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different artistic and scientific representational cultures and their respective cognitive and research methods. An inter- and transdisciplinary approach and project-oriented education should stimulate interaction between model and theory construction, and the application of methods, in particular, in the arts and sciences.",{"type":135,"attrs":147,"content":148},{"textAlign":34},[149],{"text":150,"type":140},"Preview image: Agustina Agüero, Lumen II (c) Agustina Belén Agüero, 2025 ",[152,178,207,221,241,250,259,274,299],{"_uid":153,"component":154,"propRichtext":155},"b6b87d40-ad60-48b3-87cb-e63bbb91f3e7","Component_Nested_Richtext",{"type":132,"content":156},[157,162,167],{"type":135,"attrs":158,"content":159},{"textAlign":34},[160],{"text":161,"type":140},"Please note: Registration required due to spacial limitations. ",{"type":135,"attrs":163,"content":164},{"textAlign":34},[165],{"text":166,"type":140},"For participation, please write to:",{"type":135,"attrs":168,"content":169},{"textAlign":34},[170],{"text":171,"type":140,"marks":172},"artscience.exhibition@uni-ak.ac.at",[173],{"type":174,"attrs":175},"link",{"href":171,"uuid":34,"anchor":34,"target":176,"linktype":177},"_self","email",{"_uid":179,"component":154,"propRichtext":180},"4f3ce094-08c7-4c1e-97d0-2c11c4dcdcc7",{"type":132,"content":181},[182,187,192,202],{"type":135,"attrs":183,"content":184},{"textAlign":34},[185],{"text":186,"type":140},"In this workshop, visitors will get the opportunity to experiment with lumen printing, a technique that emerged in the 19th century as a way of photographing without a camera. Lumen Prints are images created by pressing objects on top of photographic paper and exposing them to the sun. We will discover how light and time can hold the traces and reminiscences of something, creating the image of an object but in an unstable and changing way. ",{"type":135,"attrs":188,"content":189},{"textAlign":34},[190],{"text":191,"type":140},"What can this technique tell us about memory? ",{"type":135,"attrs":193,"content":194},{"textAlign":34},[195],{"text":196,"type":140,"marks":197},"Does photography preserve memories or does it produce them? Can it be a safeguard for our lived experiences or can it only alter them?",[198],{"type":199,"attrs":200},"styled",{"class":201},"h3",{"type":135,"attrs":203,"content":204},{"textAlign":34},[205],{"text":206,"type":140},"People are invited to bring different materials to experiment with their shape, density, transparency and shadows. These can be natural elements, such as leaves or flowers, but also any type of – preferably – flat item, like clothes, jewelry, or papers. The compositions will be done in a darkroom and then taken to the sun outside of the Postsparkasse building.",{"_uid":208,"component":154,"propRichtext":209},"b9ed5f6b-1f30-440d-b919-defde44fb29a",{"type":132,"content":210},[211,216],{"type":135,"attrs":212,"content":213},{"textAlign":34},[214],{"text":215,"type":140},"About the exhibition: ",{"type":135,"attrs":217,"content":218},{"textAlign":34},[219],{"text":220,"type":140},"Memory is not a stable record of the past. Rather than functioning as a static archive, it unfolds as a dynamic process in which traces are continuously reshaped by perception, narration, and material conditions. ",{"_uid":222,"component":154,"propRichtext":223},"641ac8ad-a184-432d-9969-f43657ab06a5",{"type":132,"content":224},[225],{"type":135,"attrs":226,"content":227},{"textAlign":34},[228,233,235,239],{"text":229,"type":140,"marks":230},"[REVERBERATED]",[231],{"type":232},"italic",{"text":234,"type":140}," explores notions of memory as the annual exhibition of the master’s program ",{"text":236,"type":140,"marks":237},"Art & Science",[238],{"type":232},{"text":240,"type":140},". The exhibition approaches this process through the metaphor of reverberation. Reverberation describes the reflection of sound from multiple surfaces, producing many overlapping echoes at once. Just as sound continues to resonate within a space, memories reverberate through bodies, media, and environments long after the events