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The devastating effects of environmental pollution and its consequent upset-ting of natural balances dominate global life. After decades of reluctant political action, global warming is raging with worldwide weather extremes, considerable climatic changes, and large are-as of land have become useless for human habitation. The con-sequences of the ruthless interventions in ecosystems that evolved millions of years are wreaking havoc on the world.",{"type":134,"content":611},[612],{"text":613,"type":138},"This ecologically dystopian vision of the year 2047 is enriched with a socioeconomic utopia. This utopia is countering and subverting the environmental catastrophes and social consequences with the growing fusion of a plethora of countermeasures, that will drive a change in civilization for the better in the coming decades.",{"_uid":615,"component":218,"propImage":616,"propAltText":21,"propCaption":619},"fb9c5378-38fa-49cf-b9ac-edece8be0c37",{"id":617,"alt":21,"name":21,"focus":34,"title":21,"filename":618,"copyright":21,"fieldtype":222},4193455,"https://a.storyblok.com/f/98682/6000x4000/6e3495b972/ail_timelab_bengtstiller-5654.jpg","The installation Noise Aquarium as part of the fictional world of Turnton",{"_uid":621,"component":385,"propRichtext":622},"4493487e-f133-4c57-a38d-7f897b1df880",{"type":131,"content":623},[624],{"type":134,"content":625},[626,628,632],{"text":627,"type":138},"The interactive installation ",{"text":629,"type":138,"marks":630},"Noise Aquarium ",[631],{"type":141},{"text":633,"type":138},"shows us deep changes in our ecological system. The interdisciplinary, collaborative project that was developed i.a with the ArtSci Center UCLA and the University of Applied Arts Vienna, creates an audio-visual experience in which plankton are.",{"_uid":635,"component":218,"propImage":636,"propAltText":561,"propCaption":21},"8cbf33fc-2cd8-45bc-bd12-4bed97774c01",{"id":637,"alt":21,"name":21,"focus":34,"title":21,"filename":638,"copyright":21,"fieldtype":222},4193523,"https://a.storyblok.com/f/98682/5052x3368/d261dce433/ail_timelab_bengtstiller-9589.jpg",{"_uid":640,"component":504,"propVideoId":641,"propVideoType":506},"2e06b618-692b-4c0a-aece-1f4f01b3bb4e","345968701",[643],{"_uid":644,"component":258,"propColor":645,"propSubheadline":648,"propPreviewImage":649,"propPreviewVideo":652,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":653,"propDescriptionShort":654},"69950f34-5cce-4dd6-82e6-90262e364e3c",{"_uid":646,"color":647,"plugin":262},"430b0c41-8086-4ed1-8963-3389681e7dd2","#165ce9","From the Vienna Biennale for Change, 2019",{"id":650,"alt":21,"name":21,"focus":34,"title":21,"filename":651,"copyright":21,"fieldtype":222},4193443,"https://a.storyblok.com/f/98682/732x1280/9c6352b29b/ail_timelab_bengtstiller-5688-kopie.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},"Vienna Biennale ","We travel into the not so far future and experience from different angles the results from our present impact. ","exhibition-view-change-was-our-only-chance",240,[],"ed0b928a-fd3a-4e85-a995-c28e8c99ec8c",[],{"_uid":661,"component":110,"content_entry":662},"562a4d97-a5a9-4310-8dc4-ae714c6ea4ea",{"id":663,"url":21,"linktype":113,"fieldtype":114,"cached_url":664,"story":665},"cd4bf06d-9cd5-45a2-9918-f68e2ef0ea18","explore/change-is-our-only-chance",{"name":666,"created_at":667,"published_at":668,"updated_at":669,"id":670,"uuid":663,"content":671,"slug":748,"full_slug":664,"sort_by_date":34,"position":749,"tag_list":750,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":751,"first_published_at":752,"release_id":34,"lang":41,"path":34,"alternates":753,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"Change