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AR, Expanded Cinema, and Social Sculpture in Polycrisis","2026-01-07T13:57:17.729Z","2026-04-07T14:46:48.040Z","2026-04-07T14:46:48.066Z",131500596178751,{"_uid":123,"component":124,"propDateEnd":125,"propCategory":126,"propIsOnline":37,"propDateStart":21,"propMainContent":127,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":315,"propDateAndTimeOfOpening":334},"f32b6c9e-4c77-4dfc-806f-b4807947dc67","Page_Detailseite_Event","2026-04-16 18:00","talk",[128],{"_uid":129,"component":130,"propCredits":131,"propEntryInMainContent":148},"b660f94f-5ec8-4308-9d4d-c3537232a927","Component_PageDetails_MainContent",{"type":132,"content":133},"doc",[134],{"type":135,"attrs":136,"content":137},"paragraph",{"textAlign":34},[138],{"text":139,"type":140,"marks":141},"nancybakercahill.com","text",[142],{"type":143,"attrs":144},"link",{"href":145,"uuid":34,"anchor":34,"target":146,"linktype":147},"https://nancybakercahill.com/","_self","url",[149,163,177,186,195,204,215,224,238],{"_uid":150,"component":151,"propRichtext":152},"a9448714-3f1f-4bc7-815b-7ce645570010","Component_Nested_Richtext",{"type":132,"content":153},[154],{"type":135,"attrs":155,"content":156},{"textAlign":34},[157],{"text":158,"type":140,"marks":159},"Nancy Baker Cahill is a transdisciplinary artist whose work examines complex systems, with an emphasis on the relationship between consciousness, intelligence, and embodiment. Systems thinking is integral to her poetics; her concerns focus on power and its biopolitical impacts, particularly ecological and social harms.",[160],{"type":161,"attrs":162},"textStyle",{"color":21},{"_uid":164,"component":151,"propRichtext":165},"3cf9f932-061f-43cb-9df0-bd3478f54246",{"type":132,"content":166},[167],{"type":135,"attrs":168,"content":169},{"textAlign":34},[170],{"text":171,"type":140,"marks":172},"In this talk, Nancy Baker Cahill, who is currently a fellow at the the Weibel Institute for Digital Cultures (University of Applied Arts Vienna), will discuss projects in her research-based practice that address creative co-building: what has worked, failed, and remains unknown. The talk will address human perception, ecological imagination, sensory expansion, and the work of sense-making through overlapping existential crises. ",[173],{"type":174,"attrs":175},"styled",{"class":176},"h3",{"_uid":178,"component":151,"propRichtext":179},"8a90152b-4bf3-439c-9c3c-698dff66e896",{"type":132,"content":180},[181],{"type":135,"attrs":182,"content":183},{"textAlign":34},[184],{"text":185,"type":140},"Using a blend of analog and digital media, Baker Cahill creates immersive experiences, video installations, sculptures, and conceptual projects that engage the human sensorium and are rooted in drawing. Since 2018, she has been the Founder and Artistic Director of 4th Wall, a free, AR public art platform exploring resistance and inclusive (often participatory) creative expression, which she considers to be a form of social sculpture. Her monumental AR artworks build on the lineage of ecofeminist land art, often highlighting interdependence and the more-than-human. She takes a critical approach to all of the emerging technologies she uses, subverting convention to offer alternative imaginaries.",{"_uid":187,"component":151,"propRichtext":188},"8a6f4503-b36b-4153-93e2-1ccaca2edafd",{"type":132,"content":189},[190],{"type":135,"attrs":191,"content":192},{"textAlign":34},[193],{"text":194,"type":140},"Baker Cahill has received the 2026 USA Fellowship Award, the 2025 Full Dome Festival's Janus Award for Best Feature Film, the 2024 Infinity Festival's Monolith Award for New Media Fine Art, the 2022 LACMA Art +Tech Grant, a 2022 C.O.L.A. Master Artist Fellowship, and the 2021 Williams College Bicentennial Medal of Honor. She is a former Berggruen Institute Artist Fellow, is an Affiliate at the Harvard metaLAB, and a TEDx speaker. In 2026, she will be an Artist Fellow at the Weibel Institute for Digital Cultures in Vienna.",{"_uid":196,"component":197,"propImage":198,"propAltText":21,"propCaption":203},"f04aaf4d-efe9-451e-acf5-b914acb1c21d","Component_Nested_Image",{"id":199,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":200,"copyright":21,"fieldtype":201,"meta_data":202,"is_external_url":37},155569214161799,"https://a.storyblok.com/f/98682/945x2048/29c6dc5853/cento_whitney_museum.jpeg","asset",{},"CENTO, 2023, via 4th Wall app. Courtesy of the artist and the Whitney Museum of American Art",{"_uid":205,"component":151,"propRichtext":206},"db753da3-65f1-4677-ad79-1c6366cd4680",{"type":132,"content":207},[208,213],{"type":135,"attrs":209,"content":210},{"textAlign":34},[211],{"text":212,"type":140},"Solo museum presentations include LACMA, The Hammer Museum, The Whitney Museum, The Georgia Museum of Art, and an upcoming solo exhibition at the North Carolina Museum of Art. Her work is held in the collections of LACMA, The Whitney Museum of American Art, The Georgia Museum of Art, The Museum of Art and History; RFC Art Collection, The Smart Museum of Art, The Winthrop University Collection, The Lyman Allyn Art Museum, and 0x Collection in Basel, Switzerland. ",{"type":135,"attrs":214},{"textAlign":34},{"_uid":216,"component":151,"propRichtext":217},"7dfcbbb0-7313-44df-a2e9-2cff32249807",{"type":132,"content":218},[219],{"type":135,"attrs":220,"content":221},{"textAlign":34},[222],{"text":223,"type":140},"She has been profiled in many publications, including The Art Newspaper, Frieze, and The New York Times. Her essays appear in The Los Angeles Review of Books, Nam June Paik Art Center Reader and October Magazine. ",{"_uid":225,"component":151,"propRichtext":226},"44341bae-0a4b-43b6-a63d-eb73a59e2444",{"type":132,"content":227},[228],{"type":135,"attrs":229,"content":230},{"textAlign":34},[231,236],{"text":232,"type":140,"marks":233},"Research interests are ",[234],{"type":235},"bold",{"text":237,"type":140},"Digital bioacoustics, the physics of light and perception, biomimicry, systemic power and networked resistance. ",{"_uid":239,"component":151,"propRichtext":240},"4b479ead-62d1-405b-8304-2f57ad29521f",{"type":132,"content":241},[242,256,278],{"type":243,"content":244},"blockquote",[245],{"type":246,"attrs":247,"content":249},"heading",{"level":248,"textAlign":34},2,[250],{"text":251,"type":140,"marks":252},"About the Weibel Institute for Digital Cultures:",[253,254],{"type":235},{"type":174,"attrs":255},{"class":176},{"type":135,"attrs":257,"content":258},{"textAlign":34},[259,263,269,273],{"text":260,"type":140,"marks":261},"The ",[262],{"type":235},{"text":264,"type":140,"marks":265},"Weibel Institute for Digital Cultures",[266,267],{"type":235},{"type":268},"italic",{"text":270,"type":140,"marks":271}," i",[272],{"type":235},{"text":274,"type":140,"marks":275},"s a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures.",[276],{"type":161,"attrs":277},{"color":21},{"type":135,"attrs":279,"content":280},{"textAlign":34},[281,285,290,295,299,304,310],{"text":260,"type":140,"marks":282},[283],{"type":161,"attrs":284},{"color":21},{"text":286,"type":140,"marks":287},"Weibel Institute for Digital Cultures ",[288,289],{"type":235},{"type":268},{"text":291,"type":140,"marks":292},"strives