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Where do patriarchal inscriptions, gender identities or stereotyping hide in the field of artificial intelligence, what is reproduced in future technologies? 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The points I have collected are little notations in the narrative.",{"type":115,"attrs":1153,"content":1154},{"textAlign":34},[1155],{"text":1156,"type":119},"Have a look for yourself: from a distance, many points seem to form a unity, but if you get close, you are just a point in a vast field of points trying to make sense of it.",{"_uid":1158,"component":460,"propImage":1159,"propAltText":1162,"propCaption":1163},"dc05153f-2d00-4249-9140-d9edab0ebce0",{"id":1160,"alt":21,"name":21,"focus":34,"title":21,"filename":1161,"copyright":21,"fieldtype":202},3030437,"https://a.storyblok.com/f/98682/1920x1080/834ce9615a/crisis_georgios-albanis_black_new-36.jpg","Videostill","All images Video stills.",[1165],{"_uid":1166,"component":203,"propColor":1167,"propSubheadline":1170,"propPreviewImage":1171,"propPreviewVideo":1172,"propMakeTextWhite":37,"propDescriptionLong":1173,"propMetaInformation":1174,"propMetadescription":1179,"propDescriptionShort":1180},"175c6588-d0f1-43b5-8a95-74344b0b67bd",{"_uid":1168,"color":1169,"plugin":207},"397bc20d-8fe5-44c3-901d-def76f14184b","#cfb7e6","Georgios Albanis\nVideo, 08 min 23 sec",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},"How did the human species achieve that power?\n\nAnd, why is it not used to alter the crisis we have been creating for so long?\n\nI don’t know. 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","o-bi-gi-dede","explore/o-bi-gi-dede",680,[],"07d83d23-49e7-4f2b-882e-d624468a3f03","2021-10-13T14:01:41.357Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":970,"etag":1191,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":571,"x-amz-cf-id":1192,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":1193,"x-runtime":1194,"x-xss-protection":67},"W/\"c1dc014242fdc76817dc7a6d2bc912cf\"","35RYctmLe6DHWcSHb3y5LN_z0NZ8dCsM-k7ZWQ3nhYiHrAtTnkPlVw==","a6aa3043-ddc0-4e61-a236-ee3c9116fd46","0.029789",{"data":1196,"headers":1269},{"story":1197,"cv":43,"rels":1267,"links":1268},{"name":1198,"created_at":1199,"published_at":1200,"updated_at":1201,"id":1202,"uuid":1203,"content":1204,"slug":1260,"full_slug":1261,"sort_by_date":34,"position":1262,"tag_list":1263,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":1264,"first_published_at":1265,"release_id":34,"lang":41,"path":34,"alternates":1266,"default_full_slug":34,"translated_slugs":34},"Multiscalar Fluidity","2021-10-13T09:33:02.218Z","2026-01-12T12:12:06.572Z","2026-01-12T12:12:06.586Z",77508153,"a2d84e5c-761f-4882-90c3-16ce01583a7d",{"_uid":1205,"component":105,"propCategory":119,"propMainContent":1206,"propHeaderInformation":1245},"155f4526-33be-456e-a760-76b217dfd54a",[1207],{"_uid":1208,"component":110,"propCredits":1209,"propEntryInMainContent":1212},"69a9965c-a4df-4a5c-8fb7-a20b91b24d35",{"type":112,"content":1210},[1211],{"type":115},[1213,1219,1227,1232,1238],{"_uid":1214,"component":460,"propImage":1215,"propAltText":1218,"propCaption":21},"6399ed33-f8a0-4bd5-ac38-f75a36fb70b7",{"id":1216,"alt":21,"name":21,"focus":34,"title":21,"filename":1217,"copyright":21,"fieldtype":202},3031306,"https://a.storyblok.com/f/98682/3456x1944/eace5f31c1/11.jpg","Woman carries something on her head",{"_uid":1220,"component":135,"propRichtext":1221},"51c03b5f-e62c-47f7-b4c0-867010ec7fee",{"type":112,"content":1222},[1223],{"type":115,"content":1224},[1225],{"text":1226,"type":119},"Based on archival investigations, and on-site documentation through long-exposure photography and digital simulations, this research aims to expand our comprehension of the role of water as an important driver for activities within the Tamale Forest Reserve and its surroundings. By evaluating the importance of the area in terms of water regulation and distribution in Tamale, tracing its irreversible and seasonal changes, the notion of a multidimensional relational system, influenced by both natural phenomena and anthropogenic actions, appears. Simultaneously, close-up depictions implying the presence of water through long-exposure photography help to evaluate the demand for, social influence of, and attitudes towards this precious fluid. All the elements are essentially an imprint of and formulate one complex entity, related within itself through the multitude of spatial and temporal scales.",{"_uid":1228,"component":460,"propImage":1229,"propAltText":21,"propCaption":21},"b7c39ea1-6fcc-4bac-8af7-3c2c8472c1c5",{"id":1230,"alt":21,"name":21,"focus":34,"title":21,"filename":1231,"copyright":21,"fieldtype":202},3030848,"https://a.storyblok.com/f/98682/1920x1080/709cda2ed4/4.jpg",{"_uid":1233,"component":460,"propImage":1234,"propAltText":1237,"propCaption":21},"a661bc41-303c-49be-900f-d5772c86ac30",{"id":1235,"alt":21,"name":21,"focus":34,"title":21,"filename":1236,"copyright":21,"fieldtype":202},3031310,"https://a.storyblok.com/f/98682/4608x2592/8975ebee0a/12.jpg","Field Machine, Man waiting ",{"_uid":1239,"component":460,"propImage":1240,"propAltText":1243,"propCaption":1244},"cb19221c-01c5-404c-9014-068c8e2514c2",{"id":1241,"alt":21,"name":21,"focus":34,"title":21,"filename":1242,"copyright":21,"fieldtype":202},3031316,"https://a.storyblok.com/f/98682/4181x2352/86cf17312c/15.jpg","Humans in a river, filling up water","All images videostills. ",[1246],{"_uid":1247,"component":203,"propColor":1248,"propSubheadline":1251,"propPreviewImage":1252,"propPreviewVideo":1253,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1254,"propMetadescription":21,"propDescriptionShort":1259},"02738e8d-c522-45f4-ab0e-c7874fc9bb2d",{"_uid":1249,"color":1250,"plugin":207},"438b8e50-e807-4fb9-8c28-6dc4f1c51959","#e342f5","Daniil Zhiltsov\nVideo Piece, 04 min 43 sec",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"type":112,"content":1255},[1256],{"type":115,"content":1257},[1258],{"text":958,"type":119},"This research aims to expand our comprehension of the role of water as an important driver for activities within the Tamale Forest Reserve.","multiscalar-fluidity","explore/multiscalar-fluidity",700,[],"6facda66-1d91-41aa-90c5-8216b77edb19","2021-10-13T13:54:12.534Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":970,"etag":1270,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":58,"x-amz-cf-id":1271,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":1272,"x-runtime":1273,"x-xss-protection":67},"W/\"106796dfa5705051d68f9f9b5d9d6f3c\"","9UP9Qo6Mq9kMg25zpzdrBpzNKNigpnQ8NEgOpj9IYZFvTpgqahTbnw==","c471198c-4d0c-4948-858b-0e95fd714392","0.052771",{"data":1275,"headers":1374},{"story":1276,"cv":43,"rels":1372,"links":1373},{"name":1277,"created_at":1278,"published_at":1279,"updated_at":1280,"id":1281,"uuid":1282,"content":1283,"slug":1365,"full_slug":1366,"sort_by_date":34,"position":1367,"tag_list":1368,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":1369,"first_published_at":1370,"release_id":34,"lang":41,"path":34,"alternates":1371,"default_full_slug":34,"translated_slugs":34},"Second to Third