Veigl",{"id":1010,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1011,"copyright":21,"fieldtype":677,"meta_data":1012,"is_external_url":37},82306865870119,"https://a.storyblok.com/f/98682/1920x2880/c5ca6dc264/rafael-lippuner-o-t-feuerloscher-xii-2025-studioansicht-1.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":677,"meta_data":1014},{},{"type":134,"content":1016},[1017],{"type":137},"2025-10-15 11:00","ail-ping-pong-2-sample",-1010,[],"3e1e8483-f2cc-4e59-83ca-0ccf18e3bcf0","2025-08-21T13:42:23.337Z",[],{"_uid":1026,"component":111,"content_entry":1027},"7b575903-3fe7-4954-974c-65fc0dc62d4c",{"id":1028,"url":21,"linktype":114,"fieldtype":115,"cached_url":1029,"story":1030},"831da09f-352e-42ea-8318-f7ffb6a23f60","program/ail-ping-pong-1-liquidity",{"name":1031,"created_at":1032,"published_at":1033,"updated_at":1034,"id":1035,"uuid":1028,"content":1036,"slug":1243,"full_slug":1029,"sort_by_date":34,"position":1244,"tag_list":1245,"is_startpage":37,"parent_id":690,"meta_data":34,"group_id":1246,"first_published_at":1247,"release_id":34,"lang":41,"path":34,"alternates":1248,"default_full_slug":34,"translated_slugs":34,"_stopResolving":694},"AIL Ping-Pong #1: Liquidity ","2025-01-24T12:22:13.687Z","2026-03-30T06:23:13.071Z","2026-03-30T06:23:13.087Z",614462949,{"_uid":124,"component":125,"propDateEnd":1037,"propCategory":127,"propIsOnline":37,"propDateStart":21,"propMainContent":1038,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1228,"propDateAndTimeOfOpening":1242},"2025-07-31 13:00",[1039],{"_uid":131,"component":132,"propCredits":1040,"propEntryInMainContent":1072},{"type":134,"content":1041},[1042,1048,1060],{"type":137,"content":1043},[1044],{"text":164,"type":142,"marks":1045},[1046],{"type":145,"attrs":1047},{"color":147},{"type":137,"content":1049},[1050,1054,1055],{"text":172,"type":142,"marks":1051},[1052],{"type":145,"attrs":1053},{"color":147},{"type":177},{"text":1056,"type":142,"marks":1057},"Nora Mayr, Eva Weber (AIL)",[1058],{"type":145,"attrs":1059},{"color":147},{"type":137,"content":1061},[1062,1066,1067],{"text":187,"type":142,"marks":1063},[1064],{"type":145,"attrs":1065},{"color":147},{"type":177},{"text":1068,"type":142,"marks":1069},"Elisabeth Falkensteiner, Nora Mayr, Eva Weber (AIL)",[1070],{"type":145,"attrs":1071},{"color":147},[1073,1085,1096,1103,1125,1146,1179,1200],{"_uid":1074,"component":349,"propRichtext":1075},"38a131c5-5633-4e59-a1ac-cb7b8cfc46c2",{"type":134,"content":1076},[1077],{"type":137,"attrs":1078,"content":1079},{"textAlign":34},[1080],{"text":1081,"type":142,"marks":1082},"While primarily an economic term, ‘liquidity’ can be interpreted in various ways and across many contexts – from reflections on fluidity and adaptability to explorations of the shifting nature of social structures, relationships, or identities, as well as interpretations of transactions and value. ",[1083],{"type":359,"attrs":1084},{"class":361},{"_uid":348,"component":349,"propRichtext":1086},{"type":134,"content":1087},[1088],{"type":137,"attrs":1089,"content":1090},{"textAlign":34},[1091],{"text":1092,"type":142,"marks":1093},"Drawing on the history of the ‘Postsparkasse’ as a former bank, AIL invited five artists to engage with a concept known for its economic context. Presented in the small vitrine of the Otto Wagner Postsparkasse five graduates of the University of Applied Arts Vienna open a window into the diverse artistic practices and languages of Angewandte