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",{"type":116,"content":183},[184,187],{"text":151,"type":120,"marks":185},[186],{"type":139},{"text":188,"type":120}," is funded by the Austrian Science Fund (FWF): V-795 in the Elise Richter PEEK Program.",{"type":116,"content":190},[191,193],{"text":192,"type":120},"For more information about the project and project activities, please visit ",{"text":194,"type":120,"marks":195},"https://losttechnology.museum/",[196],{"type":123,"attrs":197},{"href":194,"uuid":34,"anchor":34,"target":126,"linktype":127},{"type":116,"content":199},[200],{"text":201,"type":120},"CURRENT EXHIBITION BY EBRU KURBAK",{"type":116,"content":203},[204,206,207,214,219,220,222,223],{"text":205,"type":120},"11 June–2 July 2021",{"type":131},{"text":208,"type":120,"marks":209},"Chronolace Studies: The Standstill Crochet",[210,213],{"type":123,"attrs":211},{"href":212,"uuid":34,"anchor":34,"target":126,"linktype":127}," https://www.dieangewandte.at/aktuell/ausstellungen/ausstellungen_detail?artikel_id=1621228709650",{"type":139},{"text":215,"type":120,"marks":216}," ",[217],{"type":123,"attrs":218},{"href":212,"uuid":34,"anchor":34,"target":126,"linktype":127},{"type":131},{"text":221,"type":120},"by Ebru Kurbak",{"type":131},{"text":224,"type":120},"Curated by Başak Şenova",{"type":116,"content":226},[227,229,230,232,233,235,236,238],{"text":228,"type":120},"FABRIKRAUM",{"type":131},{"text":231,"type":120},"Johnstraße 25-27",{"type":131},{"text":234,"type":120},"1150 Wien",{"type":131},{"text":237,"type":120},"Visits by appointment: ",{"text":239,"type":120,"marks":240},"hello@fabrikraum.org",[241],{"type":123,"attrs":242},{"href":239,"uuid":34,"anchor":34,"target":126,"linktype":243},"email",{"type":116},{"type":116},{"type":116},{"type":116},[249,260,288,295,303,332,338],{"_uid":250,"component":251,"propImage":252,"propAltText":258,"propCaption":259},"19e57231-1c39-4c8e-ab6c-d75064b09906","Component_Nested_Image",{"id":253,"alt":254,"name":21,"focus":34,"title":254,"filename":255,"copyright":256,"fieldtype":257},2435417,"The Museum of Lost Technology. A FWF Elise Richter PEEK project by Ebru Kurbak, © Ebru Kurbak","https://a.storyblok.com/f/98682/3024x4032/ddad15a0b3/mlt_cover01_m.jpg","© Ebru Kurbak","asset","A hand holding 3D-glasses in front of a cardboard with nails and some craft work.","The Museum of Lost Technology. An FWF Elise Richter PEEK project by Ebru Kurbak, © Ebru Kurbak",{"_uid":261,"component":262,"propRichtext":263},"98e1d584-849a-4c06-9f1a-015c2a1fa40d","Component_Nested_Richtext",{"type":113,"content":264},[265,277,286],{"type":266,"attrs":267,"content":269},"heading",{"level":268,"textAlign":34},2,[270],{"text":271,"type":120,"marks":272},"About the project ",[273],{"type":274,"attrs":275},"styled",{"class":276},"h3",{"type":116,"attrs":278,"content":279},{"textAlign":34},[280,284],{"text":281,"type":120,"marks":282},"The Museum of Lost Technology ",[283],{"type":139},{"text":285,"type":120},"seeks new and original positions for ‘women’s work’ in technology-engaged art frameworks. With this artistic research project, Ebru Kurbak explores textiles in the art and technology context with a historical perspective on the gender politics of matter, materials and making. Through practice-led research, the artist aims to challenge expectations brought up by media arts and tech-arts to discover and expose systemic biases rooted in history.",{"type":116,"attrs":287},{"textAlign":34},{"_uid":289,"component":251,"propImage":290,"propAltText":294,"propCaption":259},"0214c12f-7726-4d8f-b832-a3858fb073b3",{"id":291,"alt":292,"name":21,"focus":34,"title":292,"filename":293,"copyright":256,"fieldtype":257},2435403,"Ebru Kurbak: The Museum of Lost Technology","https://a.storyblok.com/f/98682/3024x4032/258c366635/mlt_cover02_m.jpg","An experimental set-up of colors, thread, needles and a hand showing some results in fron of grey