Is Our Only Chance – Discussion","2021-03-01T16:48:40.149Z","2026-01-12T12:24:58.833Z","2026-01-12T12:24:58.846Z",39577791,{"_uid":672,"component":124,"propCategory":491,"propMainContent":673,"propHeaderInformation":732},"38c51d8e-389b-4221-ace5-dd6f853469c4",[674],{"_uid":675,"component":129,"propCredits":676,"propEntryInMainContent":682},"8f224639-c3a9-4691-b63d-e47c7418a8f1",{"type":131,"content":677},[678],{"type":134,"content":679},[680],{"text":681,"type":138},"The Talk was held on September 25 2019 as part of the exhibition Change was our only chance in the framework of the  Vienna Biennale for Change 2019.",[683,686],{"_uid":684,"component":504,"propVideoId":685,"propVideoType":506},"646390fa-4501-47dc-9022-4ec6629d996d","364385152",{"_uid":687,"component":385,"propRichtext":688},"376e32ad-fbd6-4754-964f-fc3371bd3970",{"type":131,"content":689},[690,695,707,727],{"type":134,"attrs":691,"content":692},{"textAlign":34},[693],{"text":694,"type":138},"An utopian future requires a critical present in which the urgency of ecological, economic and political-social change is taken seriously. The program aims to stimulate reflection on possible alternatives and strategies.",{"type":696,"attrs":697,"content":699},"heading",{"level":698,"textAlign":34},2,[700],{"text":701,"type":138,"marks":702},"Discussion with:",[703],{"type":704,"attrs":705},"styled",{"class":706},"h3",{"type":134,"attrs":708,"content":709},{"textAlign":34},[710,712,713,715,716,718,719,721,722,724,725],{"text":711,"type":138},"Simon Pories for Fridays for Future",{"type":143},{"text":714,"type":138},"Laura Grossmann for System Change not Climate Change",{"type":143},{"text":717,"type":138},"Katharina Rogenhofer for Klimavolksbegehren",{"type":143},{"text":720,"type":138},"Friedrich Hinterberger for Scientists for Future",{"type":143},{"text":723,"type":138},"Eva Maria Stadler, University of Applied Arts",{"type":143},{"text":726,"type":138},"in the presence of Tina Auer (Time’s Up).",{"type":134,"attrs":728,"content":729},{"textAlign":34},[730],{"text":731,"type":138},"The individual initiatives introduce themselves and we discuss the scope for action together. What role can we play with regard to social problems and in which areas of life can we become active ourselves?",[733],{"_uid":734,"new_test":735,"component":258,"propColor":737,"propSubheadline":740,"propPreviewImage":741,"propPreviewVideo":743,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":747,"propDescriptionShort":21},"d8532f82-3485-4a01-8c72-3a7e04578cfe",{"id":34,"alt":34,"_uid":736,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":222},"4905a221-0749-4942-b5ec-2665ef26b173",{"_uid":738,"color":739,"plugin":262},"117bd770-beb7-4d2d-9a3d-96f993254001","#e0525b","Talk in German from 2019, part of Vienna Biennale for Change",{"id":34,"alt":34,"_uid":742,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},"37092256-6186-49ed-b6fd-ed363b0c5625",{"id":744,"alt":21,"_uid":745,"name":21,"focus":34,"title":21,"filename":746,"copyright":21,"fieldtype":222},2048304,"b9b22b14-16b3-4365-9ad4-dd3ed6800992","https://a.storyblok.com/f/98682/x/527e2792de/changeisour_diskussion_preview2hf_gerastert.mp4","Fridays for Future, Change, Discussion, Vienna Biennale","change-is-our-only-chance",950,[],"a31342bd-ede4-48cd-8683-3722056d4417","2021-03-01T17:05:48.000Z",[],{"_uid":755,"component":110,"content_entry":756},"b7a8472b-a247-4c2f-920a-947071e22ba3",{"id":757,"url":21,"linktype":113,"fieldtype":114,"cached_url":758,"story":759},"5a59072c-6084-4064-bb93-5c4dc8b42838","explore/trans-und-posthumanismus-feministischer-blick-im-digitalen-",{"name":760,"created_at":761,"published_at":762,"updated_at":763,"id":764,"uuid":757,"content":765,"slug":864,"full_slug":758,"sort_by_date":34,"position":865,"tag_list":866,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":867,"first_published_at":868,"release_id":34,"lang":41,"path":34,"alternates":869,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"Janina Loh: Trans- und Posthumanismus. 