Natures","2021-10-13T09:41:11.368Z","2026-01-12T12:11:29.810Z","2026-01-12T12:11:29.824Z",77509920,"8a637a7b-57af-4a13-8f80-949d2845b996",{"_uid":1284,"component":105,"propCategory":119,"propMainContent":1285,"propHeaderInformation":1350},"b2ebc42f-99c9-4763-808f-c394b0224988",[1286],{"_uid":1287,"component":110,"propCredits":21,"propEntryInMainContent":1288},"19ef5527-648a-4310-91c2-5ab42cfbb960",[1289,1295,1315,1323,1329,1337,1343],{"_uid":1290,"component":460,"propImage":1291,"propAltText":1294,"propCaption":21},"0263f235-8811-4921-93d7-99049e1852cc",{"id":1292,"alt":21,"name":21,"focus":34,"title":21,"filename":1293,"copyright":21,"fieldtype":202},3030297,"https://a.storyblok.com/f/98682/1920x1080/fc2afb67b9/trees_final.jpg","Filmstill Illustration Landkarte",{"_uid":1296,"component":135,"propRichtext":1297},"fdcaecc4-b866-4ba8-9b99-ea8a3cfb063c",{"type":112,"content":1298},[1299],{"type":115,"content":1300},[1301,1303,1307,1309,1313],{"text":1302,"type":119},"This project explores the unique ecologies that have emerged on the site of the decommissioned dam in the central area of Tamale, through an investigation of the relationships between ",{"text":1304,"type":119,"marks":1305},"Second Nature",[1306],{"type":124},{"text":1308,"type":119}," [environments created by humans for exploitation] and ",{"text":1310,"type":119,"marks":1311},"Third Nature",[1312],{"type":124},{"text":1314,"type":119}," [the organisms that emerge in a habitat that was transformed/destroyed by the humans]",{"_uid":1316,"component":135,"propRichtext":1317},"6636adc3-9d95-46b3-91e3-c43f30111c59",{"type":112,"content":1318},[1319],{"type":115,"content":1320},[1321],{"text":1322,"type":119},"Set in the broader context of a tree savanna, characterized by the seasonal fluctuations of vegetation and rapid growth cycles, this controlled agricultural landscape intertwines with spontaneously growing vegetation and hosts a myriad of animals and insects. The controlled and uncontrolled layers intersect and merge into each other along multiple temporal rhythms, resulting a variety of symbiotic and parasitic relationships between the organisms themselves, as well as with the people inhabiting the site.",{"_uid":1324,"component":460,"propImage":1325,"propAltText":1328,"propCaption":21},"f235f4ee-a465-49f3-ac4f-c69b857588ac",{"id":1326,"alt":21,"name":21,"focus":34,"title":21,"filename":1327,"copyright":21,"fieldtype":202},3030303,"https://a.storyblok.com/f/98682/4001x2251/fff3171d3c/zooms_sequence2-14.jpg","Videostill, Bäume, Landschaft",{"_uid":1330,"component":135,"propRichtext":1331},"eb921500-209f-4fc6-a241-3fd6a195ea93",{"type":112,"content":1332},[1333],{"type":115,"content":1334},[1335],{"text":1336,"type":119},"Surrounded by an encroaching urban environment, the site becomes the last biodiversity reservoir in the centre of Tamale – a city in which the urbanisation processes have nearly erased vegetation, except for a few small pockets used for cultivation that are now themselves also under the constant threat of being redeveloped. The applied research zooms in on two specific parts of the territory: the teak forest planted by the Ghanaian government for lodging, and the mosaic of tiny farming fields created in place of the dam. Due to the rapid fertility of the local flora and fauna, both monocultures are constantly being interlaced with spontaneously appearing native species – a second, more volatile, layer of the natural environment, which disrupts the steady temporal rhythm of the cultivated plants. Despite the advancing processes that try to erase them or control them, the local forms of First, Second and Third Nature remain in constant flux, creating a rich tapestry of living organisms, of which humans are only one part.",{"_uid":1338,"component":460,"propImage":1339,"propAltText":1342,"propCaption":21},"425aa963-b78d-488f-80a0-ea08fe154566",{"id":1340,"alt":21,"name":21,"focus":34,"title":21,"filename":1341,"copyright":21,"fieldtype":202},3030293,"https://a.storyblok.com/f/98682/4000x2250/917a1c0da4/growth-cycles22-01.jpg","Videostill Second to Third Natures",{"_uid":1344,"component":460,"propImage":1345,"propAltText":1348,"propCaption":1349},"55ebc904-4a35-44be-ad95-ca9ffaa2a2a2",{"id":1346,"alt":21,"name":21,"focus":34,"title":21,"filename":1347,"copyright":21,"fieldtype":202},3030301,"https://a.storyblok.com/f/98682/4001x2251/96ff6b4c16/zooms_sequence-06.jpg","Illustratiion Bäume, Videstill Agata Chomicz","All Images Videostills. ",[1351],{"_uid":1352,"component":203,"propColor":1353,"propSubheadline":1356,"propPreviewImage":1357,"propPreviewVideo":1358,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1359,"propMetadescription":21,"propDescriptionShort":1364},"a6244b44-befc-4fe1-99b5-5408b38de6ff",{"_uid":1354,"color":1355,"plugin":207},"9e0411b7-1a73-426c-8e9c-2cd295a46eba","#9d3dbd","Agata Chomicz\nVideo, 03 min 33 sec",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"type":112,"content":1360},[1361],{"type":115,"content":1362},[1363],{"text":958,"type":119},"This project explores the unique ecologies that have emerged on the site of the decommissioned dam in the central area of Tamale","second-to-third-natures","explore/second-to-third-natures",670,[],"647bb86e-c10b-4de1-bc64-90631e2b73ed","2021-10-13T14:02:29.941Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":970,"etag":1375,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":1376,"x-amz-cf-id":1377,"x-amz-cf-pop":1378,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":1379,"x-runtime":1380,"x-xss-protection":67},"W/\"0d19db9d2a10e3edd1fc27d129bfa97d\"","1.1 4d46712877ddb680a35fff57407bfc16.cloudfront.net (CloudFront)","m5b9le12_8AAbOirBAQ1kZ-Qdy-jy7HQ1dnhF9y4DYmq6S4_fSn6Hw==","ORD56-P10","db9ac780-f1de-43d5-a35f-63d035c2c6e9","0.025921",{"data":1382,"headers":1491},{"story":1383,"cv":43,"rels":1489,"links":1490},{"name":1384,"created_at":1385,"published_at":1386,"updated_at":1387,"id":1388,"uuid":1389,"content":1390,"slug":1482,"full_slug":1483,"sort_by_date":34,"position":1484,"tag_list":1485,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":1486,"first_published_at":1487,"release_id":34,"lang":41,"path":34,"alternates":1488,"default_full_slug":34,"translated_slugs":34},"My Plantain is Our Property","2021-10-13T09:34:45.792Z","2026-01-12T12:11:59.759Z","2026-01-12T12:11:59.771Z",77508164,"390965ce-75cb-4bf3-b6bb-17490c93d227",{"_uid":1391,"component":105,"propCategory":119,"propMainContent":1392,"propHeaderInformation":1466},"e6933be3-9e6f-4ca0-8391-a8361128c67a",[1393],{"_uid":1394,"component":110,"propCredits":1395,"propEntryInMainContent":1398},"9e829f56-db84-43f1-9535-e6c6b40cc4bb",{"type":112,"content":1396},[1397],{"type":115},[1399,1405,1423,1431,1437,1445,1453,1459],{"_uid":1400,"component":460,"propImage":1401,"propAltText":1404,"propCaption":21},"47b9176b-010f-4893-8292-903500822178",{"id":1402,"alt":21,"name":21,"focus":34,"title":21,"filename":1403,"copyright":21,"fieldtype":202},3030465,"https://a.storyblok.com/f/98682/1836x1073/12fc9070c5/tt_videostill-1.png","Übersicht Plantage, Opening Videostill",{"_uid":1406,"component":135,"propRichtext":1407},"705e46ec-9e9e-4d1a-995f-b257402e2675",{"type":112,"content":1408},[1409,1419],{"type":115,"content":1410},[1411,1413,1417],{"text":1412,"type":119},"The film ",{"text":1414,"type":119,"marks":1415},"My