to challenge the underlying logics of digital cultures, unraveling the intricacies of cybernetic control systems and machine learning processes, the dynamics of online communities, the vast landscape of media-technological infrastructures, and their continued entanglements. This endeavor is guided by a commitment to remaking research itself, taking into account reflexive methodologies and seeking collective expressions. Taking on social and ecological responsibility in the face of emerging data systems, the institute questions the extractivist origins of digital landscapes and explores potential technological approaches beyond today’s data positivism. The ",[293],{"type":161,"attrs":294},{"color":21},{"text":264,"type":140,"marks":296},[297,298],{"type":235},{"type":268},{"text":300,"type":140,"marks":301}," invites researchers, students, artists, and activists to join a space for reflection, discussion, and collaboration. Offering access to resources such as the ",[302],{"type":161,"attrs":303},{"color":21},{"text":305,"type":140,"marks":306},"Peter Weibel Archive ",[307,309],{"type":161,"attrs":308},{"color":21},{"type":268},{"text":311,"type":140,"marks":312},"and an extensive library, the institute fosters theoretical and artistic explorations that probe deeper into the cultures that make up our digital spaces. This public program includes lectures, symposia, exhibitions, workshops, and other activities.",[313],{"type":161,"attrs":314},{"color":21},[316],{"_uid":317,"component":318,"propColor":319,"propSubheadline":323,"propPreviewImage":324,"propPreviewVideo":328,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":330,"propMetadescription":21,"propDescriptionShort":333},"44b51979-bdb0-4294-9201-e7951c2fa7a7","Component_HeaderInformation",{"_uid":320,"color":321,"plugin":322},"25ba4425-f034-41e5-94e4-9d5b9c87c913","#cde052","native-color-picker"," Engagement Strategies and Sympoiesis",{"id":325,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":326,"copyright":21,"fieldtype":201,"meta_data":327,"is_external_url":37},155569575461782,"https://a.storyblok.com/f/98682/1920x2045/b2316ee214/nbc_01_portrait.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":201,"meta_data":329},{},{"type":132,"content":331},[332],{"type":135},"A Lecture by Nancy Baker Cahill, fellow at the Weibel Institute for Digital Cultures","2026-04-16 16:00","nancy-baker-cahill-talk",-1630,[],29265107,"2b130947-f635-4b5a-a2ea-3bf590d66b38","2026-02-23T08:18:21.321Z",[],true,{"_uid":344,"component":110,"content_entry":345},"35843063-4a55-4357-b2f1-12abacfec7d8",{"id":346,"url":21,"linktype":113,"fieldtype":114,"cached_url":347,"story":348},"42f7371f-b20c-4ead-a551-03476a91d003","program/languages-of-ai",{"name":349,"created_at":350,"published_at":351,"updated_at":352,"id":353,"uuid":346,"content":354,"slug":475,"full_slug":347,"sort_by_date":34,"position":476,"tag_list":477,"is_startpage":37,"parent_id":338,"meta_data":34,"group_id":478,"first_published_at":479,"release_id":34,"lang":41,"path":34,"alternates":480,"default_full_slug":34,"translated_slugs":34,"_stopResolving":342},"Languages of AI","2025-11-18T09:26:09.952Z","2026-01-07T10:42:54.461Z","2026-01-07T10:42:54.490Z",113739243356506,{"_uid":355,"component":124,"propDateEnd":356,"propCategory":357,"propIsOnline":37,"propDateStart":21,"propMainContent":358,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":459,"propDateAndTimeOfOpening":474},"c549416c-535b-4f4b-9fec-e8394c67f815","2025-12-04 18:30","discussion",[359],{"_uid":360,"component":130,"propCredits":361,"propEntryInMainContent":364},"899df007-19cb-46d6-8815-64d8b565b112",{"type":132,"content":362},[363],{"type":135},[365,384,426,437,448],{"_uid":366,"component":151,"propRichtext":367},"2d821347-0c41-4d9b-8f38-f8768aa273d0",{"type":132,"content":368},[369,379],{"type":135,"attrs":370,"content":371},{"textAlign":34},[372],{"text":373,"type":140,"marks":374},"When machines process and produce language, what philosophical frameworks help us understand their operations? ",[375,377],{"type":161,"attrs":376},{"color":21},{"type":174,"attrs":378},{"class":176},{"type":135,"attrs":380,"content":381},{"textAlign":34},[382],{"text":383,"type":140},"Philosophers M. Beatrice Fazi and Anna Longo bring contemporary philosophical perspectives to AI, interrogating how computational systems construct meaning beyond human categories. This dialogue explores whether large language models constitute new semiotic agents, challenging anthropocentric assumptions about thinking and linguistic possibility.",{"_uid":385,"component":151,"propRichtext":386},"2e83113d-4114-4869-9dd6-9fda5554f282",{"type":132,"content":387},[388,396,401,406,411,416,421],{"type":135,"attrs":389,"content":390},{"textAlign":34},[391],{"text":392,"type":140,"marks":393},"Program",[394],{"type":174,"attrs":395},{"class":176},{"type":135,"attrs":397,"content":398},{"textAlign":34},[399],{"text":400,"type":140},"18.00 - 19:30  ",{"type":135,"attrs":402,"content":403},{"textAlign":34},[404],{"text":405,"type":140},"Presentations and conversation: ",{"type":135,"attrs":407,"content":408},{"textAlign":34},[409],{"text":410,"type":140},"M. Beatrice Fazi and Anna Longo",{"type":135,"attrs":412,"content":413},{"textAlign":34},[414],{"text":415,"type":140},"moderated by Mikkel Rørbo",{"type":135,"attrs":417,"content":418},{"textAlign":34},[419],{"text":420,"type":140},"20.00 - 20:30 ",{"type":135,"attrs":422,"content":423},{"textAlign":34},[424],{"text":425,"type":140},"Sound performance: Dario Sanfilippo",{"_uid":427,"component":151,"propRichtext":428},"45789c20-6389-4455-9482-4d8af996151a",{"type":132,"content":429},[430],{"type":243,"content":431},[432],{"type":135,"attrs":433,"content":434},{"textAlign":34},[435],{"text":436,"type":140},"M. Beatrice Fazi is a philosopher working on computation, technology, and media. Her research focuses on the ontologies and epistemologies produced by contemporary technoscience. She has published extensively on the limits and potentialities of the computational method, on digital aesthetics, and on the automation of thought. She is Associate Professor at the University of Sussex (United Kingdom), the author of Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics (2018), and co-author of Digital Theory (2025).",{"_uid":438,"component":151,"propRichtext":439},"a40ed499-7751-45f3-83fd-36e8a1f6859b",{"type":132,"content":440},[441],{"type":243,"content":442},[443],{"type":135,"attrs":444,"content":445},{"textAlign":34},[446],{"text":447,"type":140},"Anna Longo is a philosopher affiliated to the University of Paris. Her research crosses the philosophy of technology, French post-structuralism and aesthetics. She is author of two books: The Game of Induction: Automatisation of Knowledge and Philosophical Reflection (Mimesis 2022) and Deleuze, A Philosophy of Multiplicity (Ellipses 2024).",{"_uid":449,"component":151,"propRichtext":450},"317a1606-05e5-416f-a1f5-055dfc586f8f",{"type":132,"content":451},[452],{"type":243,"content":453},[454],{"type":135,"attrs":455,"content":456},{"textAlign":34},[457],{"text":458,"type":140},"Dario Sanfilippo is a composer, performer, audio programmer, and researcher specialised in musical complex