background.",{"_uid":296,"component":262,"propRichtext":297},"253bb2c5-10d9-4dd3-896b-f9561bb8c7e9",{"type":113,"content":298},[299],{"type":116,"content":300},[301],{"text":302,"type":120},"The project departs from the idea that inventions are products of not only the intellectual capacity of the inventors but also their practical knowledge and skills. In the West, not only women but also their particular knowledge had been excluded from official sites of research for centuries. Over the course of the 4-year-project, Kurbak will carry out experiments at the intersections of textiles and scientific subjects to excavate ‘lost possibilities’ unimaginable in the past due to the gendered social and spatial segregation of knowledge. Directed towards a speculative museum of technology, the studio inquiry searches for an imaginative collection of information, techniques and technologies that could have been conceived – but never were. The experimentation process is supported by conversations with experts from different scientific fields as well as art theoretical research, museum surveys, comparative histories and creative writing.",{"_uid":304,"component":262,"propRichtext":305},"71e686b3-f127-4424-8f8d-746d096bf057",{"type":113,"content":306},[307],{"type":308,"content":309},"blockquote",[310,325,327],{"type":116,"attrs":311,"content":312},{"textAlign":34},[313,318],{"text":314,"type":120,"marks":315},"Ebru, ",[316],{"type":274,"attrs":317},{"class":276},{"text":319,"type":120,"marks":320},"how do you transform understanding?",[321,323],{"type":322},"bold",{"type":274,"attrs":324},{"class":276},{"type":116,"attrs":326},{"textAlign":34},{"type":116,"attrs":328,"content":329},{"textAlign":34},[330],{"text":331,"type":120},"My approach to transforming understanding prioritizes an open-ended and open-minded material investigation. The challenge here always is finding ways to precisely frame the research but at the same time avoid the limits of any predefined output. In my current project, I will be looking at two particular sites as a method to do this. Both ‘the lab’ and ‘the museum’, in scope of the project, are understood as significant sites where truth is produced through the sorting of materials, objects, knowledge and practices. By moving my initial focus from the object, the thing, to the setting of the site, I intend to give myself the space to acknowledge the agency of materials and material processes, and trigger transformation.",{"_uid":333,"component":251,"propImage":334,"propAltText":337,"propCaption":259},"170675ac-0101-43a1-8fb6-df1b9707cc45",{"id":335,"alt":254,"name":21,"focus":34,"title":254,"filename":336,"copyright":256,"fieldtype":257},2435424,"https://a.storyblok.com/f/98682/2400x1800/f9eb759d9b/ebrukurbak_m.jpg","Artistic researcher Ebru Kurbak, portrait",{"_uid":339,"component":262,"propRichtext":340},"0823e5f8-9c06-4ff7-8de5-d5268836a08e",{"type":113,"content":341},[342],{"type":116,"content":343},[344],{"text":345,"type":120},"Ebru Kurbak is an artist driven by her interest in the hidden political nature of everyday spaces, technologies, and practices. Her works have been exhibited at the MAK, Ars Electronica Festival, ZKM, Siggraph, LABoral, EYEBEAM, and Istanbul Design Biennial, among other international venues. Kurbak was awarded the Art + Technology Grant by the Los Angeles County Museum of Arts in 2019, and currently is Elise Richter PEEK Fellow and Visiting Professor at the University of Applied Arts Vienna.",[347],{"_uid":348,"component":349,"propColor":350,"propSubheadline":354,"propPreviewImage":355,"propPreviewVideo":358,"propMakeTextWhite":359,"propDescriptionLong":360,"propMetaInformation":361,"propMetadescription":378,"propDescriptionShort":379},"a74fcfb7-6946-49f9-b7a7-28cc99e9c734","Component_HeaderInformation",{"_uid":351,"color":352,"plugin":353},"61ae5b29-220e-4439-b98a-08d05447d65e","#1b49b0","native-color-picker"," A project from ZFF – Zentrum Fokus Forschung (University of Applied Arts Vienna)",{"id":356,"alt":21,"name":21,"focus":34,"title":21,"filename":357,"copyright":256,"fieldtype":257},2435514,"https://a.storyblok.com/f/98682/1920x2560/6f2174a78e/mlt_cover01_m_gerastert.