Plantain is Our Property ",[1416],{"type":124},{"text":1418,"type":119},"reflects territorial claims on the inner-urban Forest Reserve in the growing city of Tamale in northern Ghana. In urban agricultural zones, hundreds of farmers temporarily and permanently occupy fields in order to sustain their own lives and those of the local population by cultivating crops, vegetables and fruits.",{"type":115,"content":1420},[1421],{"text":1422,"type":119},"In the area of the Forest Reserve, natural and artificial markers describe ownership of the land, which is largely unregistered and exposed to informal claims. Boundaries demarcated by a row of plantain palms, for example, clarify ownership and use, but the structures of users and inhabitants with their demands on the fields overlap. The question of who is allowed to harvest the fruits of these trees leads to the discovery of the story of a single plant: the banana.",{"_uid":1424,"component":135,"propRichtext":1425},"12c6a681-011f-4c58-9f8f-57c05c5fa9fa",{"type":112,"content":1426},[1427],{"type":115,"content":1428},[1429],{"text":1430,"type":119},"Domestic, agricultural and infrastructural notions throughout the territory of the Tamale Forest Reserve represent biodiversity and coexistence that demonstrate the relationships between species in different environments within the urban-rural area and in particular, with the plantain tree. Its leaves, its cleanliness, irrigation systems, and the fruit itself are dependent on handling and contact with the environment, climate, human treatment, and the occupation of animals.",{"_uid":1432,"component":460,"propImage":1433,"propAltText":1436,"propCaption":21},"4a4693cd-6034-445a-b286-856b04655613",{"id":1434,"alt":21,"name":21,"focus":34,"title":21,"filename":1435,"copyright":21,"fieldtype":202},3030473,"https://a.storyblok.com/f/98682/1853x1080/b2736b65d3/tt_videostill-4.png","Plan Agriculture, Videostill",{"_uid":1438,"component":135,"propRichtext":1439},"330480bc-5a3e-4676-a82d-60e6ba55a633",{"type":112,"content":1440},[1441],{"type":115,"content":1442},[1443],{"text":1444,"type":119},"In the work, the viewer is guided through the narrative in chapters – Territories, Cohabitation, Fruit and Claims – that tell different stories from a larger to a smaller scale. 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Leben?","2021-03-01T15:49:27.674Z","2026-01-12T12:29:23.859Z","2026-01-12T12:29:23.876Z",39549207,"d724b351-032c-4c53-bbe4-ae74a76a331e",{"_uid":2087,"component":105,"propCategory":106,"propMainContent":2088,"propHeaderInformation":2135},"ee8c5f1a-78bc-43a3-89a0-217f44417df1",[2089],{"_uid":2090,"component":110,"propCredits":2091,"propEntryInMainContent":2097},"535dfe87-c32a-48f8-a4d1-1b4c0fd33c1a",{"type":112,"content":2092},[2093],{"type":115,"content":2094},[2095],{"text":2096,"type":119},"Video: Edward Chapon, David Pujadas Bosch",[2098,2101],{"_uid":2099,"component":130,"propVideoId":2100,"propVideoType":132},"49b6dcd3-c9a8-4b08-a1a7-705b424966ea","209621425",{"_uid":2102,"component":135,"propRichtext":2103},"c14dac36-b26a-4748-9995-696766de7a51",{"type":112,"content":2104},[2105,2113,2118,2123,2128],{"type":115,"attrs":2106,"content":2107},{"textAlign":34},[2108],{"text":2109,"type":119,"marks":2110},"What is life?",[2111],{"type":265,"attrs":2112},{"class":267},{"type":115,"attrs":2114,"content":2115},{"textAlign":34},[2116],{"text":2117,"type":119},"Everyone has a different answer to this question. Everyone sees life a little differently. A poet, a philosopher, the pope, a physicist and a chemist have different views and ideas of what life is. For the chemist, life is mainly the production of complex molecules like sugar from solar energy and carbon dioxide.",{"type":115,"attrs":2119,"content":2120},{"textAlign":34},[2121],{"text":2122,"type":119},"And how did it come into being? From the origin of the life on the earth up to the emergence of homo sapiens 3.5 billion years have passed. About 70,000 years ago, man was able for the first time to think something that does not exist. That was the birth of our culture. I will present some important events of this time to explain how we humans understand ourselves and the world.",{"type":115,"attrs":2124,"content":2125},{"textAlign":34},[2126],{"text":2127,"type":119},"Renée Schroeder is an Austrian researcher and university professor at the Department of Biochemistry at the Max F. 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Wenn man ziemlich mittel ist, das ist schon –",{"_uid":2205,"component":135,"propRichtext":2206},"10d805fa-3534-48ee-af0c-1ed70d1a411c",{"type":112,"content":2207},[2208],{"type":115,"content":2209},[2210],{"text":2211,"type":119},"Ausm Zentrum schaun wir in die Welt, wir machen uns die Welt, wie sie uns gefällt, und was uns nicht gefällt, das wird dann einfach abgeschnitten an den Rändern, einmal ordentlich abgekappt, einmal ordentlich weggetreten, einmal ordentlich weggeräumt, einmal ordentlich wegerzählt, eins zwei drei, wir erinnern uns an keine Namen, weil wir uns auch an keine Gesichter erinnern, und wenn wir uns an Gesichter erinnern, dann bloß verschwommen und aus weiter Ferne, wie so eine ziemlich anstrengende Hintergrundmusik ist das dann, wir fahren in unsrem Fahrstuhl auf und ab, na, zum Glück muss man ja nicht das ganze Leben Fahrstuhl fahren und darf sich auch schöneren Dingen zuwenden, zum Beispiel dem eigenen Spiegelgesicht. Wir erinnern uns an keine Namen. Wir erinnern uns an Täter, immerhin, manchmal erinnern wir uns an Täter, und weil wir darauf ziemlich stolz sind, weil wir auf uns nicht stolz sein können, weil wir darauf jetzt stolz sein müssen, erinnern wir uns an Täter und weil wir gerne stolz sind, ham wir uns gedacht: wir erinnern uns an Täter, mehr nicht, andere Menschen erinnern wir nicht, war da was, egal, wir erinnern uns an keine Gesichter, und an Namen ohnehin nicht, vor allem wenn sie nicht unsre sind, und wenn sie schon nicht unsre sind, dann erinnern wir uns höchstens an Namen, die man in wen reinsagt, damit der sich nicht mehr wehren kann, bis der sich nicht mehr wehrt, bis die sich nicht mehr wehrt. Alexa, wie schreibt man privilegiert? Alexa hält das Maul wie ein richtig richtige Frau. Na, da frag ich doch das Internetz, da hat doch sicher irgendso ein Mann wieder was Schlaues aufgeschrieben. Da hat doch sicher irgendein Ethnopluralist was Lautes gesagt. Da hat doch sicher irgendsoein Mensch was überschrieben, was mich vielleicht eigentlich interessiert hätt. Da hat doch sicher wer was überschrien, fuck! uff!",{"_uid":2213,"component":135,"propRichtext":2214},"42abc60f-56ff-48dc-8381-d0b272f9ab19",{"type":112,"content":2215},[2216,2224,2229],{"type":115,"attrs":2217,"content":2218},{"textAlign":34},[2219],{"text":2220,"type":119,"marks":2221},"So, und jetzt atmen wir ein bisschen gegen die Egopanik",[2222],{"type":265,"attrs":2223},{"class":267},{"type":115,"attrs":2225,"content":2226},{"textAlign":34},[2227],{"text":2228,"type":119},"Wir zählen bis drei, eins zwei drei, und manchmal zähln wir auch bis fünfzig, aber fünfzig Opfer kann sich schließlich keiner merken der sich nicht mal eines merken kann, der ohnehin nix merkt, und fünfzig Menschen ist auch ziemlich viel, die passen grade so in