that created them.",{"_uid":242,"component":154,"propRichtext":243},"23363b4e-6e75-475e-a4e7-f30e51005190",{"type":132,"content":244},[245],{"type":135,"attrs":246,"content":247},{"textAlign":34},[248],{"text":249,"type":140},"Taking this physical phenomenon as its conceptual point of departure, the exhibition explores how memories move across temporal, spatial, and technological contexts. Memory is never something fixed, but rather a living trace that unfolds over time. It continuously changes depending on context, interpretation, perception, and the ever-shifting present moment. Within this framework, the participating artworks investigate different modes of remembering: some address the role of images, storytelling, and artificial intelligence in shaping narratives of the past, while others engage with ecological and material traces: from disappearing species and botanical archives to residues embedded in landscapes and infrastructures.",{"_uid":251,"component":154,"propRichtext":252},"758c4bef-694e-43d3-abfe-98b2abf1cd6a",{"type":132,"content":253},[254],{"type":135,"attrs":255,"content":256},{"textAlign":34},[257],{"text":258,"type":140},"Yet for this fluidity of memory to persist, structures are necessary – a mind, a community, or an archive. These structures are required similarly to sound waves, requiring surfaces in order to reverberate. At AIL, the exhibition unfolds across two interconnected spaces that function as the surrounding structures. Each space gathers works that resonate with one another while simultaneously echoing across the architectural interior of the historic Kassenhalle. Through this spatial arrangement, the exhibition itself becomes part of the inquiry, staging memory as a process of resonance, interference, and transformation.",{"_uid":260,"component":154,"propRichtext":261},"897ba3de-34f9-444a-8c8f-ff3d34a027d7",{"type":132,"content":262},[263],{"type":135,"attrs":264,"content":265},{"textAlign":34},[266,268,272],{"text":267,"type":140},"Across these artistic approaches, ",{"text":269,"type":140,"marks":270},"[REVERBERATED] ",[271],{"type":232},{"text":273,"type":140},"invites visitors to consider memory not as something simply preserved, but as something continuously produced through interactions between bodies, technologies, and environments. The exhibition thus explores how the past continues to reverberate within the systems of the present.",{"_uid":275,"component":154,"propRichtext":276},"7ae15752-798f-4fff-93ec-281ffbf35b23",{"type":132,"content":277},[278,291],{"type":279,"attrs":280,"content":282},"heading",{"level":281,"textAlign":34},2,[283],{"text":284,"type":140,"marks":285},"With contributions by: ",[286,288,289],{"type":287},"bold",{"type":232},{"type":199,"attrs":290},{"class":201},{"type":135,"attrs":292,"content":293},{"textAlign":34},[294],{"text":295,"type":140,"marks":296},"Agustina Belén Agüero, Lobna Awidat, Phin Anibal, Rimon Alyagon Darr, Ronnie Danaher, Tatiana Del Valle, Hasti Ghasedi, Leah Barbara Mukui Giertz, Hanna Hofmann, Tal Horesh, Mauritius Itzinger, Laura Isselhorst, Dina Karaman, Moritz Klarer, Anna Buchner, Leonard Otterbein, David Ristić, Rajarshi Sarkar, Agnes Schyberg, Aryan Shahabian, Majedeh Shahvelayati, Mehrta Shirzadian, Pauline Simon, Laura Chalabi, People of Soil",[297],{"type":199,"attrs":298},{"class":201},{"_uid":300,"component":154,"propRichtext":301},"4e494450-b3f2-4df4-8fc8-e515bdc3f0c8",{"type":132,"content":302},[303],{"type":135,"attrs":304,"content":305},{"textAlign":34},[306],{"text":307,"type":140,"marks":308},"An exhibition by the University of Applied Arts Vienna, initiated by the Department Art & Science in collaboration with the AIL.",[309],{"type":232},[311],{"_uid":312,"component":313,"propColor":314,"propSubheadline":318,"propPreviewImage":319,"propPreviewVideo":324,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":326,"propMetadescription":21,"propDescriptionShort":337},"7a724cea-c13a-41a7-9d9d-5405cd821a8f","Component_HeaderInformation",{"_uid":315,"color":316,"plugin":317},"472e77bd-2005-4d0f-816c-661afa4ce260","#e07852","native-color-picker","by Agustina Belén