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Where do patriarchal inscriptions, gender identities or stereotyping hide in the field of artificial intelligence, what is reproduced in future technologies? Questions of gender are essential, also in post- and transhumanism.",{"type":134,"attrs":796,"content":797},{"textAlign":34},[798],{"text":799,"type":138},"Technology philosopher Janina Loh gives us an introduction to the school of thought of post- and transhumanism, in which humans are considered equal to other species and postulate a better version of themselves by means of technology.",{"type":801,"content":802},"bullet_list",[803,811,818,833],{"type":804,"content":805},"list_item",[806],{"type":134,"attrs":807,"content":808},{"textAlign":34},[809],{"text":810,"type":138},"Introductory words: Elisabeth Falkensteiner, Curator, AIL",{"type":804,"content":812},[813],{"type":134,"attrs":814,"content":815},{"textAlign":34},[816],{"text":817,"type":138},"Lecture: Janina Loh, philosopher of technology, University of Vienna",{"type":804,"content":819},[820],{"type":134,"attrs":821,"content":822},{"textAlign":34},[823,825,831],{"text":824,"type":138},"Performance: Lucie Strecker, Angewandte (see video documentation ",{"text":826,"type":138,"marks":827},"here",[828],{"type":163,"attrs":829},{"href":830,"uuid":34,"anchor":34,"target":166,"linktype":167},"https://vimeo.com/351072684",{"text":832,"type":138},")",{"type":804,"content":834},[835],{"type":134,"attrs":836},{"textAlign":34},{"_uid":838,"component":385,"propRichtext":839},"367171c3-5d4e-4372-92e6-4d9f987cd940",{"type":131,"content":840},[841],{"type":134,"attrs":842,"content":843},{"textAlign":34},[844],{"text":845,"type":138},"Janina Loh is a PostDoc in the Department of Philosophy of Technology and Media at the University of Vienna. Her research interests include trans- and posthumanism, robot ethics, feminist philosophy of technology, theories of responsibility, Hannah Arendt, theories of judgment, and ethics in the sciences.",[847],{"_uid":848,"new_test":849,"component":258,"propColor":851,"propSubheadline":853,"propPreviewImage":854,"propPreviewVideo":856,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":859,"propMetadescription":862,"propDescriptionShort":863},"45586515-fff7-43a5-9cff-c678564b1d1d",{"id":34,"alt":34,"_uid":850,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":222},"5dcb6e59-671f-4504-b82f-127cea5ece61",{"_uid":852,"color":739,"plugin":262},"701fd333-c3ab-4cff-a880-554994a486f8","Talk in German from 2019, part of Vienna Biennale For Change",{"id":34,"alt":34,"_uid":855,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},"e17d783a-a10a-43ea-bf11-e65ba49aaf3d",{"id":857,"alt":21,"name":21,"focus":34,"title":21,"filename":858,"copyright":21,"fieldtype":222},2048108,"https://a.storyblok.com/f/98682/x/200d609bba/transhum_preview_4sec_hf_gerastert.mp4",{"type":131,"content":860},[861],{"type":134},"Janina Loh","Where do patriarchal inscriptions, gender identities or stereotyping hide in the field of artificial intelligence and future