meine Altbauwohnung wenn ich mich dann selbst auf den Balkon, aber welcher Mensch lebt schon aufm Balkon, frag ich mich, fragen wir uns, na, aber besser als raus in die Welt, die Angst macht, weil Veränderung ja leider immer Angst macht, und weil wer Angst hat grundsätzlich ja nie selbst das Problem ist, nicht wahr, ach, die Angst die ist so groß und schwer, dass ich mich jetzt ja auch noch fürchten muss da postwendend und baldigst durchzubrechen, also noch mehr Angst, verdammt, also rein vom Balkon, und erstmal Panik, womit dann eindrücklich bewiesen wäre, dass fünfzig Menschen viele Menschen sind. Macht nichts. Was Aufnahmen betrifft da reichen schließlich ja auch Tonaufnahmen, da reichen ja auch Bilder, weil irgendwann reichts ja auch, irgendwann reichts dann aber auch mit den Bildern und mit dem klagenden Hintergrundgeräusch, also, was Aufnahmen betrifft, und wir sind ziemlich aufnahmefähig wenns um Ablenkung geht, um Ablenkung und um Lenkung, ja, wenn man eine Geschichte hat, das ist schon was Schönes, nicht wahr, und das reicht schließlich auch, oder nicht, das reicht ja schließlich an Geschichte, die reichen ja schließlich, also, unsere Geschichten, und was Aufnahmen betrifft reichen ja auch Sprachaufnahmen der eigenen Stimme, die von den eigenen vier Wänden majestätisch widerhallt. Schon schön.",{"type":609,"attrs":2230,"content":2231},{"level":803,"textAlign":34},[2232],{"text":2233,"type":119},"Hallo Solidarität, sagen wir, klar, sagen wir, das unterschreib ich, sagen wir, und wir verifiziern die steile These postwendend mit unsrem Daumenabdruck, wenn ich irgendwas bin, sagen wir, dann ist das solidarisch, Daumen hoch.",{"_uid":2235,"component":135,"propRichtext":2236},"18ecde2d-7f19-4c55-8a14-cf5d597f39fb",{"type":112,"content":2237},[2238,2244],{"type":115,"content":2239},[2240],{"text":2241,"type":119,"marks":2242},"COMMON GROUNDS ist eine Radioarbeit des Theaterkollektivs Freundliche Mitte, das – rund um den Musiker Bernhard Fleischmann, die Bühnenbildnerin und Künstlerin Philine Rinnert und die Autorin Gerhild Steinbuch – Initiativen, Vereine und Expert*innen unterschiedlichsten Alters und Backgrounds in einem kollektiven Arbeitszusammenhang verbindet. Freundliche Mitte beschäftigen sich in COMMON GROUNDS mit dem öffentlichen Raum und seiner Benutzung als „Grundrecht“ der Gesellschaft.",[2243],{"type":124},{"type":115,"content":2245},[2246],{"text":2247,"type":119,"marks":2248},"COMMON GROUNDS wurde von 13. bis 17. April 2020 auf Deutschlandfunk Kultur in der Reihe „Radiokunst im Aufnahmezustand“ im Rahmen von „Fazit“ gesendet.",[2249],{"type":124},[2251],{"_uid":2252,"component":203,"propColor":2253,"propSubheadline":2256,"propPreviewImage":2257,"propPreviewVideo":2258,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2259,"propMetadescription":21,"propDescriptionShort":2269},"d97c3109-b25b-4f9f-85a7-70efe20e84b2",{"_uid":2254,"color":2255,"plugin":207},"49869ab0-53e1-4a29-940f-6c66070cba89","#a0e993","From our Newsletter 2020",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"type":112,"content":2260},[2261],{"type":115,"content":2262},[2263],{"text":2264,"type":119,"marks":2265},"Institut für Sprachkunst",[2266],{"type":177,"attrs":2267},{"href":2268,"uuid":34,"anchor":34,"target":180,"linktype":181},"https://sprachkunst.uni-ak.ac.at/","COMMON GROUNDS – 4.\nManchmal hab ich so eine Wut, dass ich die ganze Zeit nur kotzen könnte","gerhild-steinbuch-servus-welt-sagt-der-mensch","explore/gerhild-steinbuch-servus-welt-sagt-der-mensch",440,[],"ee810b58-8516-4dab-9a5a-135d3b420f56","2022-01-10T14:30:31.107Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":2072,"etag":2280,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":2281,"x-amz-cf-id":2282,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":2283,"x-runtime":2284,"x-xss-protection":67},"W/\"be904674ed77896d56277c9da3331af1\"","1.1 1f0befe1f0c7d5efec2c028b0e0af7ea.cloudfront.net (CloudFront)","DwPY_4R1Xw4daox3-GLLha5SstqRNvcVTiBSnVLihjsABOq3anwfiA==","7eead1d5-f91f-4643-bf60-14d9bd2dd5d4","0.033552",{"data":2286,"headers":2397},{"story":2287,"cv":43,"rels":2395,"links":2396},{"name":2288,"created_at":2289,"published_at":2290,"updated_at":2291,"id":2292,"uuid":2293,"content":2294,"slug":2388,"full_slug":2389,"sort_by_date":34,"position":2390,"tag_list":2391,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":2392,"first_published_at":2393,"release_id":34,"lang":41,"path":34,"alternates":2394,"default_full_slug":34,"translated_slugs":34},"In Conversation: Ecologies & Politics of the Living","2022-03-02T12:50:17.792Z","2026-01-12T11:16:38.822Z","2026-01-12T11:16:38.835Z",112384419,"bd28b8df-1fd5-4867-b008-02c4372c7c2e",{"_uid":2295,"component":105,"propCategory":332,"propMainContent":2296,"propHeaderInformation":2341},"e8d504db-3cf0-4c3e-92dc-509196ffc3ba",[2297],{"_uid":2298,"component":110,"propCredits":2299,"propEntryInMainContent":2313},"741b19b9-7502-46d4-a95b-f31d124ec35b",{"type":112,"content":2300},[2301,2305,2309],{"type":115,"content":2302},[2303],{"text":2304,"type":119},"Concept & Production: Elisabeth Falkensteiner\u2028",{"type":115,"content":2306},[2307],{"text":2308,"type":119},"Signation: Philipp Carbotta",{"type":115,"content":2310},[2311],{"text":2312,"type":119},"All images: Elisabeth Falkensteiner",[2314,2317,2329,2333],{"_uid":2315,"component":353,"propAudioSrc":2316,"propAudioType":355},"7826b24f-02db-480d-873e-1343eb6c62c1","https://soundcloud.com/ailvienna/ail-podcast-exhibition-ecologies-politics-of-the-living",{"_uid":2318,"component":135,"propRichtext":2319},"613383ea-d601-4ba9-bae9-1e1ad28c15ed",{"type":112,"content":2320},[2321,2325],{"type":115,"content":2322},[2323],{"text":2324,"type":119},"This podcast is based on recordings made during the curatorial research by co-curator Li Falkensteiner in Ghana in February 2020 and material sent by the individual artists and others. The compilation of the podcast is based on a very associative way and highlights background information as well as further questions about the artistic works and approaches to some of the exhibited artists and curators.",{"type":115,"content":2326},[2327],{"text":2328,"type":119},"In addition to the publication of the exhibition, this podcast poses philosphical questions about the living matter, historical circumstances of exploitation and western hegemony and artistic engagement with post-anthropocene perspectives.",{"_uid":2330,"component":460,"propImage":2331,"propAltText":2332,"propCaption":21},"3203ce07-261c-4a0b-93e4-95ba038ab3a2",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":202},"view on site, ghana",{"_uid":2334,"component":135,"propRichtext":2335},"1e2aba07-ec7f-4074-ba96-c7f54902da52",{"type":112,"content":2336},[2337],{"type":115,"content":2338},[2339],{"text":2340,"type":119},"Audio recordings from and conversations with Eric Gyamfi, Uriel Orlow, co-curators Ibrahim Mahama and Baerbel Mueller, Mae-ling Lokko and Selassie Atadike, Tracy Thompson and Robin Riskin (out of Tracy Thompson (transfigurations, aural webbing by Robin Riskin & audio quality tuning by Robin