Agüero",{"id":320,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":321,"copyright":21,"fieldtype":322,"meta_data":323,"is_external_url":37},175347941597842,"https://a.storyblok.com/f/98682/1920x2689/b47af5df26/lumen.jpg","asset",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":322,"meta_data":325},{},{"type":132,"content":327},[328],{"type":135,"attrs":329,"content":330},{"textAlign":34},[331],{"text":236,"type":140,"marks":332},[333],{"type":174,"attrs":334},{"href":335,"uuid":34,"anchor":34,"target":176,"linktype":336},"https://www.dieangewandte.at/institute/bildende_und_mediale_kunst/art__science","url","Part of the exhibition [REVERBERATED]. Following the Movement of Memory","2026-07-02 13:00","reverberated-workshop-0207",-1710,[],29265107,"68aeb543-e591-45ef-8fb8-d5a91b7504c0","2026-05-11T08:56:14.289Z",[],true,{"_uid":348,"component":110,"content_entry":349},"0fb96a71-b966-4e67-9027-9aa4fb172a18",{"id":350,"url":21,"linktype":113,"fieldtype":114,"cached_url":351,"story":352},"b9f93952-1029-43a6-8b5a-6656b6b3de16","program/reverberated-performance-03071",{"name":353,"created_at":354,"published_at":355,"updated_at":356,"id":357,"uuid":350,"content":358,"slug":509,"full_slug":351,"sort_by_date":34,"position":510,"tag_list":511,"is_startpage":37,"parent_id":342,"meta_data":34,"group_id":512,"first_published_at":513,"release_id":34,"lang":41,"path":34,"alternates":514,"default_full_slug":34,"translated_slugs":34,"_stopResolving":346},"Hypervigilant","2026-04-29T10:40:39.983Z","2026-05-11T11:45:03.414Z","2026-05-11T11:45:03.431Z",171088445421835,{"_uid":123,"component":124,"propDateEnd":359,"propCategory":360,"propIsOnline":37,"propDateStart":21,"propMainContent":361,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":486,"propDateAndTimeOfOpening":508},"2026-07-03 13:30","performance",[362],{"_uid":129,"component":130,"propCredits":363,"propEntryInMainContent":378},{"type":132,"content":364},[365,369,373],{"type":135,"attrs":366,"content":367},{"textAlign":34},[368],{"text":139,"type":140},{"type":135,"attrs":370,"content":371},{"textAlign":34},[372],{"text":145,"type":140},{"type":135,"attrs":374,"content":375},{"textAlign":34},[376],{"text":377,"type":140},"Preview image: Leah Giertz, Hypervigilant (c) Leah Barbara Mukui Giertz, 2026",[379,401,411,418,432,439,446,457,476],{"_uid":380,"component":154,"propRichtext":381},"94904849-9b55-45b7-9316-4be2e5abab30",{"type":132,"content":382},[383,388,396],{"type":135,"attrs":384,"content":385},{"textAlign":34},[386],{"text":387,"type":140},"Constant vigilance can develop as a response to racial discrimination and transgenerational trauma, allowing potential threats to be recognized in advance. This fi ght-or-fl ight state activates the nervous system and can lead to chronic muscle tension and bruxism. ",{"type":135,"attrs":389,"content":390},{"textAlign":34},[391],{"text":392,"type":140,"marks":393},"Teeth grinding occurs as a way of coping with stress during sleep, often driven by societal expectations to suppress fear or anger.",[394],{"type":199,"attrs":395},{"class":201},{"type":135,"attrs":397,"content":398},{"textAlign":34},[399],{"text":400,"type":140},"Hypervigilant addresses this suppressed anger. Aluminum teeth suspended from the ceiling form a space similar to a cage that oscillates between protection and exposure. Shaped as gong-like instruments, the oversized representation of the artist’s bite is set into vibration during a sound performance to release embodied pressure and reduce tension in the nervous