adaptive systems. He has a  PhD in Creative Music Practice from the University of Edinburgh and his artistic research focuses on the exploration of new music through artificial intelligence (in the broadest sense) and artificial life implemented via adaptive audio feedback networks. His work combines principles of agency, autopoiesis, evolvability, and radical constructivism to design systems that are deployed in live performance for human-machine interaction or autonomous music. ",[460],{"_uid":461,"component":318,"propColor":462,"propSubheadline":465,"propPreviewImage":466,"propPreviewVideo":468,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":470,"propMetadescription":21,"propDescriptionShort":473},"1c633e71-4c55-4786-bfa0-1f56dbd8858c",{"_uid":463,"color":464,"plugin":322},"79c5f431-f4f8-4bfa-b83f-75bfb27ad792","#a752e0","M. Beatrice Fazi and Anna Longo in Conversation, Soundperformance by Dario Sanfilippo",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":201,"meta_data":467},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":201,"meta_data":469},{},{"type":132,"content":471},[472],{"type":135},"Organized by Weibel Institute for Digital Cultures (part of M. Beatrice Fazi's fellowship and the Weibel Lectures series) in cooperation with the AIL","2025-12-04 17:00","languages-of-ai",-1440,[],"af4824fd-d893-4494-aa42-8df85e109702","2025-11-18T09:46:15.137Z",[],{"_uid":482,"component":110,"content_entry":483},"01c65e48-8e77-45f8-8261-1f76ee73edb5",{"id":484,"url":21,"linktype":113,"fieldtype":114,"cached_url":485,"story":486},"98d50e75-64a0-41a1-9eef-68fd48a5e9ea","explore/exhibition-view-thinking-through-weibel",{"name":487,"created_at":488,"published_at":489,"updated_at":490,"id":491,"uuid":484,"content":492,"slug":818,"full_slug":485,"sort_by_date":34,"position":819,"tag_list":820,"is_startpage":37,"parent_id":821,"meta_data":34,"group_id":822,"first_published_at":823,"release_id":34,"lang":41,"path":34,"alternates":824,"default_full_slug":34,"translated_slugs":34,"_stopResolving":342},"Exhibition View: Thinking Through Weibel","2025-11-10T10:21:56.936Z","2026-03-16T14:03:09.204Z","2026-03-16T14:03:09.223Z",110921797407688,{"_uid":493,"component":494,"propCategory":495,"propMainContent":496,"propHeaderInformation":801},"0c42b66e-c691-40a1-a33c-bea506b1104e","Page_Detailseite_Explore","image",[497],{"_uid":498,"component":130,"propCredits":499,"propEntryInMainContent":502},"49594518-55de-4ee3-9af2-14076484e277",{"type":132,"content":500},[501],{"type":135},[503,530,539,570,579,587,602,609,615,624,631,678,686,694,702,715,744],{"_uid":504,"component":151,"propRichtext":505},"d6d18d72-d50a-4141-bbe6-b337553521df",{"type":132,"content":506},[507],{"type":135,"attrs":508,"content":509},{"textAlign":34},[510,512,516,518,522,524,528],{"text":511,"type":140},"The exhibition ",{"text":513,"type":140,"marks":514},"Thinking Through Weibel",[515],{"type":268},{"text":517,"type":140}," gathered key works out of the ",{"text":519,"type":140,"marks":520},"Peter",[521],{"type":268},{"text":523,"type":140}," ",{"text":525,"type":140,"marks":526},"Weibel Archive",[527],{"type":268},{"text":529,"type":140},", held by the Collection and Archive at the University of Applied Arts and positioned them in relation to contemporary practices by invited international artists, that unfold through distinct conceptual and material approaches. Their contributions do not follow or extend Peter Weibel’s logic, but move across and against it, forming intersections without fixing relationships.",{"_uid":531,"component":151,"propRichtext":532},"e17bb603-c47f-4b0e-ba9a-aa1c1da06698",{"type":132,"content":533},[534],{"type":135,"attrs":535,"content":536},{"textAlign":34},[537],{"text":538,"type":140},"The exhibition highlights the entwined currents of politics, sexuality, and playfulness that animate Weibel’s experiments. Performative actions, text works, and spatial propositions from Weibel’s early practice appear alongside the works of the participating artists. ",{"_uid":540,"component":151,"propRichtext":541},"92ad8774-37d6-47ec-9f8f-87643203ca7c",{"type":132,"content":542},[543,554,562],{"type":246,"attrs":544,"content":545},{"level":248,"textAlign":34},[546],{"text":547,"type":140,"marks":548},"Artists:",[549,552],{"type":161,"attrs":550},{"color":551},"#000000",{"type":174,"attrs":553},{"class":176},{"type":135,"attrs":555,"content":556},{"textAlign":34},[557],{"text":558,"type":140,"marks":559},"Morehshin Allahyari, Nancy Baker Cahill, Lynn Hershman Leeson, Jakob Lena Knebl, Rafael Lozano-Hemmer, Thania Petersen, Eva Schlegel, and Peter Weibel",[560],{"type":161,"attrs":561},{"color":551},{"type":135,"attrs":563,"content":564},{"textAlign":34},[565],{"text":566,"type":140,"marks":567},"Curated by Valerie Messini and Brooklyn J. Pakathi",[568],{"type":161,"attrs":569},{"color":551},{"_uid":571,"component":151,"propRichtext":572},"bce8e5e2-9b17-4a49-b8fa-72a5f6514e91",{"type":132,"content":573},[574],{"type":135,"attrs":575,"content":576},{"textAlign":34},[577],{"text":578,"type":140},"Presented in the two exhibition spaces of AIL, each space followed distinct conceptual approaches while maintaining continuous exchange: the left space was put under the headline “RECHT” and the right space under the keyword “LEFT”. Both words were written in large letters on the floor. The division is both architectural and methodological, allowing each section to develop its own internal logic while remaining in dialogue with the other. RECHT studied devices, technical mediation, and the material life of text as they shape perception and legibility. LEFT pursued questions of desire, play, embodiment, territory, and the body’s entanglement with political and affective structures.",{"_uid":580,"component":197,"propImage":581,"propAltText":585,"propCaption":586},"7ed2a551-fcb7-4c45-ad9e-8864b677407b",{"id":582,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":583,"copyright":21,"fieldtype":201,"meta_data":584,"is_external_url":37},155559565959186,"https://a.storyblok.com/f/98682/1365x2048/49f9e419cb/20251105_leafabienne_ail_thinking-through-weibel-82.jpg",{},"The word ‘Recht’ (in german Law) written with white markers on the floor ","Das Recht mit Füßen treten, Peter Weibel, 1968",{"_uid":588,"component":151,"propRichtext":589},"125ff21b-8bde-4471-a18c-822c2cbbe7b5",{"type":132,"content":590},[591],{"type":135,"attrs":592,"content":593},{"textAlign":34},[594,596,600],{"text":595,"type":140},"Visitors cross the word Recht printed across the floor, a restaging of Weibel’s ",{"text":597,"type":140,"marks":598},"Das Recht mit Füßen treten",[599],{"type":268},{"text":601,"type":140}," from the late 1960s. The German idiom “trampling the law underfoot” transforms into a performed action. The work draws on concrete poetry’s treatment of text that requires physical traversal, making linguistic signs into obstacles or surfaces that demand bodily engagement rather than a contemplative distance. In Mediendichtung, Weibel writes that viewers become performers because their movement activates the expression written beneath them, turning reading into a choreographed act that precedes interpretation. Each crossing of Recht gives force to the phrase through