alumni, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.",[1094],{"type":145,"attrs":1095},{"color":147},{"_uid":1097,"component":1098,"propImage":1099,"propAltText":21,"propCaption":21},"53afa362-8612-44d6-a6ac-1c6f5c13cca7","Component_Nested_Image",{"id":1100,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1101,"copyright":21,"fieldtype":677,"meta_data":1102,"is_external_url":37},22537787,"https://a.storyblok.com/f/98682/1983x1322/1a95d8321f/20250506_leafabienne_ail_the-unexpected-605-kopie.jpg",{},{"_uid":1104,"component":349,"propRichtext":1105},"66e4ee62-dcf0-452c-ad6b-b19c7636d1a2",{"type":134,"content":1106},[1107],{"type":1108,"content":1109},"blockquote",[1110],{"type":137,"attrs":1111,"content":1112},{"textAlign":34},[1113,1120],{"text":1114,"type":142,"marks":1115},"Manuel Cyrill Bachinger",[1116,1118],{"type":145,"attrs":1117},{"color":147},{"type":359,"attrs":1119},{"class":361},{"text":1121,"type":142,"marks":1122}," deals in his work with auditory and visual forms of expression and often with transformative processes that manifest themselves in experimental and installation-based ways. In doing so, our perception and understanding of phenomena and technologies are challenged and encouraged to reflect on our interaction with them. Manuel Cyrill Bachinger is alumni of the department of Digital Art and graduated in 2024. ",[1123],{"type":145,"attrs":1124},{"color":147},{"_uid":1126,"component":349,"propRichtext":1127},"f0dcc926-b483-4ea0-8137-06c87e8dd080",{"type":134,"content":1128},[1129],{"type":1108,"content":1130},[1131],{"type":137,"attrs":1132,"content":1133},{"textAlign":34},[1134,1141],{"text":1135,"type":142,"marks":1136},"Bartosz Dolhun ",[1137,1139],{"type":145,"attrs":1138},{"color":147},{"type":359,"attrs":1140},{"class":361},{"text":1142,"type":142,"marks":1143},"graduated 2016 in Drawing and Printmaking, and now focuses on object-oriented work. His sculptures combine materials, especially wood, starting with found objects and developing intuitively. His work emphasizes processes, using diverse techniques. The use of 'low-cost' materials contrasts their value with craftsmanship. This focus on process extends to his installative works, where the production journey becomes integral. ",[1144],{"type":145,"attrs":1145},{"color":147},{"_uid":1147,"component":349,"propRichtext":1148},"2a145eaf-6243-4e0e-8cde-c8f92f660393",{"type":134,"content":1149},[1150],{"type":1108,"content":1151},[1152],{"type":137,"attrs":1153,"content":1154},{"textAlign":34},[1155,1162,1167,1174],{"text":1156,"type":142,"marks":1157},"Annika Eschmann",[1158,1160],{"type":145,"attrs":1159},{"color":147},{"type":359,"attrs":1161},{"class":361},{"text":1163,"type":142,"marks":1164}," studied Transdisciplinary Arts and Drawing & Printmaking at the University of Applied Arts Vienna and graduated in 2020",[1165],{"type":145,"attrs":1166},{"color":147},{"text":1168,"type":142,"marks":1169},"; ",[1170,1172],{"type":145,"attrs":1171},{"color":147},{"type":1173},"subscript",{"text":1175,"type":142,"marks":1176},"and also studied Contemporary Art Practices at the Srishti Institute of Art, Design and Technology in Bangalore. Annika’s artistic practice is rooted in drawing and printmaking, exploring processes of translation and abstraction in images. It investigates their influence, limitations, and potential as well as the meanings generated and transformed through these reproductive processes.",[1177],{"type":145,"attrs":1178},{"color":147},{"_uid":1180,"component":349,"propRichtext":1181},"ecb3e4d1-6d48-4fe1-a67b-d84962c85907",{"type":134,"content":1182},[1183],{"type":1108,"content":1184},[1185],{"type":137,"attrs":1186,"content":1187},{"textAlign":34},[1188,1195],{"text":1189,"type":142,"marks":1190},"Karina Fernandez",[1191,1193],{"type":145,"attrs":1192},{"color":147},{"type":359,"attrs":1194},{"class":361},{"text":1196,"type":142,"marks":1197}," holds a Master’s degrees in Fine Arts and Visual Arts (UNA, Buenos Aires), and graduated at the department