technologies?","trans-und-posthumanismus-feministischer-blick-im-digitalen-",970,[],"fea59fa1-79ac-4e19-a682-7d7badddd724","2021-03-01T17:05:49.000Z",[],{"_uid":871,"component":110,"content_entry":872},"df9f1963-e4c4-47c6-8d3f-af27683e181a",{"id":873,"url":21,"linktype":113,"fieldtype":114,"cached_url":874,"story":875},"a2060d94-5ed5-489f-b5b2-197ac4b22dd2","explore/lucie-strecker-uebungen-zum-kontrasexuellen",{"name":876,"created_at":877,"published_at":878,"updated_at":879,"id":880,"uuid":873,"content":881,"slug":919,"full_slug":874,"sort_by_date":34,"position":920,"tag_list":921,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":922,"first_published_at":923,"release_id":34,"lang":41,"path":34,"alternates":924,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"Lucie Strecker: Übungen zum Kontrasexuellen","2022-02-14T10:11:50.808Z","2026-01-12T11:47:49.837Z","2026-01-12T11:47:49.855Z",108356027,{"_uid":882,"component":124,"propCategory":491,"propMainContent":883,"propHeaderInformation":906},"b8411249-ffdd-4f3d-929d-c43f3c593bab",[884],{"_uid":885,"component":129,"propCredits":21,"propEntryInMainContent":886},"ad997ce1-18e2-4e24-b6df-386c1267adbc",[887,890],{"_uid":888,"component":504,"propVideoId":889,"propVideoType":506},"644a2e5a-7a09-406c-b66a-296e3ba90a7d","351072684",{"_uid":891,"component":385,"propRichtext":892},"3c830599-3d4a-4692-b300-f7a986f90691",{"type":131,"content":893},[894,898,902],{"type":134,"content":895},[896],{"text":897,"type":138},"Performer Lucie Strecker: Exercises on the Contrasexual Manifesto according to Paul B. Preciado. Choreographic and dramaturgical support: Philippe Riera",{"type":134,"content":899},[900],{"text":901,"type":138},"Where do patriarchal inscriptions, gender identities or stereotyping hide in the field of artificial intelligence, what is reproduced in future technologies?",{"type":134,"content":903},[904],{"text":905,"type":138},"Questions of gender are essential in post- and transhumanism. Technology philosopher Janina Loh gives us an introduction to the school of thought of post- and transhumanism, in which humans are considered equal to other species and postulate a better version of themselves by means of technology.",[907],{"_uid":908,"component":258,"propColor":909,"propSubheadline":912,"propPreviewImage":913,"propPreviewVideo":914,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":917,"propDescriptionShort":918},"efc42dae-dc37-41fa-92f9-3ef580020fe4",{"_uid":910,"color":911,"plugin":262},"542367ab-4c1d-4e53-aedc-a4026a782ebe","#2bfa95","Performance in the framework of Vienna Biennale exhibition Change was Our Only Chance from 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missing","lucie-strecker-uebungen-zum-kontrasexuellen",230,[],"58b25ca5-8240-4765-b61c-0df775d4ee04","2022-02-23T17:34:40.559Z",[],{"_uid":926,"component":110,"content_entry":927},"d68936a1-23d0-42ca-a855-d8244ae1f5a4",{"id":928,"url":21,"linktype":113,"fieldtype":114,"cached_url":929,"story":930},"1640aca5-2e42-435b-94e8-8ce5f4b3e635","explore/exhibition-view-how-will-we-work",{"name":931,"created_at":932,"published_at":933,"updated_at":934,"id":935,"uuid":928,"content":936,"slug":1107,"full_slug":929,"sort_by_date":34,"position":1108,"tag_list":1109,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":1110,"first_published_at":1111,"release_id":34,"lang":41,"path":34,"alternates":1112,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"Exhibition View: How Will We Work?","2022-02-10T11:23:47.636Z","2026-01-12T11:49:12.516Z","2026-01-12T11:49:12.542Z",107493645,{"_uid":937,"component":124,"propCategory":125,"propMainContent":938,"propHeaderInformation":1095},"0a12939e-e064-43ed-8895-c4bcc3fcc0f4",[939],{"_uid":940,"component":129,"propCredits":941,"propEntryInMainContent":955},"5c863d0a-5a10-4dd3-bab7-fe7f71dd1f41",{"type":131,"content":942},[943,947,951],{"type":134,"content":944},[945],{"text":946,"type":138},"Curatorial