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":257},true,"Each month, AIL presents a selected research project realised at the ZFF, the department for postgraduate research projects in the field of art and science. Ebru Kurbak‘s “The Museum of Lost Technology” seeks new and original positions for “women’s work” in technology-engaged art frameworks. ",{"type":113,"content":362},[363,377],{"type":116,"content":364},[365,371,372,376],{"text":366,"type":120,"marks":367},"Zentrum Fokus Forschung",[368],{"type":123,"attrs":369},{"href":370,"uuid":34,"anchor":34,"target":126,"linktype":127},"https://zentrumfokusforschung.uni-ak.ac.at/en/",{"type":131},{"text":151,"type":120,"marks":373},[374],{"type":123,"attrs":375},{"href":194,"uuid":34,"anchor":34,"target":126,"linktype":127},{"type":131},{"type":116},"\"The Museum of Lost Technology\" by Ebru Kurbak seeks new and original positions for “women’s work” in technology-engaged art frameworks. ","Showcase presents selected projects, topics and fields of research from die Angewandte.","ebru-kurbak-the-museum-of-lost-technology","explore/ebru-kurbak-the-museum-of-lost-technology",840,[],29265108,"ec88ebbe-b95c-4274-9561-70a08f8e4564","2021-06-15T13:05:08.000Z",[],{"type":139},{"type":144,"content":390},[391],{"type":116,"content":392},[393,395,396],{"text":394,"type":120},"Cordula Daus",{"type":131},{"text":397,"type":120,"marks":398},"Outer Woman",[399,550],{"type":123,"attrs":400},{"href":401,"uuid":402,"anchor":34,"target":126,"linktype":157,"story":403},"/explore/cordula-daus-outer-woman","e26030c5-700b-4d5b-88fe-28c6813e2f7c",{"name":404,"created_at":405,"published_at":406,"updated_at":407,"id":408,"uuid":402,"content":409,"slug":543,"full_slug":544,"sort_by_date":34,"position":545,"tag_list":546,"is_startpage":37,"parent_id":384,"meta_data":34,"group_id":547,"first_published_at":548,"release_id":34,"lang":41,"path":34,"alternates":549,"default_full_slug":34,"translated_slugs":34,"_stopResolving":359},"Showcase: Cordula Daus – Outer Woman","2021-05-13T10:35:37.383Z","2026-01-12T12:20:53.125Z","2026-01-12T12:21:23.044Z",50142359,{"_uid":410,"component":106,"propCategory":107,"propMainContent":411,"propHeaderInformation":518},"78c57dce-0a7b-4454-b574-36e7d7b9e1d5",[412],{"_uid":413,"component":111,"propCredits":414,"propEntryInMainContent":450},"2fc26ea6-2b8d-453a-a4f8-4d54e4de1834",{"type":113,"content":415},[416,423,447,448,449],{"type":116,"content":417},[418,419,422],{"text":175,"type":120},{"text":177,"type":120,"marks":420},[421],{"type":139},{"text":181,"type":120},{"type":116,"content":424},[425,431,432,438,439,445],{"text":426,"type":120,"marks":427},"Learn more",[428],{"type":123,"attrs":429},{"href":430,"uuid":34,"anchor":34,"target":126,"linktype":127},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1601471803900",{"type":131},{"text":433,"type":120,"marks":434},"Language-based Artistic Research Group",[435],{"type":123,"attrs":436},{"href":437,"uuid":34,"anchor":34,"target":126,"linktype":127},"https://www.researchcatalogue.net/view/835089/835129",{"type":131},{"text":440,"type":120,"marks":441},"Toponymisches Heft",[442],{"type":123,"attrs":443},{"href":444,"uuid":34,"anchor":34,"target":126,"linktype":127},"https://toponymy.wordpress.com/about/",{"text":446,"type":120},", a journal by Cordula Daus (available in English and German)",{"type":116},{"type":116},{"type":116},[451,456,510],{"_uid":452,"component":453,"propVideoId":454,"propVideoType":455},"35d5ddbd-0126-4ddf-92a2-705461f3babd","Component_Nested_Video","546957583","vimeo",{"_uid":457,"component":262,"propRichtext":458},"5155a865-62da-42a3-9892-cb62291af1e9",{"type":113,"content":459},[460,468,478,483,485,493,506,508],{"type":266,"attrs":461,"content":462},{"level":268,"textAlign":34},[463],{"text":464,"type":120,"marks":465},"About the