of Digital Art in 2023. Born in Buenos Aires, she lives and works in Vienna today. Her transdisciplinary practice addresses global issues such as environmental degradation and consumerism, operating at the verge of bio and multimedia art through site-specific, kinetic, and interactive works. Her installations feature plants, fibers, light, water, sound, bioplastics, motors, and microcomputers. ",[1198],{"type":145,"attrs":1199},{"color":147},{"_uid":1201,"component":349,"propRichtext":1202},"309e4b08-e935-4b2d-9fd3-30a61869fa75",{"type":134,"content":1203},[1204],{"type":1108,"content":1205},[1206],{"type":137,"attrs":1207,"content":1208},{"textAlign":34},[1209,1216,1221,1223],{"text":1210,"type":142,"marks":1211},"Miloš Vučićević ",[1212,1214],{"type":145,"attrs":1213},{"color":147},{"type":359,"attrs":1215},{"class":361},{"text":1217,"type":142,"marks":1218},"is an artist and researcher whose work explores the intricate intersections of ecology and migration. ",[1219],{"type":145,"attrs":1220},{"color":147},{"text":1222,"type":142},"With a passion for understanding the delicate balance between human movement and environmental change, and its impact on people, he delves into the stories and experiences that shape his own perspective and the world he documents. ",{"text":1224,"type":142,"marks":1225},"Most of his interests are associated with the political and social paradigms that exist in society, where he endeavours to express his ideas through performative, object-oriented, and video-based works. Miloš Vučićević graduated at the department of Art&Science in 2023.",[1226],{"type":145,"attrs":1227},{"color":147},[1229],{"_uid":667,"component":668,"propColor":1230,"propSubheadline":1232,"propPreviewImage":1233,"propPreviewVideo":1237,"propMakeTextWhite":37,"propDescriptionLong":685,"propMetaInformation":1239,"propMetadescription":684,"propDescriptionShort":21},{"_uid":670,"color":1231,"plugin":672},"#e05278","Intervention at Counter 13 with Manuel Cyrill Bachinger, Bartosz Dolhun, Annika Eschmann, Karina Fernandez, Miloš Vučićević ",{"id":1234,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1235,"copyright":21,"fieldtype":677,"meta_data":1236,"is_external_url":37},20591235,"https://a.storyblok.com/f/98682/1920x2566/da6243eb66/pingpong_1.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":677,"meta_data":1238},{},{"type":134,"content":1240},[1241],{"type":137},"2025-03-20 12:00","ail-ping-pong-1-liquidity",-1020,[],"77ca5a17-9b61-47ce-a1b6-62ddf2b9326d","2025-02-05T13:24:54.450Z",[],[1250],{"_uid":1251,"component":349,"propRichtext":1252},"2a0fc366-9816-4aae-bdb4-ff6babe5e5c8",{"type":134,"content":1253},[1254,1264,1269,1285],{"type":137,"attrs":1255,"content":1256},{"textAlign":34},[1257,1259,1262],{"text":1258,"type":142},"With the aim of implementing playful interdisciplinary interventions in the unique space of the Kassenhalle, ",{"text":98,"type":142,"marks":1260},[1261],{"type":154},{"text":1263,"type":142}," is a new format, developed in 2025.",{"type":137,"attrs":1265,"content":1266},{"textAlign":34},[1267],{"text":1268,"type":142},"It repurposes the building’s architecture – specifically a former display cabinet [in German: Vitrine] of the Otto Wagner Museum in the Kassenhalle to showcase artistic projects by alumni of the University of Applied Arts Vienna. ",{"type":137,"attrs":1270,"content":1271},{"textAlign":34},[1272,1274,1278,1280,1283],{"text":1273,"type":142},"In line with AIL’s mission to embrace interdisciplinary approaches, ",{"text":1275,"type":142,"marks":1276},"AIL Ping-Pong ",[1277],{"type":154},{"text":1279,"type":142},"fosters dialogue between 2-8 artistic positions for each period. 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