Assistance: Jake Charles Rees (Superflux), Martina Schöggl (Universität für angewandte Kunst)",{"type":134,"content":948},[949],{"text":950,"type":138},"Exhibition Design: Cin Cin & Rainer Stadlbauer",{"type":134,"content":952},[953],{"text":954,"type":138},"Production: Eva Weber, Alexandra Graupner, Nico 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kind of ‘work’ will you be doing in 2030? What kind of ‘worker’ will you be? Today, we are in the midst of numerous heated debates around the future of work. Sensationalist headlines such as ",{"text":1014,"type":138,"marks":1015},"‘Robots to get human rights’",[1016],{"type":141},{"text":1018,"type":138}," or ",{"text":1020,"type":138,"marks":1021},"‘Welcome to the three-day working week’",[1022],{"type":141},{"text":1024,"type":138}," have already entered our everyday lives.",{"_uid":1026,"component":385,"propRichtext":1027},"5c033a29-3e0a-42e4-93d3-948b97bf750b",{"type":131,"content":1028},[1029],{"type":134,"content":1030},[1031],{"text":1032,"type":138},"This exhibition endeavours to capture a discourse that’s in progress. Everyday new articles, research and experiments are coming out that push the boundaries of our expectations, hopes and fears around the future of work. The heady mixture of anxiety, opportunity and complexity that surrounds this subject area makes How Will We Work a potent space for critical thinking, and investigation. From precarious working conditions, to self-actualisation, alternative economies and Industry 4.0, this exhibition aims to lead a discussion on radical changes to the way we define and think about the role of work.",{"_uid":1034,"component":385,"propRichtext":1035},"c6588b41-57bf-4f37-b305-68d0fde8207c",{"type":131,"content":1036},[1037,1041,1045],{"type":134,"content":1038},[1039],{"text":1040,"type":138},"Whether its row upon row of robotic arms taking over our workspaces, or algorithms performing increasingly complex civic and professional work, visions of work in the near future are often presented as troubling and dystopian. But, these challenges are never black or white. How Will We Work invites you to reflect on the many discussions and explorations taking place around emerging technologies and work in our societies. The show investigates how emerging technology and contemporary market forces invisibly drive the important decisions that affect how we will work.",{"type":134,"content":1042},[1043],{"text":1044,"type":138},"We want to show how the creative sector can lead this debate to inspire decision makers across the board to renegotiate the way we work, and develop more sustainable and equitable futures. The complexity of the world around us continues to change our working lives, so we ask:",{"type":134,"content":1046},[1047],{"text":1048,"type":138},"What can we do to shape this new frontier, before it shapes us?",{"_uid":1050,"component":385,"propRichtext":1051},"81d7d5d9-60a0-4cac-8e69-0284fab7d133",{"type":131,"content":1052},[1053,1061,1066,1074,1079,1087],{"type":696,"attrs":1054,"content":1055},{"level":698,"textAlign":34},[1056],{"text":1057,"type":138,"marks":1058},"Curators: ",[1059],{"type":704,"attrs":1060},{"class":706},{"type":134,"attrs":1062,"content":1063},{"textAlign":34},[1064],{"text":1065,"type":138},"Gerald Bast (Rektor Universität für angewandte Kunst Wien), Anab Jain (Superflux, Professorin für Industrial Design, Universität für angewandte Kunst