pace, shuffle, and density. The room functions as an active syntax where motion generates sense.",{"_uid":603,"component":197,"propImage":604,"propAltText":21,"propCaption":608},"fcc9a660-f965-440e-9767-46dfc8aeb5c4",{"id":605,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":606,"copyright":21,"fieldtype":201,"meta_data":607,"is_external_url":37},155556345917223,"https://a.storyblok.com/f/98682/2048x1365/e9188d03c9/20251105_leafabienne_ail_thinking-through-weibel-12.jpg",{},"Installation view, space ‘RECHT'",{"_uid":610,"component":197,"propImage":611,"propAltText":21,"propCaption":608},"e310f7b4-dc8e-4306-8820-6f42019eeb45",{"id":612,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":613,"copyright":21,"fieldtype":201,"meta_data":614,"is_external_url":37},155556345921320,"https://a.storyblok.com/f/98682/2048x1365/86c807d570/20251105_leafabienne_ail_thinking-through-weibel-1.jpg",{},{"_uid":616,"component":151,"propRichtext":617},"f31962ff-55fc-4f9f-b867-ad26e703e5ec",{"type":132,"content":618},[619],{"type":135,"attrs":620,"content":621},{"textAlign":34},[622],{"text":623,"type":140},"The space \"RECHT\" brings together works that examine language in relation to law, optical mediation in relation to seeing, and how meaning travels through glass, stone, celluloid, metal, cameras, projections, and printed matter. Weibel’s earlier works and experiments establish the ground. The contributions by Morehshin Allahyari, Lynn Hershman Leeson, Rafael Lozano- Hemmer, and Eva Schlegel extend these concerns into feminist critique of imaging technologies, geopolitical archival systems, modular relational structures, and the material conditions of legibility. ",{"_uid":625,"component":197,"propImage":626,"propAltText":21,"propCaption":630},"aed24f9c-31b2-499c-8a8d-f0d15e921421",{"id":627,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":628,"copyright":21,"fieldtype":201,"meta_data":629,"is_external_url":37},155561845817536,"https://a.storyblok.com/f/98682/1365x2048/a39119b224/20251105_leafabienne_ail_thinking-through-weibel-68.jpg",{},"Installation view, space ‘LEFT'. Here the work: Portrait of Childhood, Thania Petersen, 2015 ",{"_uid":632,"component":151,"propRichtext":633},"075cde92-20fe-44e8-98c9-fc774d24c0e5",{"type":132,"content":634},[635,640,657,662,667],{"type":135,"attrs":636,"content":637},{"textAlign":34},[638],{"text":639,"type":140},"The space \"LEFT\" asks how bodies carry desire, how play becomes a method of making and how territory is written through gesture, costume, sound, and display. Beginnings intertwine with pleasure and intimacy, Diversions bend them, and Elsewheres that appear once practice has travelled through contact and return. A first image sets the coordinates at the entrance, a moving field of colour and poise that comes with a hidden tension.",{"type":135,"attrs":641,"content":642},{"textAlign":34},[643,645,649,651,655],{"text":644,"type":140},"A first ",{"text":646,"type":140,"marks":647},"Beginning",[648],{"type":268},{"text":650,"type":140}," transformed from an ",{"text":652,"type":140,"marks":653},"Elsewhere",[654],{"type":268},{"text":656,"type":140}," takes place before entry, where Thania Petersen’s Portrait of a Childhood from her Barbie & Me series stands as a clear proposition. A single figure in white meets saturated pinks and greens that call the eye. The image holds composure and contradiction in equal measure. Prayer, glamour, inheritance, and consumption all appear inside one surface, which turns beauty into a diagnostic reading, a calibration of forces. The photograph names how values and objects shape longing from an early age and how that early training persists. It also sets LEFT’s itinerary. Desire becomes the question that guides attention through the exhibition space and keeps returning at different scales. Thania’s moving image work JAWAP broadens the register of that first gesture. Sound carries memory into the present and sends the present forward. Devotional rhythms pass through bodies and bind distant shores, as a live archive with its own momentum. Colour and choreography deliver scholarship through delight and patience. A viewer hears how language, faith, and kinship move across time and water when sound leads the way. That movement belongs to LEFT’s core proposition. Territory forms through practice, and practice lives in bodies.",{"type":135,"attrs":658,"content":659},{"textAlign":34},[660],{"text":661,"type":140},"Jakob Lena Knebl enters through a different door and keeps the line of desire alive. A body painted in luminous palettes takes on the language of display as its second skin. Memphis geometries, furniture gloss, and sculptural props turn design history into a wardrobe and a stage. Plinths, shelves, cables, cones, stripes, and spheres reappear as companions and foils to a body that plays with codes of taste and identity. The gaze does not float free here. The gaze learns where to sit. The image teaches the viewer how to look, and the performer teaches the image how to speak. This exchange keeps the question of capture devices within LEFT while carrying it into a queer theatre of self-fashioning. The work speaks to desire with humour and exactness. It also joins Thania’s inquiry by showing how training, costume, and surface guide the relation between inside and outside.",{"type":135,"attrs":663,"content":664},{"textAlign":34},[665],{"text":666,"type":140},"Peter Weibel then shifts the ground from theatre to system without losing the thread of embodiment. Stöhnender Stein (Nicht-humanes Gedicht) routes voice through stone so that matter carries a human sound and keeps breathing when the body steps away. A different work moves from voice to attachment. Parasitäre Skulptur clings to walls and edges and names relation as a condition for life. Forms travel across architecture and announce their presence through colour and placement. The organism, the signal, and the ornament share a single vocabulary.",{"type":135,"attrs":668,"content":669},{"textAlign":34},[670,672,676],{"text":671,"type":140},"A third work closes the arc of LEFT with a heavy gravity. ",{"text":673,"type":140,"marks":674},"Festung Europa",[675],{"type":268},{"text":677,"type":140}," plants black flags and open cases in the room and lets absence do the speaking. Borders and belongings appear through what has been left behind. These pieces expand the section’s concern with desire, play, and territory by spelling out how bodies and structures meet: through voice passing into objects, through attachment as survival, and through luggage as a measure of movement and loss.",{"_uid":679,"component":197,"propImage":680,"propAltText":684,"propCaption":685},"cb060d11-f20a-49d3-9399-410087ebab42",{"id":681,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":682,"copyright":21,"fieldtype":201,"meta_data":683,"is_external_url":37},155556863749965,"https://a.storyblok.com/f/98682/2048x1365/850930261a/20251105_leafabienne_ail_thinking-through-weibel-54.jpg",{},"view into space, a person looking at projection, where a tree is seen. In the back sculptures of big stones","Installation view, space ‘LEFT'. Here the work: JAWAP  Thania Petersen, 2025 ",{"_uid":687,"component":197,"propImage":688,"propAltText":692,"propCaption":693},"a18bf9c3-2396-464e-8ed0-bc4325325a7e",{"id":689,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":690,"copyright":21,"fieldtype":201,"meta_data":691,"is_external_url":37},155556863684428,"https://a.storyblok.com/f/98682/1365x2048/80ceda9d52/20251105_leafabienne_ail_thinking-through-weibel-55.jpg",{},"black flags hanging on wall, on the floor open suitcases with piles of clothes","Installation view, space ‘LEFT'. Here the work: Festung Europa, Peter Weibel, 1994",{"_uid":695,"component":197,"propImage":696,"propAltText":700,"propCaption":701},"4f92398b-cc5f-4eb5-8789-600e2588304b",{"id":697,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":698,"copyright":21,"fieldtype":201,"meta_data":699,"is_external_url":37},155558573846470,"https://a.storyblok.com/f/98682/1365x2048/758e9397b5/20251105_leafabienne_ail_thinking-through-weibel-38.jpg",{},"sculpure of a big stone in the front in the back hanging five paper poems in wooden frames","Installation view, space ‘LEFT'. Here the work: stöhnender stein. nicht-humanes gedicht, Peter Weibel, 1969 / Paper Poems, Peter Weibel, 1965",{"_uid":703,"component":151,"propRichtext":704},"78518a01-e719-43aa-a49b-051941eb25c1",{"type":132,"content":705},[706],{"type":135,"attrs":707,"content":708},{"textAlign":34},[709,713],{"text":710,"type":140,"marks":711},"Thinking Through Weibel ",[712],{"type":268},{"text":714,"type":140},"emerges as both encounter and departure. It is, at once, an effort to dwell within the experimental urgencies that animated Weibel’s creative and intellectual life, and a movement beyond those urgencies toward possibilities he could not, and perhaps would not, fully account for. The exhibition offers an engagement with Weibel’s practices – his modes of making, his orientations toward materiality, medium, technology and form – as a way of apprehending the contours of his self-making. Yet, it simultaneously demands a thinking through the structures that conditioned his interventions: to traverse the Western epistemological frames that shaped his project and to imagine alongside traditions, practices, and intellectual itineraries that move otherwise. In doing so, it invites an inquiry not into a closed legacy, but into the open-endedness of artistic thought across and against imposed boundaries.",{"_uid":716,"component":151,"propRichtext":717},"4c1c6b49-974d-4e15-a8ed-2fc03e1cdd25",{"type":132,"content":718},[719],{"type":243,"content":720},[721,730,735],{"type":246,"attrs":722,"content":723},{"level":248,"textAlign":34},[724],{"text":725,"type":140,"marks":726},"The Weibel Institute for Digital Cultures",[727,728],{"type":235},{"type":174,"attrs":729},{"class":176},{"type":135,"attrs":731,"content":732},{"textAlign":34},[733],{"text":734,"type":140},"is a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures.",{"type":135,"attrs":736,"content":737},{"textAlign":34},[738,740,743],{"text":739,"type":140},"The Weibel Institute strives to challenge the underlying logics of digital cultures, unraveling the intricacies of cybernetic control systems and machine learning processes, the dynamics of online communities, the vast landscape of media-technological infrastructures, and their continued entanglements. This endeavor is guided by a commitment to remaking research itself, taking into account reflexive methodologies and seeking collective expressions. Taking on social and ecological responsibility in the face of emerging data systems, the institute questions the extractivist origins of digital landscapes and explores potential technological approaches beyond today’s data positivism. The Weibel Institute invites researchers, students, artists, and activists to join a space for reflection, discussion, and collaboration. Offering access to resources such as the ",{"text":305,"type":140,"marks":741},[742],{"type":268},{"text":311,"type":140},{"_uid":745,"component":151,"propRichtext":746},"3bff4dc9-eb81-47b3-85e1-4751058c63b0",{"type":132,"content":747},[748],{"type":243,"content":749},[750,759,768,778],{"type":246,"attrs":751,"content":752},{"level":248,"textAlign":34},[753],{"text":754,"type":140,"marks":755},"Peter Weibel",[756,757],{"type":235},{"type":174,"attrs":758},{"class":176},{"type":135,"attrs":760,"content":761},{"textAlign":34},[762,766],{"text":763,"type":140,"marks":764},"(5 March 1944, Odessa – 1 March 2023, Karlsruhe) ",[765],{"type":268},{"text":767,"type":140},"was an Austrian artist, curator, and art- and media theorist. He is perhaps best known internationally for serving as director of the ZKM (Zentrum für Kunst und Medien in Karlsruhe), which he led from 1999 to 2023, transforming it into a globally influential laboratory linking art, science, and society and staging landmark projects. In this position he started to reframe debates on images, democracy, data, and ecology.",{"type":135,"attrs":769,"content":770},{"textAlign":34},[771,773,776],{"text":772,"type":140},"In 2017, following his donation of a substantial part of his archive to the University of Applied Arts Vienna, the ",{"text":264,"type":140,"marks":774},[775],{"type":268},{"text":777,"type":140}," was established with Weibel as founding director. ",{"type":135,"attrs":779,"content":780},{"textAlign":34},[781,783,787,789,793,795,799],{"text":782,"type":140},"Even while mostly based elsewhere, Weibel remained a distinctly Viennese figure – woven into the city’s culture and memory. From the 1960s, Weibel’s ties to Vienna run through study, debate, teaching, and institution-building, culminating in his resting place: in 1964 he studied at the University of Vienna (initially medicine, then mathematics with a focus on logic); in 1968 he participated in the famous action ‘Kunst und Revolution’ at the University of Vienna; from 1976 he taught at several institutions including the University of Applied Arts Vienna, where he was appointed Professor für Visuelle Mediengestaltung in 1984. Between 1968 and 2014 he showed his work in various (twelve) exhibitions, founded the ",{"text":784,"type":140,"marks":785},"Hotel Morphila Orchestra ",[786],{"type":268},{"text":788,"type":140},"and was appointed the curator for the Austrian Pavillon at the Venice Bienniale for several years (1993,1995,1997,1999). Part of his work is preserved in the ",{"text":790,"type":140,"marks":791},"Weibel-Archiv",[792],{"type":268},{"text":794,"type":140}," at the ",{"text":796,"type":140,"marks":797},"Kunstsammlung und Archiv",[798],{"type":268},{"text":800,"type":140},"at the University of Applied Arts in Vienna. The state of Austria paid tribute to him by dedicating an honorary grave at the Wiener Zentralfriedhof.",[802],{"_uid":803,"type":21,"component":318,"propColor":804,"propSubheadline":807,"propPreviewImage":808,"propPreviewVideo":812,"propMakeTextWhite":342,"propDescriptionLong":21,"propMetaInformation":814,"propMetadescription":21,"propDescriptionShort":817},"7d4f7208-4b81-463d-b726-da0f6b11c745",{"_uid":805,"color":806,"plugin":322},"bf2f101e-2541-4a69-bdbb-ebe20b5b805b","#972dd9","Beginnings, Diversions, Elsewheres",{"id":809,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":810,"copyright":21,"fieldtype":201,"meta_data":811,"is_external_url":37},155562832187708,"https://a.storyblok.com/f/98682/1920x2881/67447ca6b5/20251105_leafabienne_ail_thinking-through-weibel-139.