system.",{"_uid":402,"component":154,"propRichtext":403},"bdc76f37-ffcc-4cf5-9a8f-533d25ab2dec",{"type":132,"content":404},[405],{"type":135,"attrs":406,"content":407},{"textAlign":34},[408],{"text":215,"type":140,"marks":409},[410],{"type":232},{"_uid":208,"component":154,"propRichtext":412},{"type":132,"content":413},[414],{"type":135,"attrs":415,"content":416},{"textAlign":34},[417],{"text":220,"type":140},{"_uid":222,"component":154,"propRichtext":419},{"type":132,"content":420},[421],{"type":135,"attrs":422,"content":423},{"textAlign":34},[424,427,428,431],{"text":229,"type":140,"marks":425},[426],{"type":232},{"text":234,"type":140},{"text":236,"type":140,"marks":429},[430],{"type":232},{"text":240,"type":140},{"_uid":242,"component":154,"propRichtext":433},{"type":132,"content":434},[435],{"type":135,"attrs":436,"content":437},{"textAlign":34},[438],{"text":249,"type":140},{"_uid":251,"component":154,"propRichtext":440},{"type":132,"content":441},[442],{"type":135,"attrs":443,"content":444},{"textAlign":34},[445],{"text":258,"type":140},{"_uid":260,"component":154,"propRichtext":447},{"type":132,"content":448},[449],{"type":135,"attrs":450,"content":451},{"textAlign":34},[452,453,456],{"text":267,"type":140},{"text":269,"type":140,"marks":454},[455],{"type":232},{"text":273,"type":140},{"_uid":275,"component":154,"propRichtext":458},{"type":132,"content":459},[460,469],{"type":279,"attrs":461,"content":462},{"level":281,"textAlign":34},[463],{"text":284,"type":140,"marks":464},[465,466,467],{"type":287},{"type":232},{"type":199,"attrs":468},{"class":201},{"type":135,"attrs":470,"content":471},{"textAlign":34},[472],{"text":295,"type":140,"marks":473},[474],{"type":199,"attrs":475},{"class":201},{"_uid":477,"component":154,"propRichtext":478},"7385fb55-d519-4eae-b682-151661047a73",{"type":132,"content":479},[480],{"type":135,"attrs":481,"content":482},{"textAlign":34},[483],{"text":307,"type":140,"marks":484},[485],{"type":232},[487],{"_uid":312,"component":313,"propColor":488,"propSubheadline":490,"propPreviewImage":491,"propPreviewVideo":495,"propMakeTextWhite":37,"propDescriptionLong":497,"propMetaInformation":498,"propMetadescription":21,"propDescriptionShort":507},{"_uid":315,"color":489,"plugin":317},"#e08b52","by Leah Giertz",{"id":492,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":493,"copyright":21,"fieldtype":322,"meta_data":494,"is_external_url":37},175346003321344,"https://a.storyblok.com/f/98682/1920x1080/ba4feb409e/leah-giertz-hypervigilant-c-leah-barbara-mukui-giertz-2026-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":322,"meta_data":496},{},"Presented by the master’s degree program ‘Art & Science’ of the University of Applied Arts Vienna",{"type":132,"content":499},[500],{"type":135,"attrs":501,"content":502},{"textAlign":34},[503],{"text":236,"type":140,"marks":504},[505],{"type":174,"attrs":506},{"href":335,"uuid":34,"anchor":34,"target":176,"linktype":336},"Part of the exhibition [REVERBERATED]. Following the Movement of Memory ","2026-07-03 13:00","reverberated-performance-03071",-1720,[],"e3eb9f20-6f36-4d80-ad17-44e79b36a2c4","2026-05-11T08:55:54.700Z",[],{"_uid":516,"component":110,"content_entry":517},"7784811c-5dbe-4368-ad57-40c01b4c057c",{"id":518,"url":21,"linktype":113,"fieldtype":114,"cached_url":519,"story":520},"15d783f9-7049-4656-82d1-d8982ca83f69","program/reverberated-performance_03072",{"name":521,"created_at":522,"published_at":523,"updated_at":524,"id":525,"uuid":518,"content":526,"slug":672,"full_slug":519,"sort_by_date":34,"position":340,"tag_list":673,"is_startpage":37,"parent_id":342,"meta_data":34,"group_id":674,"first_published_at":675,"release_id":34,"lang":41,"path":34,"alternates":676,"default_full_slug":34,"translated_slugs":34,"_stopResolving":346},"Darf ich noch einen Satz? (Palimpsest for 8 speakers)","2026-04-29T10:41:21.870Z","2026-05-11T11:31:43.445Z","2026-05-11T11:31:43.460Z",171088616970511,{"_uid":123,"component":124,"propDateEnd":527,"propCategory":528,"propIsOnline":37,"propDateStart":21,"propMainContent":529,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":652,"propDateAndTimeOfOpening":359},"2026-07-03 14:00","sound performance",[530],{"_uid":129,"component":130,"propCredits":531,"propEntryInMainContent":546},{"type":132,"content":532},[533,537,541],{"type":135,"attrs":534,"content":535},{"textAlign":34},[536],{"text":139,"type":140},{"type":135,"attrs":538,"content":539},{"textAlign":34},[540],{"text":145,"type":140},{"type":135,"attrs":542,"content":543},{"textAlign":34},[544],{"text":545,"type":140},"Preview image: Leonard Otterbein, Darf ich noch einen Satz? (Palimpsest for 8 speakers) (c) Leonard Otterbein, 