Project",[466],{"type":274,"attrs":467},{"class":276},{"type":116,"attrs":469,"content":470},{"textAlign":34},[471,473,476],{"text":472,"type":120},"We’re all of women born. What if this fundamental biological fact was put into question? The artistic research project ",{"text":397,"type":120,"marks":474},[475],{"type":139},{"text":477,"type":120}," examines the concept of a creation and birth through an artificial womb.",{"type":116,"attrs":479,"content":480},{"textAlign":34},[481],{"text":482,"type":120},"In the course of her investigation, the writer-artist Cordula Daus will create a script for an artificial uterus. She will inquire about the state of the art in the biological sciences, and develop alternate scenarios of gestation beyond the mother. The outer woman and her world will not be created by one writer alone but in mutual exchange with bioscientists, midwives, philosophers, bioethicists, as well as other researchers, performers, and artists. They will not only provide materials for a narration but collaborate in the development of new methods of feminist thinking, of artistic research and writing.",{"type":116,"attrs":484},{"textAlign":34},{"type":116,"attrs":486,"content":487},{"textAlign":34},[488],{"text":489,"type":120,"marks":490},"Cordula, how do you transform understanding?",[491],{"type":274,"attrs":492},{"class":276},{"type":308,"content":494},[495],{"type":116,"attrs":496,"content":497},{"textAlign":34},[498,500,501,503,504],{"text":499,"type":120},"How does understanding form you?",{"type":131},{"text":502,"type":120},"Does understanding transform your how?",{"type":131},{"text":505,"type":120},"How do you understand ‘under-standing’?",{"type":116,"attrs":507},{"textAlign":34},{"type":116,"attrs":509},{"textAlign":34},{"_uid":511,"component":262,"propRichtext":512},"e7e74156-88da-4947-90cf-c8b28c5303d2",{"type":113,"content":513},[514],{"type":116,"content":515},[516],{"text":517,"type":120},"Cordula Daus is a writer-artist working across theory, fiction and performance. Her books, lecture performances and live audio plays have been presented at Research Pavilion #3 (Venice), Wiener Festwochen, Centre d'Art Santa Mònica (Barcelona), Conceptual Poetics Day/Akademie der Künste (Berlin), among others. Daus is the co-founder of the Special Interest Group on Language-based Artistic Research (SAR) and an Elise Richter PEEK research fellow (FWF).",[519],{"_uid":520,"component":349,"propColor":521,"propSubheadline":524,"propPreviewImage":525,"propPreviewVideo":528,"propMakeTextWhite":359,"propDescriptionLong":21,"propMetaInformation":533,"propMetadescription":541,"propDescriptionShort":542},"0ad91665-9a7b-4600-ae48-1e8f643fc06f",{"_uid":522,"color":523,"plugin":353},"73390241-714d-4f23-892c-c0a7cae2e507","#099af4","A project from ZFF – Zentrum Fokus Forschung (University of Applied Arts Vienna)",{"id":526,"alt":21,"name":21,"focus":34,"title":21,"filename":527,"copyright":21,"fieldtype":257},2314954,"https://a.storyblok.com/f/98682/x/aa47dfd6d6/outer_woman_final.mp4",{"id":529,"alt":530,"name":21,"focus":34,"title":531,"filename":532,"copyright":394,"fieldtype":257},2315378,"Trailer_ Outer Woman by Cordula Daus","Outer Woman by Cordula Daus","https://a.storyblok.com/f/98682/x/482f84f851/outer_woman_final.mp4",{"type":113,"content":534},[535],{"type":116,"content":536},[537],{"text":366,"type":120,"marks":538},[539],{"type":123,"attrs":540},{"href":370,"uuid":34,"anchor":34,"target":126,"linktype":127},"We’re all of women born. What if this fundamental biological fact was put into question? The artistic research by Cordula Daus examines the concept of","Showcase presents selected projects, topics and fields of research from die Angewandte","cordula-daus-outer-woman","explore/cordula-daus-outer-woman",880,[],"f69d0439-8496-4a67-a14f-fc6b1f4b3af9","2021-05-13T11:38:17.000Z",[],{"type":139},{"type":116},[553,556,577,585,605,611],{"_uid":554,"component":453,"propVideoId":555,"propVideoType":455},"7d7f0562-791a-49a5-a250-8edb2cb4233d","410246148",{"_uid":557,"component":262,"propRichtext":558},"38b02329-97be-4f0b-a907-d989187bdd6a",{"type":113,"content":559},[560,568],{"type":266,"attrs":561,"content":562},{"level":268,"textAlign":34},[563],{"text":564,"type":120,"marks":565},"About