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":201,"meta_data":813},{},{"type":132,"content":815},[816],{"type":135},"Exhibition from Nov 2025 till Jan 2026, presented by The Weibel Institute for Digital Cultures ","exhibition-view-thinking-through-weibel",-1520,[],29265108,"4359938e-b22a-4468-985a-7f50383b47e4","2026-03-16T13:24:08.494Z",[],{"_uid":826,"component":110,"content_entry":827},"d14a94e4-f736-44dd-835d-137857dc8360",{"id":828,"url":21,"linktype":113,"fieldtype":114,"cached_url":829,"story":830},"74ed69d1-9ad4-44b3-802d-2286e5ee6721","program/Talking-through-weibel-viennaartweek",{"name":831,"created_at":832,"published_at":833,"updated_at":834,"id":835,"uuid":828,"content":836,"slug":1154,"full_slug":829,"sort_by_date":34,"position":1155,"tag_list":1156,"is_startpage":37,"parent_id":338,"meta_data":34,"group_id":1157,"first_published_at":1158,"release_id":34,"lang":41,"path":34,"alternates":1159,"default_full_slug":34,"translated_slugs":34,"_stopResolving":342},"Talking Through Weibel ","2025-08-06T12:59:10.009Z","2026-01-12T13:08:25.064Z","2026-01-12T13:08:25.081Z",76986572855807,{"_uid":837,"component":124,"propDateEnd":838,"propCategory":357,"propIsOnline":37,"propDateStart":21,"propMainContent":839,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1128,"propDateAndTimeOfOpening":1153},"c0aea262-8f1c-423d-bfcc-af98d7555a02","2025-11-14 20:30",[840],{"_uid":841,"component":130,"propCredits":842,"propEntryInMainContent":884},"ac245515-3ec7-4b63-9d2a-0d2bde51c616",{"type":132,"content":843},[844],{"type":135,"attrs":845,"content":846},{"textAlign":34},[847,852,858,863,869,874,879],{"text":848,"type":140,"marks":849},"This exhibition ",[850],{"type":161,"attrs":851},{"color":551},{"text":853,"type":140,"marks":854},"Thinking Through Weibel ",[855,857],{"type":161,"attrs":856},{"color":551},{"type":268},{"text":859,"type":140,"marks":860},"is initiated by the Weibel Institute for Digital Cultures and emerges through collaboration with ",[861],{"type":161,"attrs":862},{"color":551},{"text":864,"type":140,"marks":865},"the Institute Collection and Archive",[866,868],{"type":161,"attrs":867},{"color":551},{"type":268},{"text":870,"type":140,"marks":871}," and the ",[872],{"type":161,"attrs":873},{"color":551},{"text":19,"type":140,"marks":875},[876,878],{"type":161,"attrs":877},{"color":551},{"type":268},{"text":880,"type":140,"marks":881},", all part of the University of Applied Arts Vienna.",[882],{"type":161,"attrs":883},{"color":551},[885,916,924,971,990,1021,1038,1078,1100],{"_uid":886,"component":151,"propRichtext":887},"82e73a9a-a0e3-4ccd-98c8-a596db152d23",{"type":132,"content":888},[889,896],{"type":135,"content":890},[891,894],{"text":831,"type":140,"marks":892},[893],{"type":268},{"text":895,"type":140},"asks a simple, far-reaching question: how do exhibitions and archives teach us – artists, researchers, and the wider public – how to see, remember, and think? ",{"type":135,"content":897},[898,903,905,908,910,914],{"text":899,"type":140,"marks":900},"Taking the current exhibition",[901],{"type":161,"attrs":902},{"color":21},{"text":904,"type":140}," ",{"text":513,"type":140,"marks":906},[907],{"type":268},{"text":909,"type":140}," and the",{"text":911,"type":140,"marks":912}," Weibel Archive",[913],{"type":268},{"text":915,"type":140}," as an opening path, this evening explores art as a learning system: how exhibitions and collections structure cultural memory, how digitization can widen (and bias) access, and how exhibition-making can produce embodied, situated knowledge that differs from conventional academic formats. ",{"_uid":917,"component":151,"propRichtext":918},"d8b7e5d2-afb8-4eb6-849c-668c9d22cc4d",{"type":132,"content":919},[920],{"type":135,"content":921},[922],{"text":923,"type":140},"Looking at Peter Weibel himself – artist, theorist, institution-builder – and drawing on his extensive, partly digital archive, the evening considers how large-scale collections can be made meaningfully accessible: through digitization and metadata practices, open interfaces and display strategies, as well as curatorial and pedagogical frameworks that invite plural forms of learning. The program begins with a guided tour of the exhibition, continues with a keynote on ‘What is Contemporary Art History?’ and culminates in a roundtable that considers exhibitions and archives as shared infrastructures of learning. Rather than closing a legacy, we open questions and methods – testing how playful, critical, and inclusive practices can shape what and how we learn together.",{"_uid":925,"component":151,"propRichtext":926},"51cd33b6-ee07-4c5e-b3a2-43ac3218261d",{"type":132,"content":927},[928,935,940,945,955,966],{"type":246,"attrs":929,"content":930},{"level":248,"textAlign":34},[931],{"text":392,"type":140,"marks":932},[933],{"type":174,"attrs":934},{"class":176},{"type":135,"attrs":936,"content":937},{"textAlign":34},[938],{"text":939,"type":140},"17:30",{"type":135,"attrs":941,"content":942},{"textAlign":34},[943],{"text":944,"type":140},"Exhibition tour with Brooklyn J. Pakathi",{"type":135,"attrs":946,"content":947},{"textAlign":34},[948,950,952,954],{"text":949,"type":140},"18:30",{"type":951},"hard_break",{"text":953,"type":140},"Keynote lecture by Boris Čučković Berger",{"type":951},{"type":135,"attrs":956,"content":957},{"textAlign":34},[958,960,961,963,964],{"text":959,"type":140},"19:00",{"type":951},{"text":962,"type":140},"Round table / Discussion: ",{"type":951},{"text":965,"type":140},"Panelists: Robert Müller, Brooklyn J. Pakathi, Margit Rosen, Charlotte Reuß ",{"type":135,"attrs":967,"content":968},{"textAlign":34},[969],{"text":970,"type":140},"Moderation: Denise H. Sumi",{"_uid":972,"component":151,"propRichtext":973},"2ce12ae9-d868-48d1-b780-8c3a8c1a2469",{"type":132,"content":974},[975,983,988],{"type":246,"attrs":976,"content":977},{"level":248,"textAlign":34},[978],{"text":979,"type":140,"marks":980},"Boris Čučković Berger ",[981],{"type":174,"attrs":982},{"class":176},{"type":135,"attrs":984,"content":985},{"textAlign":34},[986],{"text":987,"type":140},"is Professor of Art History and Digital Image Cultures at LMU Munich (since August 15, 2021). His work focuses on critical studies of art and technology, particularly digital production and the socio-technical conditions of platform economies. Previously, he taught modern and contemporary art at the Courtauld Institute of Art (Associate Lecturer, 2017 to 2021). He received his PhD from the Courtauld (2019).",{"type":135,"attrs":989},{"textAlign":34},{"_uid":991,"component":151,"propRichtext":992},"00ea6ff3-854c-4e93-87fe-0cab33fbcbe9",{"type":132,"content":993},[994,1002,1019],{"type":246,"attrs":995,"content":996},{"level":248,"textAlign":34},[997],{"text":998,"type":140,"marks":999},"Robert Müller",[1000],{"type":174,"attrs":1001},{"class":176},{"type":135,"attrs":1003,"content":1004},{"textAlign":34},[1005,1007,1011,1013,1017],{"text":1006,"type":140}," is an artist based in Vienna and Berlin. He is co-editor of the online magazine ",{"text":1008,"type":140,"marks":1009},"The Critical