Shore)",[2342],{"_uid":2343,"component":203,"propColor":2344,"propSubheadline":2347,"propPreviewImage":2348,"propPreviewVideo":2351,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2352,"propMetadescription":2387,"propDescriptionShort":21},"01633ee5-0af7-4579-8667-fd78b14b9ca5",{"_uid":2345,"color":2346,"plugin":207},"ded667c6-2ea1-4f5f-9f12-faae2aca8046","#a4ebb0","Based on recordings made during the curatorial research by co-curator Li Falkensteiner in Ghana in February 2020 and material sent by the individual artists and 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Visit",[2375],{"type":177,"attrs":2376},{"href":2377,"uuid":2378,"anchor":34,"target":180,"linktype":1667},"/explore/studio-visit-tracy-thompson","263b72c6-f1d6-4b93-b2b7-034473c6188a",{"type":624},{"text":2381,"type":119,"marks":2382},"Behind the Scenes",[2383],{"type":177,"attrs":2384},{"href":2385,"uuid":2386,"anchor":34,"target":180,"linktype":1667},"/explore/behind-the-scenes-eric","38761ad6-4b1d-4d51-b12f-02b7c494454b","Podcast","in-conversation-ecologies-politics-of-the-living","explore/in-conversation-ecologies-politics-of-the-living",20,[],"fc39fbb3-06f0-4485-a2d1-439044913fab","2022-03-02T12:58:49.650Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":2072,"etag":2398,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":571,"x-amz-cf-id":2399,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":2400,"x-runtime":2401,"x-xss-protection":67},"W/\"800fccec3d38ed6163d7a141cc7e7c35\"","zyfuAund243XoSqz0S19Dc_kZyTsh8yuAJg8-XkuFtTAkW04Y5XOUw==","67c3b7ca-7ba4-45de-8d7a-ddbc3883fedb","0.087295",{"data":2403,"headers":2490},{"story":2404,"cv":43,"rels":2488,"links":2489},{"name":2405,"created_at":2406,"published_at":2407,"updated_at":2408,"id":2409,"uuid":2410,"content":2411,"slug":2481,"full_slug":2482,"sort_by_date":34,"position":2483,"tag_list":2484,"is_startpage":37,"parent_id":876,"meta_data":34,"group_id":2485,"first_published_at":2486,"release_id":34,"lang":41,"path":34,"alternates":2487,"default_full_slug":34,"translated_slugs":34},"Wolf Singer: Neuronal Principles of Consciousness","2022-01-04T16:13:00.625Z","2026-01-13T14:46:26.911Z","2026-01-13T14:46:26.925Z",95809586,"0c2844f9-3654-4d39-9d3d-dd57fbd7dc95",{"_uid":2412,"component":684,"propDateEnd":2413,"propCategory":2414,"propIsOnline":37,"propDateStart":21,"propMainContent":2415,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2468,"propDateAndTimeOfOpening":2480},"db142e3c-c749-4598-bca9-58fde79ef817","2016-01-07 20:00","talk",[2416],{"_uid":2417,"component":110,"propCredits":2418,"propEntryInMainContent":2424},"9e8f789d-94d3-4729-bf21-a3b67322f3a1",{"type":112,"content":2419},[2420],{"type":115,"content":2421},[2422],{"text":2423,"type":119},"Photos: Martina Lajzcak",[2425,2428,2440,2447,2455,2462],{"_uid":2426,"component":130,"propVideoId":2427,"propVideoType":132},"5cb19072-312d-4116-99e4-87d6eee33268","184970876",{"_uid":2429,"component":135,"propRichtext":2430},"df5c7c89-ec20-4bf6-b299-07d8cbc2957c",{"type":112,"content":2431},[2432,2436],{"type":115,"content":2433},[2434],{"text":2435,"type":119},"Neurobiology posits that all mental phenomena we experience ourselves and see in others are the result and not the origin of neuronal processes. These phenomena include our cognition, emotions, thoughts, decisions and our consciousness. For almost three decades, an increasing number of brain researchers has been trying to find the neuronal correlatives to our consciousness. The research field is quite diverse: Some are interested in finding the required conditions for a brain to be ‘conscious’, to perform in a way that can be called ‘conscious’. This usually points to a distinction between unconscious and conscious processes. Others focus on the ‘hard problem’ of how immaterial connotations of the content of consciousness, which can only be determined subjectively, can be related to material neuronal processes, which can be viewed from the outside perspective of the involved scientist. ",{"type":115,"content":2437},[2438],{"text":2439,"type":119},"This lecture will discuss the findings of both research approaches to point out the limitations of the neuroscientific explanation attempts. The presentation will suggest that these limitations are the products of a naturalist approach that we need to overcome by thinking of mental phenomena as social realities that require further interpretation in the context of cultural evolution and epigenetic self-modification.",{"_uid":2441,"component":460,"propImage":2442,"propAltText":2445,"propCaption":2446},"77ff770c-aef0-42e3-aefb-0248e8de4770",{"id":2443,"alt":21,"name":21,"focus":34,"title":21,"filename":2444,"copyright":21,"fieldtype":202},3593330,"https://a.storyblok.com/f/98682/800x1198/a7ecbf641c/singer_lajczakmartina.jpg","Wolf Singer during the Lecture ","Wolf Singer during his talk",{"_uid":2448,"component":135,"propRichtext":2449},"fd55e227-5bd7-43f8-882c-f4c8aa7b2bd4",{"type":112,"content":2450},[2451],{"type":115,"content":2452},[2453],{"text":2454,"type":119},"Wolf Singer was born in Munich in 1943 and studied medicine in Munich and Paris, completed his PhD at Ludwig Maximilian University of Munich and habilitated at TU Munich. He was director of the Department of Neurophysiology at the Max Planck Institute for Brain Research in Frankfurt and founding director of the Frankfurt Institute for Advanced Studies (FIAS) as well as the Ernst Strüngmann Institute for Neuroscience (ESI). He was also head of the Ernst Strüngmann Science Forum in Frankfurt. His research focuses on the neuronal processes of cognitive performance and is primarily concerned with the binding problem, which poses the question of how sensory processes in different brain regions are combined into a single coherent cognition.",{"_uid":2456,"component":460,"propImage":2457,"propAltText":2460,"propCaption":2461},"8413e7c6-663e-4e1d-8991-d92503bf6d88",{"id":2458,"alt":21,"name":21,"focus":34,"title":21,"filename":2459,"copyright":21,"fieldtype":202},3593331,"https://a.storyblok.com/f/98682/1000x1498/36e68b3dd5/ail_singer_lajczakmartina28.jpg","People sitting outside and discussing","Discussions after the Talk",{"_uid":2463,"component":460,"propImage":2464,"propAltText":2467,"propCaption":21},"0832ce7a-bb4a-4afa-8f5c-d22e47aaf998",{"id":2465,"alt":21,"name":21,"focus":34,"title":21,"filename":2466,"copyright":21,"fieldtype":202},3593332,"https://a.storyblok.com/f/98682/1011x675/5dd80ebcf1/ail_singer_lajczakmartina29.jpg","People standing outside AIL",[2469],{"_uid":2470,"component":203,"propColor":2471,"propSubheadline":2474,"propPreviewImage":2475,"propPreviewVideo":2478,"propMakeTextWhite":37,"propDescriptionLong":2479,"propMetaInformation":21,"propMetadescription":21,"propDescriptionShort":21},"2736123f-6582-4583-ac8a-dff0717ff238",{"_uid":2472,"color":2473,"plugin":207},"9302a877-dee5-44b2-8b6c-522a89d1f162","#c452e0","This lecture will discuss the findings of both research approaches to point out the limitations of the neuroscientific explanation attempts",{"id":2476,"alt":21,"name":21,"focus":34,"title":21,"filename":2477,"copyright":21,"fieldtype":202},3593320,"https://a.storyblok.com/f/98682/920x1378/e5c4db733e/singer_lajczakmartina.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},"Wolf Singer’s research focuses on the neuronal processes of cognitive performance and is primarily concerned with the binding problem, which poses the question of how sensory processes in different brain regions are combined into a single coherent cognition.  ","2016-09-07 17:00","wolf-singer-neuronal-principles-of-consciousness","program/wolf-singer-neuronal-principles-of-consciousness",880,[],"436433ef-204c-43a2-946f-2de072278f62","2022-01-04T16:19:44.370Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":2072,"etag":2491,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":2492,"x-amz-cf-id":2493,"x-amz-cf-pop":1378,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":2494,"x-runtime":2495,"x-xss-protection":67},"W/\"d2b0c07d5e391d37bb8f7b9f7e3dd041\"","1.1 7f83521dabad1eac5a9b916a00bd8cf4.cloudfront.net (CloudFront)","xQgvfl1ProItLiBU9O4vx4xRzd7a1I74iBYJKl_6ThPFck2taHjILw==","1f6eb320-9a00-489c-bb1a-d3af93f5e2df","0.187393",{"data":2497,"headers":2666},{"story":2498,"cv":43,"rels":2664,"links":2665},{"name":2499,"created_at":2500,"published_at":2501,"updated_at":2502,"id":2503,"uuid":2504,"content":2505,"slug":2657,"full_slug":2658,"sort_by_date":34,"position":2659,"tag_list":2660,"is_startpage":37,"parent_id":876,"meta_data":34,"group_id":2661,"first_published_at":2662,"release_id":34,"lang":41,"path":34,"alternates":2663,"default_full_slug":34,"translated_slugs":34},"Nazis & Goldmund / Hydra: The Future of Resistance 1. Interspeeches 6 – The End of Complaining? ","2022-02-23T12:10:29.852Z","2026-01-13T14:20:33.469Z","2026-01-13T14:20:33.482Z",110660210,"d5f89576-8a08-4095-9815-b7eca13577a2",{"_uid":2506,"component":684,"propDateEnd":2507,"propCategory":2508,"propIsOnline":37,"propDateStart":21,"propMainContent":2509,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2643,"propDateAndTimeOfOpening":2656},"091a8f5b-0be8-4a16-a55a-595887eaf776","2020-01-20 18:00","workshop",[2510],{"_uid":2511,"component":110,"propCredits":2512,"propEntryInMainContent":2522},"2dd27a62-c421-4613-970e-56bf7d16057f",{"type":112,"content":2513},[2514,2518],{"type":115,"content":2515},[2516],{"text":2517,"type":119},"Coproduced by Nazis & Goldmund and brut Wien, in cooperation with AIL, Burg Hülshoff – Center for Literature and the Institute of Language Arts.",{"type":115,"content":2519},[2520],{"text":2521,"type":119},"Image by: Sabrina Richmann / Schilder: Christophe Köster & Marius Wenker",[2523,2529,2537,2549,2569,2600],{"_uid":2524,"component":460,"propImage":2525,"propAltText":2528,"propCaption":21},"23b2c0c7-4936-4074-b2e9-16356429cbb4",{"id":2526,"alt":21,"name":21,"focus":34,"title":21,"filename":2527,"copyright":21,"fieldtype":202},3915593,"https://a.storyblok.com/f/98682/1614x1076/1e9c9abcf7/2019_angst_-konferenz-sabrina-richmann-22.png","image with sign saying \"Ängst\" from former conference",{"_uid":2530,"component":135,"propRichtext":2531},"b8d0c599-fcd4-49a6-a56a-ca4d2c5059a1",{"type":112,"content":2532},[2533],{"type":115,"content":2534},[2535],{"text":2536,"type":119},"While inhumane behavior has been normalized, many have also started to decry the discursive exclusion of the Right. The many-headed writers’ initiative Nazis & Goldmund Hydra prefers to talk to those who are really interested in being part of this discourse.",{"_uid":2538,"component":135,"propRichtext":2539},"4a0eee3c-d57c-4a08-92f9-e69229896bbe",{"type":112,"content":2540},[2541],{"type":115,"attrs":2542,"content":2543},{"textAlign":34},[2544],{"text":2545,"type":119,"marks":2546},"For are we not more beautiful, daring and diverse than everything the new, old, reactionary Right can offer?",[2547],{"type":265,"attrs":2548},{"class":267},{"_uid":2550,"component":135,"propRichtext":2551},"8cafbc67-52ae-4f71-8bfb-a6bee614daf6",{"type":112,"content":2552},[2553],{"type":115,"content":2554},[2555,2557,2561,2563,2567],{"text":2556,"type":119},"In the summer of 2018, the writers’ collective Nazis & Goldmund organized a conference in Berlin to talk about the erosion of democracy. Titled ",{"text":2558,"type":119,"marks":2559},"Ängst is now a Weltanschauung",[2560],{"type":124},{"text":2562,"type":119},", this event brought together colleagues from the field of literature and other artistic disciplines to create a space for reflection. The argument was made for a rebuttal of the normalization of nationalist, illiberal and Neo-Nazi tendencies, while positive visions of a future society and planet were also presented. This has now been continued by a series of events at brut Wien since January 2019 – ",{"text":2564,"type":119,"marks":2565},"Nazis & Goldmund",[2566],{"type":124},{"text":2568,"type":119}," has regrouped and taken on a different name: Hydra. In cooperation with other initiatives and based on artistic and scientific input, this supranational, many-voiced and many-headed monster invites you to an open plenum at studio brut to develop, discuss and find strategies for potential narratives of a social plurality.",{"_uid":2570,"component":135,"propRichtext":2571},"78934a1c-fcb3-4583-a259-9aedc0c611b6",{"type":112,"content":2572},[2573,2584,2592],{"type":115,"attrs":2574,"content":2575},{"textAlign":34},[2576,2578,2582],{"text":2577,"type":119},"The sixth event in the series of ",{"text":2579,"type":119,"marks":2580},"Interspeeches – The End of Complaining? ",[2581],{"type":124},{"text":2583,"type":119},"– with the reformation of the initiative as the many-headed hydra – represents a call for civil disobedience. Just before we all come together for the think tank in April, we want to return to the initial question: ",{"type":115,"attrs":2585,"content":2586},{"textAlign":34},[2587],{"text":2588,"type":119,"marks":2589},"What to do? What to do in view of the post-general election, the post-interim government, post-Ibiza fatigue & what to do with those who do not lift a finger? ",[2590],{"type":265,"attrs":2591},{"class":267},{"type":115,"attrs":2593,"content":2594},{"textAlign":34},[2595],{"text":2596,"type":119,"marks":2597},"The collective invites you to talk about potential acts of resistance.",[2598],{"type":265,"attrs":2599},{"class":267},{"_uid":2601,"component":135,"propRichtext":2602},"0df603f3-2c9a-46ad-ac70-1783200197f8",{"type":112,"content":2603},[2604,2611,2616,2621,2626,2633,2638],{"type":609,"attrs":2605,"content":2606},{"level":611,"textAlign":34},[2607],{"text":1724,"type":119,"marks":2608},[2609],{"type":265,"attrs":2610},{"class":267},{"type":115,"attrs":2612,"content":2613},{"textAlign":34},[2614],{"text":2615,"type":119},"12 –6 pm: Workshop: Civil Disobedience with Jean Peters (Peng! Kollektiv)*",{"type":115,"attrs":2617,"content":2618},{"textAlign":34},[2619],{"text":2620,"type":119},"6 pm: Freundliche Suppe by and with Freundliche Mitte",{"type":115,"attrs":2622,"content":2623},{"textAlign":34},[2624],{"text":2625,"type":119},"7 pm: Interspeeches 6 – The End of Complaining? with Jean Peters (Peng! Kollektiv) and Martina Schöggl + Lisa Wölfl (Sorority)",{"type":115,"attrs":2627,"content":2628},{"textAlign":34},[2629],{"text":2630,"type":119,"marks":2631},"Talk / Workshop in German",[2632],{"type":124},{"type":115,"attrs":2634,"content":2635},{"textAlign":34},[2636],{"text":2637,"type":119},"Conzept: Gerhild Steinbuch for Nazis & Goldmund",{"type":115,"attrs":2639,"content":2640},{"textAlign":34},[2641],{"text":2642,"type":119},"Moderated by: Florian