the project",[566],{"type":274,"attrs":567},{"class":276},{"type":116,"attrs":569,"content":570},{"textAlign":34},[571,575],{"text":572,"type":120,"marks":573},"Non Stop Stop Motion",[574],{"type":139},{"text":576,"type":120}," is a series of experiments that took place from 2014 till 2020 and investigate where we can find the essence of cinematic illusion when we look at everyday life and what happens when we use everyday situations, objects, actions and spaces as cinematographic mechanisms. The film follows the attempts and the failures of an artist to understand the mechanics of motion and cinematography and her desires to find new ways of storytelling.",{"_uid":578,"component":251,"propImage":579,"propAltText":581,"propCaption":584},"6e9bd01d-ce77-45d0-ac45-a884cba00b7f",{"id":580,"alt":581,"name":21,"focus":34,"title":581,"filename":582,"copyright":583,"fieldtype":257},2593622,"Anna Vasof: Non Stop Stop Motion, Still","https://a.storyblok.com/f/98682/1920x1080/bbfb157618/non-stop-stop-motion-2.jpg","Anna Vasof","Filmstill from Anna Vasof: Non Stop Stop Motion, © Anna Vasof",{"_uid":586,"component":262,"propRichtext":587},"04e261be-4482-46d0-9954-bc3e1dde60ba",{"type":113,"content":588},[589],{"type":308,"content":590},[591,599],{"type":116,"attrs":592,"content":593},{"textAlign":34},[594],{"text":595,"type":120,"marks":596},"Anna, how do you transform understanding?",[597],{"type":274,"attrs":598},{"class":276},{"type":116,"attrs":600,"content":601},{"textAlign":34},[602,603],{"type":131},{"text":604,"type":120},"When I use the words understanding and transformation I start immediately feeling pretentious that's why I would like to take the opportunity to talk about research through artistic practice, an area where these words are circulating a lot. Great artists did always research, but what changes now, is that we start establishing educational and funding programs for research through art practice. Through this change, research through art practice can be an opportunity for artists to start communicating research questions, failures and processes that can have serious impact to many other fields and disciplines, but it can also be used as an excuse for excuses. In order to start transforming our narrow and problematic world we need less professional art researchers who jump from one topic to the other finding connections and more deeply curious people who are willing to risk their position and question systems.",{"_uid":606,"component":251,"propImage":607,"propAltText":610,"propCaption":584},"cd9b7670-8758-4701-b743-b2ef5f53ebea",{"id":608,"alt":21,"name":21,"focus":34,"title":21,"filename":609,"copyright":21,"fieldtype":257},2593624,"https://a.storyblok.com/f/98682/1920x1080/1a46f49611/non-stop-stop-motion-1.jpg","Filmstill from Anna Vasof: Non Stop Stop Motion",{"_uid":612,"component":262,"propRichtext":613},"696407ec-e355-4cb0-9a42-5f6ec8ac892f",{"type":113,"content":614},[615,623],{"type":116,"attrs":616,"content":617},{"textAlign":34},[618],{"text":619,"type":120,"marks":620},"Anna Vasof ",[621],{"type":274,"attrs":622},{"class":276},{"type":116,"attrs":624,"content":625},{"textAlign":34},[626,628,631],{"text":627,"type":120},"is an architect and media artist. Born in 1985, she studied architecture at the University of Thessaly (2010) in Greece and Transmedia Art (2014) at the University of Applied Arts in Vienna. Since 2004 her videos and short movies have been presented in several festivals, some of them winning distinctions. At 2020 she finished her Ph.D. thesis about a cinematographic technique that she developed with the title ",{"text":572,"type":120,"marks":629},[630],{"type":139},{"text":632,"type":120},". 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