Ass",[1010],{"type":268},{"text":1012,"type":140}," and has been organizing the exhibition series ‘Nousmoules’ in Vienna and Berlin since 2013. He was curator at the ",{"text":1014,"type":140,"marks":1015},"Kunstverein Nürnberg – Albrecht Dürer Gesellschaft",[1016],{"type":268},{"text":1018,"type":140}," (2021 to 2022). Since 2022, he has been working as a senior scientist/curator at the art collection and archive of the University of Applied Arts Vienna.",{"type":135,"attrs":1020},{"textAlign":34},{"_uid":1022,"component":151,"propRichtext":1023},"322256e8-9364-4482-a572-682e524acb36",{"type":132,"content":1024},[1025,1033],{"type":246,"attrs":1026,"content":1027},{"level":248,"textAlign":34},[1028],{"text":1029,"type":140,"marks":1030},"Brooklyn J. Pakathi ",[1031],{"type":174,"attrs":1032},{"class":176},{"type":135,"attrs":1034,"content":1035},{"textAlign":34},[1036],{"text":1037,"type":140},"is a transmedia artist based in Vienna whose practice critically examines ontologies of emotion through material and spatial interventions. Influenced by phenomenology and affect theory, their work explores configurations of intimacy, melancholy, and longing, questioning and reconfiguring the boundaries between the tangible and the immaterial. As an independent curator, Pakathi's research focuses on methodologies of decolonization, cultural justice, and alternative epistemologies that address technology and spatial practice.",{"_uid":1039,"component":151,"propRichtext":1040},"3a42f125-5750-430c-83b0-3e75527d8958",{"type":132,"content":1041},[1042,1050],{"type":246,"attrs":1043,"content":1044},{"level":248,"textAlign":34},[1045],{"text":1046,"type":140,"marks":1047},"Margit Rosen ",[1048],{"type":174,"attrs":1049},{"class":176},{"type":135,"attrs":1051,"content":1052},{"textAlign":34},[1053,1055,1059,1061,1065,1067,1071,1072,1076],{"text":1054,"type":140},"is an art historian and curator; since 2016, she has been Head of Collections, Archives & Research at ",{"text":1056,"type":140,"marks":1057},"ZKM | Center for Art and Media Karlsruhe",[1058],{"type":268},{"text":1060,"type":140},". She studied art history, political science, philosophy, and media art (LMU Munich, HfG Karlsruhe, Paris I) and edited the volume ",{"text":1062,"type":140,"marks":1063},"A Little-Known Story about a Movement",[1064],{"type":268},{"text":1066,"type":140},",",{"text":1068,"type":140,"marks":1069}," a Magazine,",[1070],{"type":268},{"text":870,"type":140},{"text":1073,"type":140,"marks":1074},"Computer’s Arrival in Art ",[1075],{"type":268},{"text":1077,"type":140},"(2011), published by MIT Press.",{"_uid":1079,"component":151,"propRichtext":1080},"cf5afd7d-8931-4e11-a094-a8254825f4b3",{"type":132,"content":1081},[1082,1090],{"type":246,"attrs":1083,"content":1084},{"level":248,"textAlign":34},[1085],{"text":1086,"type":140,"marks":1087},"Charlotte Reuß ",[1088],{"type":174,"attrs":1089},{"class":176},{"type":135,"attrs":1091,"content":1092},{"textAlign":34},[1093,1095,1098],{"text":1094,"type":140},"conducts research on digital cultures, copyright, and the dynamics of commercialization and cultural accessibility. In her ongoing dissertation, she examines user strategies within digital cultures in late capitalism. Since 2020, she has been teaching and researching at the University of Applied Arts Vienna and currently coordinates the Weibel Online project at the ",{"text":264,"type":140,"marks":1096},[1097],{"type":268},{"text":1099,"type":140},".",{"_uid":1101,"component":151,"propRichtext":1102},"b19bd431-5e4d-40a4-a9d8-615bed37d9f8",{"type":132,"content":1103},[1104,1112],{"type":246,"attrs":1105,"content":1106},{"level":248,"textAlign":34},[1107],{"text":1108,"type":140,"marks":1109},"Denise H. Sumi ",[1110],{"type":174,"attrs":1111},{"class":176},{"type":135,"attrs":1113,"content":1114},{"textAlign":34},[1115,1117,1120,1122,1126],{"text":1116,"type":140},"is a senior scientist and doctoral candidate at the ",{"text":264,"type":140,"marks":1118},[1119],{"type":268},{"text":1121,"type":140}," focusing on network cultures, relational ethics, and critical pedagogy. 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The symposium takes on current debates and integrates them with(in) other fields of research, cultural practices, and the arts.",{"_uid":1197,"component":1198,"propVideoId":1199,"propVideoType":1200},"fd2c6e39-0656-46b1-864a-aeb9b86769fc","Component_Nested_Video","1034844566","vimeo",{"_uid":1202,"component":1198,"propVideoId":1203,"propVideoType":1200},"6581f4f8-b961-43e7-999d-e85b66d918c1","036697585",{"_uid":1205,"component":1198,"propVideoId":1206,"propVideoType":1200},"932da5f2-1635-4ef6-8741-4011a483e6ea","1036765288",{"_uid":1208,"component":1198,"propVideoId":1209,"propVideoType":1200},"ff13e40b-459d-4e95-876d-5de42a701302","1037028853",{"_uid":1211,"component":151,"propRichtext":1212},"4a595da7-f692-4b8b-85ad-cf4e244618a9",{"type":132,"content":1213},[1214],{"type":135,"content":1215},[1216],{"text":1217,"type":140},"Our present is heavily influenced by machine learning processes, technological infrastructures, newly emerging data worlds as well as their material paradigms. In turn, this urges us to rethink the agency we are afforded as we navigate these techno-social systems and ecologies.",{"_uid":1219,"component":151,"propRichtext":1220},"85c7fa03-ba05-4d29-a7c6-91bb324e8e40",{"type":132,"content":1221},[1222,1226,1230],{"type":135,"content":1223},[1224],{"text":1225,"type":140},"What are the conditions, potentials, and limits defining media environments and digital cultures today? What are the current conditions that technological agents produce and are produced by? And how do they relate to concepts such as data materialism, techno aesthetics and poetics, infrastructures of conflict, and planetary interfaces?",{"type":135,"content":1227},[1228],{"text":1229,"type":140},"With a commitment to ongoing discourse, social and environmental matters, our discussions will explore how digital cultures are evolving beyond the limitations of current data-centric paradigms.",{"type":135,"content":1231},[1232],{"text":1233,"type":140},"In line with the ‘Terms of Media’-project organised by Leuphana University & Brown University, the symposium aims to re-examine fundamental questions in media theory and history while integrating them in the interdisciplinary research conducted at the Weibel Institute.",{"_uid":1235,"component":151,"propRichtext":1236},"45485909-76ac-4f52-875b-46b41b79346d",{"type":132,"content":1237},[1238,1246,1254,1262,1270,1304,1312,1320,1342,1350],{"type":135,"attrs":1239,"content":1240},{"textAlign":34},[1241],{"text":1242,"type":140,"marks":1243},"Symposium Program:",[1244],{"type":174,"attrs":1245},{"class":176},{"type":135,"attrs":1247,"content":1248},{"textAlign":34},[1249],{"text":1250,"type":140,"marks":1251},"21–22 Nov, 15:00–19:00",[1252],{"type":174,"attrs":1253},{"class":176},{"type":135,"attrs":1255,"content":1256},{"textAlign":34},[1257],{"text":1258,"type":140,"marks":1259},"Opening: 20 Nov, 18:00",[1260],{"type":174,"attrs":1261},{"class":176},{"type":135,"attrs":1263,"content":1264},{"textAlign":34},[1265],{"text":1266,"type":140,"marks":1267},"Wednesday",[1268],{"type":174,"attrs":1269},{"class":176},{"type":243,"content":1271},[1272,1277,1293],{"type":135,"attrs":1273,"content":1274},{"textAlign":34},[1275],{"text":1276,"type":140},"18:00 