Kessler",[2644],{"_uid":2645,"component":203,"propColor":2646,"propSubheadline":2649,"propPreviewImage":2650,"propPreviewVideo":2653,"propMakeTextWhite":37,"propDescriptionLong":2654,"propMetaInformation":21,"propMetadescription":2655,"propDescriptionShort":21},"76fe0de1-4fa7-40c8-9e88-0f0391390c02",{"_uid":2647,"color":2648,"plugin":207},"c6ca8afe-4f25-41c2-bd66-27211588030e","#81e052","A call for civil disobedience",{"id":2651,"alt":21,"name":21,"focus":34,"title":21,"filename":2652,"copyright":21,"fieldtype":202},3915568,"https://a.storyblok.com/f/98682/914x1280/1f5f9e6a0d/2019_angst_-konferenz-sabrina-richmann.png",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},"While inhumane behavior has been normalized, many have also started to decry the discursive exclusion of the Right. The many-headed writers’ initiative Nazis & Goldmund Hydra prefers to talk to those who are really interested in being part of this discourse. ","Nazis & Goldmund, workshop","2020-01-24 11:00","nazis-goldmund-hydra-the-future-of-resistance-1-interspeeches-6-the-end-of-complaining","program/nazis-goldmund-hydra-the-future-of-resistance-1-interspeeches-6-the-end-of-complaining",280,[],"7c2d01e8-831a-4479-8f7e-32aa291412d7","2022-02-23T12:19:03.012Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":2667,"etag":2668,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":432,"x-amz-cf-id":2669,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":2670,"x-runtime":2671,"x-xss-protection":67},"Thu, 16 Apr 2026 11:14:51 GMT","W/\"e3d21c7b6467dd2053664314012f2ad0\"","dMgpzhCyJmFEi3RxsPcM56bvleWoQeW_DoRYnGgrAJoTm70t3Q5JpQ==","eec2b21c-61aa-4858-a3ce-4b723a5b4ef7","0.032159",{"data":2673,"headers":2744},{"story":2674,"cv":43,"rels":2742,"links":2743},{"name":2675,"created_at":2676,"published_at":2677,"updated_at":2678,"id":2679,"uuid":2680,"content":2681,"slug":2735,"full_slug":2736,"sort_by_date":34,"position":2737,"tag_list":2738,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":2739,"first_published_at":2740,"release_id":34,"lang":41,"path":34,"alternates":2741,"default_full_slug":34,"translated_slugs":34},"Häuser aus Abfall","2021-06-09T10:51:24.694Z","2026-01-12T12:20:22.371Z","2026-01-12T12:20:22.387Z",55007672,"e66d35fa-fcf7-4a5b-9a8d-691318df932d",{"_uid":2682,"component":105,"propCategory":2683,"propMainContent":2684,"propHeaderInformation":2698},"c411415f-a56f-422c-9b46-93d9f5db6f4a","news",[2685],{"_uid":2686,"component":110,"propCredits":21,"propEntryInMainContent":2687},"32203700-1ebe-40ad-bb4c-504e62fa80a2",[2688],{"_uid":2689,"component":460,"propImage":2690,"propAltText":2696,"propCaption":2697},"3489b395-82f4-4aa9-972f-4b290747d5bb",{"id":2691,"alt":2692,"name":21,"focus":34,"title":2693,"filename":2694,"copyright":2695,"fieldtype":202},2417903,"Wall of Coconut fiber modules","26° North and South (2015–16), by Mae-ling Lokko with AMBIS Tech, CASE-RPI and e2e Materials team, is part of the current AIL-exhibition Ecologies and Politics of the Living","https://a.storyblok.com/f/98682/1365x2048/cc1d91331b/maelinglokko_biennale-presse_12_photobyleafabiennedoerl.jpg","Lea Fabienne Dörl","Coconut fibre wall 26° North and South (2015–16), designed and produced by Mae-ling Lokko. 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Ein Artikel im Standard",{"id":2705,"alt":21,"name":21,"focus":34,"title":21,"filename":2706,"copyright":21,"fieldtype":202},2417897,"https://a.storyblok.com/f/98682/1920x2400/2fe83697ae/maelinglokko_biennale_1080x1350_filter.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":202},{"type":112,"content":2709},[2710],{"type":115,"content":2711},[2712,2714,2721,2723,2724,2729,2730,2732,2733],{"text":2713,"type":119},"Zum Artikel in ",{"text":2715,"type":119,"marks":2716},"Der Standard",[2717,2720],{"type":177,"attrs":2718},{"href":2719,"uuid":34,"anchor":34,"target":180,"linktype":181},"https://www.derstandard.at/story/2000127112060/haeuser-aus-abfall-bauen-mit-kokosnuessen-und-schwammerln",{"type":124},{"text":2722,"type":119},", 6.6.2021",{"type":624},{"text":1500,"type":119,"marks":2725},[2726],{"type":177,"attrs":2727},{"href":2728,"uuid":1505,"anchor":34,"target":34,"linktype":1667},"/program/Vienna-Biennale-Ecologies-and-Politics-of-the-Living",{"type":624},{"text":2731,"type":119},"28 May – 3 Oct 2021",{"type":624},{"text":2020,"type":119},"Die Architekturforscherin Mae-ling Lokko beschäftigt sich mit Abfallprodukten aus der Landwirtschaft. Ein Link zu einem Artikel im Standard.","haeuser-aus-abfall","explore/haeuser-aus-abfall",860,[],"2866f043-97aa-460c-9c16-82319ca2029d","2021-06-09T11:00:11.726Z",[],[],[],{"cache-control":47,"connection":48,"content-encoding":49,"content-type":50,"date":2667,"etag":2745,"referrer-policy":53,"sb-be-version":54,"server":55,"transfer-encoding":56,"vary":57,"via":58,"x-amz-cf-id":2746,"x-amz-cf-pop":60,"x-cache":61,"x-content-type-options":62,"x-frame-options":63,"x-permitted-cross-domain-policies":64,"x-request-id":2747,"x-runtime":2748,"x-xss-protection":67},"W/\"685e6571b3e3ad761af9db27be51376d\"","pb5KwHITuaEnzKkqTdsAbL4cC44yqjsd5JRIrU8E0S2eCSOWYuZs1w==","b63ecb01-2eea-4693-9032-5ddf73219d2d","0.022868",{"data":2750,"headers":2950},{"story":2751,"cv":43,"rels":2948,"links":2949},{"name":2752,"created_at":2753,"published_at":2754,"updated_at":2755,"id":2756,"uuid":2757,"content":2758,"slug":2941,"full_slug":2942,"sort_by_date":34,"position":2943,"tag_list":2944,"is_startpage":37,"parent_id":224,"meta_data":34,"group_id":2945,"first_published_at":2946,"release_id":34,"lang":41,"path":34,"alternates":2947,"default_full_slug":34,"translated_slugs":34},"Exhibition View: ::KAIROS. Recall of Earth","2022-02-09T13:55:12.415Z","2026-01-12T11:51:05.871Z","2026-01-12T11:51:05.886Z",107182513,"bdfa1df3-900a-4e0b-9ca3-49609f10588d",{"_uid":2759,"component":105,"propCategory":447,"propMainContent":2760,"propHeaderInformation":2908},"873c7dd8-48c3-49bf-84b2-29bbcb1455db",[2761],{"_uid":2762,"component":110,"propCredits":2763,"propEntryInMainContent":2786},"616ca47c-0743-42cc-95d7-96083d77a0a9",{"type":112,"content":2764},[2765,2772,2779],{"type":115,"content":2766},[2767,2769,2770],{"text":2768,"type":119},"Curator",{"type":624},{"text":2771,"type":119},"Sophia Panteliadou",{"type":115,"content":2773},[2774,2776,2777],{"text":2775,"type":119},"Curatorial consultants",{"type":624},{"text":2778,"type":119},"Madalina Diaconu, Rainer Kaltenberger",{"type":115,"content":2780},[2781,2783,2784],{"text":2782,"type":119},"Supported by ",{"type":624},{"text":2785,"type":119},"Bundesministerium. Kunst Kultur, öffentlicher Dienst und Sport; Stadt Wien; ZAMG. Zentralanstalt für Metereologie und Geodynamik",[2787,2794,2801,2808,2815,2822,2829,2836,2843,2850,2857,2864,2871,2891],{"_uid":2788,"component":460,"propImage":2789,"propAltText":2792,"propCaption":2793},"aec1c64d-65e7-45b4-865a-03eeb61f19ac",{"id":2790,"alt":21,"name":21,"focus":34,"title":21,"filename":2791,"copyright":21,"fieldtype":202},3813945,"https://a.storyblok.com/f/98682/2048x1365/6bbabe5e4c/2021111_leafabiennephotography_ail-kairos-111.jpg","curator and head of AIL opening the exhibition","Curator Sophia Panteliadou and head of AIL Alexandra Graupner opening the exhibition in front of Brigitte Mahlknecht, Invisible