2026",[547,567,577,584,598,605,612,623,643],{"_uid":548,"component":154,"propRichtext":549},"810996b5-de16-4609-881d-f84b712b8e96",{"type":132,"content":550},[551,562],{"type":135,"attrs":552,"content":553},{"textAlign":34},[554,556,560],{"text":555,"type":140},"The audio performance ",{"text":557,"type":140,"marks":558},"Darf ich noch einen Satz? (Palimpsest for 8 speakers) ",[559],{"type":232},{"text":561,"type":140},"explores how sound can model processes of memory formation and transformation. ",{"type":135,"attrs":563,"content":564},{"textAlign":34},[565],{"text":566,"type":140},"Layered oscillations and brief sound textures repeat with phase shifts, gradually overlapping and partially canceling each other out, much like the traces in an overwritten manuscript. The work is inspired by memory research on reconsolidation – in which recalling an event alters its stored form – and its cultural studies counterpart, reconstructivity. The piece is composed of multiple layers of sound that continuously overlap anew, attempting to cancel each other out in the process. 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",{"type":135,"attrs":718,"content":719},{"textAlign":34},[720],{"text":721,"type":140,"marks":722},"Bright yellow becomes a quiet declaration of care, resistance, and return. Here, the body is reclaimed as homeland, shaped by experience rather than imposed borders. ",[723],{"type":199,"attrs":724},{"class":201},{"type":135,"attrs":726,"content":727},{"textAlign":34},[728],{"text":729,"type":140},"The work is rooted in a deep commitment to women’s health and critical scientific perspectives, engaging forms of embodied knowledge that have long been ignored or erased. The body becomes both evidence and memory, offering its own geography as a space of protection, defiance, and belonging. 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",{"type":135,"attrs":1188,"content":1189},{"textAlign":34},[1190],{"text":1191,"type":140},"Living systems exist in constant exchange and ongoing interaction with their environments, continuously transforming themselves in the process. ",{"type":135,"attrs":1193,"content":1194},{"textAlign":34},[1195],{"text":1196,"type":140},"By listening also to the sounds of more-than-human nature, we may begin to perceive these dynamic relationships more consciously – and perhaps sense new forms of resonance, and connectedness.",{"_uid":1198,"component":1199,"propImage":1200,"propAltText":1204,"propCaption":1205},"1c479fa0-442b-47c6-b4a1-f319aae5e91e","Component_Nested_Image",{"id":1201,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1202,"copyright":21,"fieldtype":322,"meta_data":1203,"is_external_url":37},153020951282589,"https://a.storyblok.com/f/98682/3024x4032/e0eac55746/twimr_1_-c-mueller-divjak.jpeg",{},"grey voting box standing in wooden cabin in cashier cabin","Installation view, main cabin, cashier hall, Otto Wagner-Postsparkasse",{"_uid":1207,"component":154,"propRichtext":1208},"bb5a7945-bff6-4078-8b02-1a47fdebe2ff",{"type":132,"content":1209},[1210,1215,1220],{"type":135,"attrs":1211,"content":1212},{"textAlign":34},[1213],{"text":1214,"type":140},"THE WORLD IN MY ROOM provides a scenographic listening laboratory, a space for pausing and perceiving reciprocal influences through sound.",{"type":135,"attrs":1216,"content":1217},{"textAlign":34},[1218],{"text":1219,"type":140},"The sounds originate from various contexts of the artistic research project SENSING LIVING SYSTEMS. 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its third edition, AIL Ping-Pong circles around the term and meaning of “collapse.”",[1511],{"type":199,"attrs":1512},{"class":201},{"type":1335,"marks":1514},[1515,1517],{"type":1142,"attrs":1516},{"color":1306},{"type":287},{"text":1519,"type":140,"marks":1520},"Presented in the small vitrine of the Otto Wagner Postsparkasse, eight graduates of the University of Applied Arts Vienna open a window into their diverse artistic practices, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.",[1521],{"type":1142,"attrs":1522},{"color":1306},{"type":135,"attrs":1524},{"textAlign":34},{"_uid":1526,"component":154,"propRichtext":1527},"7746bf07-3249-4613-9a56-dc2ccfb4ccaf",{"type":132,"content":1528},[1529,1537],{"type":135,"attrs":1530,"content":1531},{"textAlign":34},[1532],{"text":1533,"type":140,"marks":1534},"How