Welcome w/ Clemens Apprich",{"type":135,"attrs":1278,"content":1279},{"textAlign":34},[1280,1282,1286,1287,1291],{"text":1281,"type":140},"19:00 ",{"text":1283,"type":140,"marks":1284},"Live Performance: Ghost in the Cog",[1285],{"type":268},{"text":523,"type":140},{"text":1288,"type":140,"marks":1289},"w/ ",[1290],{"type":268},{"text":1292,"type":140},"Kenneth Constance Loe/Moritz Nahold (Subletvis)",{"type":135,"attrs":1294,"content":1295},{"textAlign":34},[1296,1298,1302],{"text":1297,"type":140},"20:00 ",{"text":1299,"type":140,"marks":1300},"Live Performance: EXTC",[1301],{"type":268},{"text":1303,"type":140}," w/ Joanna Coleman/Martina Moro",{"type":135,"attrs":1305,"content":1306},{"textAlign":34},[1307],{"text":1308,"type":140,"marks":1309},"Thursday",[1310],{"type":174,"attrs":1311},{"class":176},{"type":135,"attrs":1313,"content":1314},{"textAlign":34},[1315],{"text":1316,"type":140,"marks":1317},"Techno-Poetics (15:00—16:30)",[1318],{"type":174,"attrs":1319},{"class":176},{"type":243,"content":1321},[1322,1327,1332,1337],{"type":135,"attrs":1323,"content":1324},{"textAlign":34},[1325],{"text":1326,"type":140},"15:00—15:15 Budhaditya Chattopadhyay",{"type":135,"attrs":1328,"content":1329},{"textAlign":34},[1330],{"text":1331,"type":140},"15:15—15:30 DeForrest Brown Jr.",{"type":135,"attrs":1333,"content":1334},{"textAlign":34},[1335],{"text":1336,"type":140},"15:30—15:45 Margarida Mendes",{"type":135,"attrs":1338,"content":1339},{"textAlign":34},[1340],{"text":1341,"type":140},"15:45—16:30 Q&A moderated by Nelly Y. 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Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures. (",{"text":1492,"type":140,"marks":1493},"More info",[1494],{"type":143,"attrs":1495},{"href":1496,"uuid":34,"anchor":34,"target":146,"linktype":147},"https://dieangewandte.at/en/institutes/peter_weibel_-_research_institute_for_digital_cultures_",{"text":1498,"type":140},")",{"type":135,"content":1500},[1501],{"text":1502,"type":140},"All images: Lea Dörl",[1504,1523,1530,1534,1542,1549,1563,1570,1584,1594,1601,1611,1618,1624,1638,1645,1651,1662,1669,1679,1686],{"_uid":1505,"component":151,"propRichtext":1506},"b40f67e4-b820-4989-b2e4-815893b55810",{"type":132,"content":1507},[1508],{"type":135,"content":1509},[1510,1512,1516,1518,1521],{"text":1511,"type":140},"The group exhibition ",{"text":1513,"type":140,"marks":1514},"Data Doom Desire ",[1515],{"type":268},{"text":1517,"type":140},"explores how the rationalist desire to quantify and animate the world through generative means shape not only our perception but also our beliefs and sense of being, highlighting the ramifications of this very impulse. Rather than viewing data-driven processes as purely technical, the works in the exhibition scrutinize how they shape collective sensibilities and more-than-human networks. Technical reproduction and representation – through micro- and macroscopic visualization, sonification, animation, or online feeds — have been central to how we interact with the world and how affective dimensions of reality are shaped: from early land surveys to the rise of modern colonial scientific tools, to data visualization, planetary networks, surveillance systems, military infrastructures and machine learning. ",{"text":1513,"type":140,"marks":1519},[1520],{"type":268},{"text":1522,"type":140},"focuses on biased scientific inquiry, the affective dimensions of online content, the limits of human cognition and the infrastructures of conflict, disaster fiction, and doomed outputs.",{"_uid":1524,"component":197,"propImage":1525,"propAltText":21,"propCaption":1529},"0573f487-d251-4809-bbb4-546e281d9d8c",{"id":1526,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1527,"copyright":21,"fieldtype":201,"meta_data":1528,"is_external_url":37},18779674,"https://a.storyblok.com/f/98682/2048x1365/dfd92ab1ad/20241120_leafabienne_ail-data-doom-desire_13.jpg",{},"Installation view, AIL (space left)",{"_uid":1531,"component":197,"propImage":1532,"propAltText":21,"propCaption":21},"64be5fec-3929-4e7f-a9ab-b0342256d5b9",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":201,"meta_data":1533},{},{"_uid":1535,"component":151,"propRichtext":1536},"63e0f8e2-e2cc-4be6-b5f2-cb26d5ddf495",{"type":132,"content":1537},[1538],{"type":135,"content":1539},[1540],{"text":1541,"type":140},"Artists: Asia Bazdyrieva and Solveig Qu Suess, Sara Bezovšek, Anna Engelhardt and Mark Cinkevich, Santa Pile, Martin Gasser, Silvan David Peter, Christina Humer and Oleg Lesota, Sasha Litvintseva and Beny Wagner, Martyna Marciniak; Jenna Sutela",{"_uid":1543,"component":197,"propImage":1544,"propAltText":21,"propCaption":1548},"08e30ce4-ffbc-48b1-92f1-a33e57d17a0d",{"id":1545,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1546,"copyright":21,"fieldtype":201,"meta_data":1547,"is_external_url":37},18779730,"https://a.storyblok.com/f/98682/2048x1365/5d68653874/20241120_leafabienne_ail-data-doom-desire_30.jpg",{},"Sasha Litvintseva and Beny Wagner, Constant, (2022), 40:00 min",{"_uid":1550,"component":151,"propRichtext":1551},"8babe54b-9646-45de-90b8-908d2755d091",{"type":132,"content":1552},[1553],{"type":243,"content":1554},[1555],{"type":135,"content":1556},[1557,1561],{"text":1558,"type":140,"marks":1559},"Constant ",[1560],{"type":268},{"text":1562,"type":140},"is a journey through the social and political histories of measurement. For most of recorded history, the human body was the measure of all things. Constant asks what led measurement to depart from the body and become a science unto itself. The film explores three shifts in the history of measurement standardization, from the land surveying that drove Early Modern European land privatization, to the French Revolution that drove the Metric Revolution, to the conceptual dematerialisation of measurement in the contemporary era of Big Science. Each chapter traces the relationship of measurement standardization to ideas of egalitarianism, agency, justice, and power. Cinematic and technical images that begin as products of measurement systems are stretched beyond their functions to describe the resistance of lived experience to symbolic abstractions. ",{"_uid":1564,"component":197,"propImage":1565,"propAltText":21,"propCaption":1569},"3208d8bf-6c87-4df7-9510-a2977b884220",{"id":1566,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1567,"copyright":21,"fieldtype":201,"meta_data":1568,"is_external_url":37},18779883,"https://a.storyblok.com/f/98682/2048x1365/4111aaa361/20241120_leafabienne_ail-data-doom-desire_19.jpg",{},"[Screen in the front] Asia Bazdyrieva and Solveig Qu Suess, Geocinema (2017), 11:17 min",{"_uid":1571,"component":151,"propRichtext":1572},"fd849c1b-921e-4c48-8d1b-278de30dc25a",{"type":132,"content":1573},[1574],{"type":243,"content":1575},[1576],{"type":135,"content":1577},[1578,1582],{"text":1579,"type":140,"marks":1580},"Geocinema",[1581],{"type":268},{"text":1583,"type":140}," is an episodic research into through experiments in moving image, narration and collective thinking. 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