Worlds, Brush drawing, 2021",{"_uid":2795,"component":460,"propImage":2796,"propAltText":2799,"propCaption":2800},"9bfcdbb2-faea-4a28-ad27-0ba2563b57cd",{"id":2797,"alt":21,"name":21,"focus":34,"title":21,"filename":2798,"copyright":21,"fieldtype":202},3813796,"https://a.storyblok.com/f/98682/2048x1365/68dde1d3cc/2021111_leafabiennephotography_ail-kairos-73.jpg","wall paper art","Mathias Kessler, Staging Nature, Installation, 2018–2021 / Courtesy of the artist and Galerie Heike Strelow, Frankfurt",{"_uid":2802,"component":460,"propImage":2803,"propAltText":2806,"propCaption":2807},"014d1471-2f66-4048-a693-35e6a74fb99c",{"id":2804,"alt":21,"name":21,"focus":34,"title":21,"filename":2805,"copyright":21,"fieldtype":202},3813414,"https://a.storyblok.com/f/98682/2048x1365/03417eab67/2021111_leafabiennephotography_ail-kairos-2.jpg","Video Projection","Ulla von Brandenburg, Die Straße (The Street), HD Video, black and white, sound,\n11:20 min, 2013",{"_uid":2809,"component":460,"propImage":2810,"propAltText":2813,"propCaption":2814},"41283ab6-dacc-4d92-80ed-cadc4ac5f950",{"id":2811,"alt":21,"name":21,"focus":34,"title":21,"filename":2812,"copyright":21,"fieldtype":202},3813624,"https://a.storyblok.com/f/98682/2048x1365/a8470293f8/2021111_leafabiennephotography_ail-kairos-54.jpg","Person in front of artworks, hanging on wall","Ruth Schnell, Enchantment of the Seas & Concertina, Print on gilded steel, UV print, Steel, electroplated 2017/19",{"_uid":2816,"component":460,"propImage":2817,"propAltText":2820,"propCaption":2821},"5b111669-d66d-4005-8b94-07f52375113c",{"id":2818,"alt":21,"name":21,"focus":34,"title":21,"filename":2819,"copyright":21,"fieldtype":202},3813860,"https://a.storyblok.com/f/98682/2048x1365/922a78d330/2021111_leafabiennephotography_ail-kairos-84.jpg","media art with fridge","Laurus Edelbacher / Anna Watzinger, SMART RAINBOW 7.0, Livestream, 2019–2021",{"_uid":2823,"component":460,"propImage":2824,"propAltText":2827,"propCaption":2828},"7a5c15d0-0165-47c5-942a-36669528a434",{"id":2825,"alt":21,"name":21,"focus":34,"title":21,"filename":2826,"copyright":21,"fieldtype":202},3813905,"https://a.storyblok.com/f/98682/1365x2048/aeadfde8a3/2021111_leafabiennephotography_ail-kairos-88.jpg","artist explaining the piece","Ruth Schnell, RISIKO, Installation, Robotic: Stefan Fischer, 2017–2021",{"_uid":2830,"component":460,"propImage":2831,"propAltText":2834,"propCaption":2835},"df3fcd94-43b5-451b-9776-abc12151aed1",{"id":2832,"alt":21,"name":21,"focus":34,"title":21,"filename":2833,"copyright":21,"fieldtype":202},3813959,"https://a.storyblok.com/f/98682/2048x1365/7b29976f7d/2021111_leafabiennephotography_ail-kairos-131.jpg","round of people, guestes at opening night ","At the Opening Nigh of the Exhibition",{"_uid":2837,"component":460,"propImage":2838,"propAltText":2841,"propCaption":2842},"91dd4bcf-6710-4605-80df-1079770765ec",{"id":2839,"alt":21,"name":21,"focus":34,"title":21,"filename":2840,"copyright":21,"fieldtype":202},3813738,"https://a.storyblok.com/f/98682/2048x1365/8e3d07912a/2021111_leafabiennephotography_ail-kairos-66.jpg","People in front of prints","Maria Hubinger, WITNESS TO CHANGE\nDiptych Dichagyris musiva – Lost\nDiptych Furcula bifida – Lost, Gouache on paper, 2021",{"_uid":2844,"component":460,"propImage":2845,"propAltText":2848,"propCaption":2849},"d547f518-a1b8-4e15-82a0-ce79988aaf8e",{"id":2846,"alt":21,"name":21,"focus":34,"title":21,"filename":2847,"copyright":21,"fieldtype":202},3813446,"https://a.storyblok.com/f/98682/2048x1365/2b81e01572/2021111_leafabiennephotography_ail-kairos-35.jpg","Thunder toy","Thomas Glänzel, Gewitter, Ready Made, Object, Sound installation, 2021",{"_uid":2851,"component":460,"propImage":2852,"propAltText":2855,"propCaption":2856},"b4e4efe7-092c-4167-8216-a029d06cffc5",{"id":2853,"alt":21,"name":21,"focus":34,"title":21,"filename":2854,"copyright":21,"fieldtype":202},3813965,"https://a.storyblok.com/f/98682/2048x1365/40d66b113e/2021111_leafabiennephotography_ail-kairos-203.jpg","Patricia Reis in front of her artwork","PATRÍCIA J. REIS, SENSORIAL SCREEN #3, Installation, 2019–2021\n",{"_uid":2858,"component":460,"propImage":2859,"propAltText":2862,"propCaption":2863},"4229c5f2-ca30-4545-8431-cc5c2064de33",{"id":2860,"alt":21,"name":21,"focus":34,"title":21,"filename":2861,"copyright":21,"fieldtype":202},3813499,"https://a.storyblok.com/f/98682/2048x1365/e0037e6f93/2021111_leafabiennephotography_ail-kairos-38.jpg","Video work with thunder","Alfred Lenz, Lightning, Video installation, 2014",{"_uid":2865,"component":460,"propImage":2866,"propAltText":2869,"propCaption":2870},"ef525dd9-8e53-4dcf-9cc0-ec2173155298",{"id":2867,"alt":21,"name":21,"focus":34,"title":21,"filename":2868,"copyright":21,"fieldtype":202},3813976,"https://a.storyblok.com/f/98682/2048x1365/2a1ce61ded/2021111_leafabiennephotography_ail-kairos-215.jpg","Screen with Ligthening ","Irini Athanassakis, HOW IS THE WEATHER\n10 Drawings, 2020–2021 (back wall) and Josefina Nelimarkka, CLOUD MOMENTUM,\nInteractive installation, Scientific aerosol data measured at The Sonnblick Observatory (ZAMG), 2021 (front right)",{"_uid":2872,"component":135,"propRichtext":2873},"8a0ef84a-bfc7-4a08-9c45-d7e8adfa002d",{"type":112,"content":2874},[2875,2879,2883,2887],{"type":115,"content":2876},[2877],{"text":2878,"type":119},"::KAIROS. Recall of Earth addresses the relationship between humans and natural events. The term kairos relates to natural phenomena on the one hand and to temporality on the other – kairos is the modern Greek word for ‘weather’, but it also means ‘the right moment’. The ambiguity inherent in this word runs like a golden thread through the exhibition.",{"type":115,"content":2880},[2881],{"text":2882,"type":119},"Starting out with meteorological aspects regarding the ‘weather’, the exhibition also tries to draw a picture of the psyche and its entanglement with natural phenomena.",{"type":115,"content":2884},[2885],{"text":2886,"type":119},"The boundaries between different levels of perception dissolve; the influence of the outside world becomes tangible and visible; the illusion of being able to control perceptions falls victim to deception itself.",{"type":115,"content":2888},[2889],{"text":2890,"type":119},"The show explores the contribution of the abstract cosmic and the concrete terrestrial conception of space in relation to space/time, which can no longer be reduced to a philosophical-transcendental a priori as the still prevalent division of social contexts and nature, of bodies and the psyche needs to be called into question.",{"_uid":2892,"component":135,"propRichtext":2893},"befc2c34-a24e-4af5-b060-cabe51b4251f",{"type":112,"content":2894},[2895,2903],{"type":609,"attrs":2896,"content":2897},{"level":611,"textAlign":34},[2898],{"text":2899,"type":119,"marks":2900},"Artists: ",[2901],{"type":265,"attrs":2902},{"class":267},{"type":115,"attrs":2904,"content":2905},{"textAlign":34},[2906],{"text":2907,"type":119},"Irini Athanassakis, Ulla von Brandenburg, Laurus Edelbacher, Thomas Glänzel, Maria Hubinger, Anni Kaltsidou, Mathias Kessler, Peter Kubelka, Alfred Lenz, Brigitte Mahlknecht, Josefina Nelimarkka, Patrícia J. Reis, Ruth Schnell, Christian K. 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