Wien)",{"type":696,"attrs":1067,"content":1068},{"level":698,"textAlign":34},[1069],{"text":1070,"type":138,"marks":1071},"Artists:",[1072],{"type":704,"attrs":1073},{"class":706},{"type":134,"attrs":1075,"content":1076},{"textAlign":34},[1077],{"text":1078,"type":138},"Morehshin Allahyari & Daniel Rourke, automato.farm, Stephan Bogner & Philipp Schmitt, Perry Chen, Common Works, Design Friction, Alicia Eggert, Harun Farocki, Laura Forlano, Marshall Brown, Lili Du, Ron Henderson & Jack Guthman, Lukas Franciszkiewicz (Takram), Alexandra Fruhstorfer, Anne Galloway & Dani Clode, Ian Gwilt & Joe Rolph, Sara Hendren & Caitrin Lynch, Het Nieuwe Instituut Rotterdam, Daniel Kloboucnik, Maximilian Lackner, Sam Lavigne, Lemmings, Liquid Factory, Joe Macleod, Nicholas Masterton, Tim Maughan, Me You and the Robot, Ivica Mitrović & Oleg Šuran, Charlotte Nordmoen, Normally, (OFFTIME), Johanna Pichlbauer, Fabio Hofer, Felix Lenz & Jekaterina Shipilenko, Tobias Revell, Strange Telemetry, The UK Digital Cabinet Office and Government Digital Service unMonastery, Addie Wagenknecht",{"type":696,"attrs":1080,"content":1081},{"level":698,"textAlign":34},[1082],{"text":1083,"type":138,"marks":1084},"With text contributions by: ",[1085],{"type":704,"attrs":1086},{"class":706},{"type":134,"attrs":1088,"content":1089},{"textAlign":34},[1090],{"text":1091,"type":138},"Luciano Floridi, Karen Gregory, Scott Santens, Scott Smith, Nick Srnicek, Alex Taylor, Judy Wajcman",{"_uid":1093,"component":504,"propVideoId":1094,"propVideoType":506},"b3319473-3d72-439e-9eee-faf03e00d636","228300744",[1096],{"_uid":1097,"component":258,"propColor":1098,"propSubheadline":1101,"propPreviewImage":1102,"propPreviewVideo":1105,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":97,"propDescriptionShort":1106},"81509206-c722-4d2a-acd9-753504313744",{"_uid":1099,"color":1100,"plugin":262},"dcd47d48-baaf-4fe8-8433-7f17e6793d56","#2bf5fe","Vienna Biennale Exhibition from 2017  – Robots. Work. Our Future. ",{"id":1103,"alt":21,"name":21,"focus":34,"title":21,"filename":1104,"copyright":21,"fieldtype":222},4193228,"https://a.storyblok.com/f/98682/1644x2876/bf44566db0/c-susannahofer-0333-kopie.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},"What kind of ‘work’ will you be doing in 2030? What kind of ‘worker’ will you be? ","exhibition-view-how-will-we-work",260,[],"02903bad-0807-4270-b6f9-8d196338506a","2022-03-31T12:57:01.000Z",[],{"_uid":1114,"component":110,"content_entry":1115},"21e4c934-f735-4cbd-b0ed-93689d92afdf",{"id":1116,"url":21,"linktype":113,"fieldtype":114,"cached_url":1117,"story":1118},"f800f7a8-d49d-428b-8de7-56ffed274913","explore/how-shall-we-study-video",{"name":1119,"created_at":1120,"published_at":1121,"updated_at":1122,"id":1123,"uuid":1116,"content":1124,"slug":1217,"full_slug":1117,"sort_by_date":34,"position":1218,"tag_list":1219,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":1220,"first_published_at":1221,"release_id":34,"lang":41,"path":34,"alternates":1222,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"How Will We Work? How Shall We Study? ","2022-01-10T14:09:30.283Z","2026-01-12T11:54:44.275Z","2026-01-12T11:54:44.295Z",97215492,{"_uid":1125,"component":124,"propCategory":491,"propMainContent":1126,"propHeaderInformation":1205},"e636700f-8afe-4f64-bc78-8556783c197e",[1127],{"_uid":1128,"component":129,"propCredits":21,"propEntryInMainContent":1129},"e2c01138-7d46-4057-b60f-b4c6d8e37d95",[1130,1133,1141,1149],{"_uid":1131,"component":504,"propVideoId":1132,"propVideoType":506},"7868647b-700f-490d-99d1-59ccaab03b17","238751975",{"_uid":1134,"component":385,"propRichtext":1135},"2696fa7f-85c2-499f-b240-e05917832a7e",{"type":131,"content":1136},[1137],{"type":134,"content":1138},[1139],{"text":1140,"type":138},"The