do we navigate the tension between resistance and surrender? What forms of care, adaptation, or creativity can arise from breakdown?",[1535],{"type":199,"attrs":1536},{"class":201},{"type":135,"attrs":1538,"content":1539},{"textAlign":34},[1540],{"text":1541,"type":140},"Collapse can be both an ending and a beginning – a sudden breakdown or a quiet unraveling. It might describe the fall of systems: ecological, economic, or political structures that no longer sustain themselves. It can also speak to personal or emotional states, the moments when bodies, relationships, or identities falter under pressure. 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Her performances, videos, installations and drawings deal with intensive observations of recurring, everyday acts. In her works she blurs the boundaries between art and life as well as fiction and reality, and she raises questions concerning self perception and external perception as well as the intersections of the private and the public. The theme of sleep has been a central point of her artistic work for some time now. 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Her works invite viewers to reflect on the perception of signs and symbols in everyday environments and to explore shifts in their meanings.",[1719],{"type":1142,"attrs":1720},{"color":1306},{"type":1335,"marks":1722},[1723],{"type":1142,"attrs":1724},{"color":1306},{"type":135,"attrs":1726},{"textAlign":34},{"_uid":1728,"component":154,"propRichtext":1729},"e202a6a3-e899-403f-a59a-0a9c71e2519f",{"type":132,"content":1730},[1731],{"type":135,"attrs":1732,"content":1733},{"textAlign":34},[1734,1742],{"text":1735,"type":140,"marks":1736},"Matthias Kendler",[1737,1739,1740],{"type":1142,"attrs":1738},{"color":1306},{"type":287},{"type":199,"attrs":1741},{"class":201},{"text":1743,"type":140,"marks":1744}," graduated in 2013 from the Institute of Studies in Art and Art Education. He works at the Albertina in Collection Management and as a visual artist in Vienna. His artistic practice focuses on minimalist kinetic works made of metal, wood, acrylic glass, PLA, and electronics. 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Memory is not a stable archive of the past but a dynamic and reconstructive process in which traces are continuously reshaped by perception, narration, and material conditions. ",{"type":135,"attrs":2127,"content":2128},{"textAlign":34},[2129,2131,2135,2137,2141],{"text":2130,"type":140},"The project is supported by interdisciplinary collaborations that extend the artistic inquiry into adjacent research fields. One important reference point is the ",{"text":2132,"type":140,"marks":2133},"SONIME",[2134],{"type":232},{"text":2136,"type":140}," research project",{"text":2138,"type":140,"marks":2139},",",[2140],{"type":287},{"text":2142,"type":140}," which investigates historical audio media as both cultural artifacts and material carriers of memory. Through this connection, questions of sonic preservation, migration histories, and the materiality of recorded voices become part of the exhibition’s broader investigation into how memories are stored, transmitted, and reconstructed. A second collaboration with the Vienna Cognitive Science Hub introduces perspectives from empirical aesthetics and philosophy, contributing to the exhibition’s research program on how perception, attention, and narrative interpretation shape processes of remembering.",{"type":135,"attrs":2144,"content":2145},{"textAlign":34},[2146],{"text":2147,"type":140},"Accompanying public discussions with invited researchers from relevant fields will further extend these perspectives and situate the exhibition within a broader interdisciplinary dialogue on memory, archives, and distributed forms of remembering.",{"type":135,"attrs":2149,"content":2150},{"textAlign":34},[2151],{"text":2152,"type":140},"In this sense, [REVERBERATED] positions the exhibition itself as a methodological tool. 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