panel will focus on the challenges higher education is faced with, and discuss what can be done to best prepare future students to become competent members of our changing society, and how universities therefore will need to transform themselves.",{"_uid":1142,"component":385,"propRichtext":1143},"ba427ea4-13e0-4ed8-8ebf-07c54d2f0c86",{"type":131,"content":1144},[1145],{"type":134,"content":1146},[1147],{"text":1148,"type":138},"It is no longer a question of whether our present work structures will be confronted with radical transformation processes, we need to discuss how this transformation is taking place, and which consequences it will bring. Undisputedly, developments in the fields of automation, digitalization, artificial intelligence or further globalization will have a significant impact on labour: Human workers will particularly be needed for tasks that (at least for now) cannot be carried out automatically – requiring competencies like creativity, unorthodox thinking, innovative networking between different fields and disciplines, etc.",{"_uid":1150,"component":385,"propRichtext":1151},"c788d765-5a60-4936-9bc6-b0aa1dcacc4b",{"type":131,"content":1152},[1153,1160,1169,1178,1187,1196],{"type":696,"attrs":1154,"content":1155},{"level":698,"textAlign":34},[1156],{"text":155,"type":138,"marks":1157},[1158],{"type":704,"attrs":1159},{"class":706},{"type":801,"content":1161},[1162],{"type":804,"content":1163},[1164],{"type":134,"attrs":1165,"content":1166},{"textAlign":34},[1167],{"text":1168,"type":138},"    Gerald Bast, President of the University of Applied Arts Vienna",{"type":801,"content":1170},[1171],{"type":804,"content":1172},[1173],{"type":134,"attrs":1174,"content":1175},{"textAlign":34},[1176],{"text":1177,"type":138},"    Eve Lewis,Director of SPARQS – Student Partnerships in Quality Scotland",{"type":801,"content":1179},[1180],{"type":804,"content":1181},[1182],{"type":134,"attrs":1183,"content":1184},{"textAlign":34},[1185],{"text":1186,"type":138},"    Hans Pechar, Department of Science Communication and Higher Education Research, University of Klagenfurt",{"type":801,"content":1188},[1189],{"type":804,"content":1190},[1191],{"type":134,"attrs":1192,"content":1193},{"textAlign":34},[1194],{"text":1195,"type":138},"    Bill Price, Speaker of the Council for a Progressive Economy",{"type":801,"content":1197},[1198],{"type":804,"content":1199},[1200],{"type":134,"attrs":1201,"content":1202},{"textAlign":34},[1203],{"text":1204,"type":138},"    Ingeborg Reichle, Head of the Department of Cross-Disciplinary Strategies, University of Applied Arts Vienna",[1206],{"_uid":1207,"component":258,"propColor":1208,"propSubheadline":1211,"propPreviewImage":1212,"propPreviewVideo":1213,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":21,"propDescriptionShort":1216},"2f1013ee-c12c-4f89-b7c4-c3107c22db14",{"_uid":1209,"color":1210,"plugin":262},"097a5fd2-b0a8-4279-900f-a5ed75f8d9f8","#e052c4","Talk in English from 2017",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},{"id":1214,"alt":21,"name":21,"focus":34,"title":21,"filename":1215,"copyright":21,"fieldtype":222},3618011,"https://a.storyblok.com/f/98682/x/da9ad6a3af/ail-talk-how-shall-we-study_prev_qfr.mp4","Discussion about the challenges of higher education, the changing society, and how universities therefore will need to transform themselves ","how-shall-we-study-video",430,[],"30970746-27ed-4614-93f7-dbd3be9db450","2022-01-10T14:12:42.000Z",[],{"_uid":1224,"component":110,"content_entry":1225},"edf55517-505c-4d4f-97b7-96d1dc15471d",{"id":1226,"url":21,"linktype":113,"fieldtype":114,"cached_url":1227,"story":1228},"614ca612-808b-405b-bc4c-1dff394ad9cd","explore/exhibition-view-performing-public-art",{"name":1229,"created_at":1230,"published_at":1231,"updated_at":1232,"id":1233,"uuid":1226,"content":1234,"slug":1456,"full_slug":1227,"sort_by_date":34,"position":1457,"tag_list":1458,"is_startpage":37,"parent_id":290,"meta_data":34,"group_id":1459,"first_published_at":1460,"release_id":34,"lang":41,"path":34,"alternates":1461,"default_full_slug":34,"translated_slugs":34,"_stopResolving":294},"Exhibition View: Performing Public Art ","2022-02-14T15:32:42.526Z","2026-01-12T11:17:33.964Z","2026-01-12T11:17:33.988Z",108487912,{"_uid":1235,"component":124,"propCategory":125,"propMainContent":1236,"propHeaderInformation":1443},"325ea58a-d2cf-4f8e-ad84-c2b355a359e4",[1237],{"_uid":1238,"component":129,"propCredits":21,"propEntryInMainContent":1239},"baa8facc-a8b6-4eb8-937f-1e789590047c",[1240,1243,1251,1410,1417,1424,1431,1437],{"_uid":1241,"component":504,"propVideoId":1242,"propVideoType":506},"f68f5128-9133-4c04-ab3f-f8b148fe8ae8","131138310",{"_uid":1244,"component":385,"propRichtext":1245},"a018286c-d964-4d3e-bbf2-aa9fd3cb53b0",{"type":131,"content":1246},[1247],{"type":134,"content":1248},[1249],{"text":1250,"type":138},"Public Art can be beneficial to the functioning of democracy. The public, as in the public space, has always been an important medium alongside the evolution of the press and parliament. In today’s world, the movement of people demonstrates a new form of public space and Public Art. The Performing Public Art Festival presents nine acts by national and international artists / artistic groups, which constitute the wide range of New Public Art. The accompanying exhibition at AIL will present a brief history of performative public art and serve as an introduction to the participating artists and their work.",{"_uid":1252,"component":385,"propRichtext":1253},"211886eb-499c-47a3-acd8-d51bbc2d3bff",{"type":131,"content":1254},[1255,1263,1281,1302,1323,1338,1353,1368,1383,1398],{"type":134,"attrs":1256,"content":1257},{"textAlign":34},[1258],{"text":1259,"type":138,"marks":1260},"Performing Public Art Program",[1261],{"type":704,"attrs":1262},{"class":706},{"type":801,"content":1264},[1265],{"type":804,"content":1266},[1267],{"type":134,"attrs":1268,"content":1269},{"textAlign":34},[1270,1272,1273,1275,1276,1278,1279],{"text":1271,"type":138},"Erdem Gündüz, Istanbul, Türkei ",{"type":143},{"text":1274,"type":138},"Der stehende Mann Stehperformances im öffentlichen Raum ",{"type":143},{"text":1277,"type":138},"Samstag, 27. und Sonntag 28. Juni ",{"type":143},{"text":1280,"type":138},"MQ / Volksgarten / Stephansplatz www.erdemgunduz.org",{"type":801,"content":1282},[1283],{"type":804,"content":1284},[1285],{"type":134,"attrs":1286,"content":1287},{"textAlign":34},[1288,1290,1291,1293,1294,1296,1297,1299,1300],{"text":1289,"type":138},"Barbara Holub / Paul Rajakovics (Transparadiso), Wien ",{"type":143},{"text":1292,"type":138},"Das Lachen, das einem im Halse stecken bleibt An die Bedürfnisse und Anliegen von Obdachlosen und AsylantInnen durch die Entwicklung neuer performativer Elemente aufmerksam machen - Erneuerung des Formates Demonstration ",{"type":143},{"text":1295,"type":138},"Freitag, 19. Juni 2015 18:00 ",{"type":143},{"text":1298,"type":138},"Ersatztermin Samstag, 20. Juni 2015, 15:00 Uhr ",{"type":143},{"text":1301,"type":138},"seitlich hinter der Votivkirche / Sigmund Freud Park Dauer: ca. 30 minutes Komposition, Elektronik, Grammophon: Tamara Friebel Performer: Christiane Beinl, Xenia Gala, Akram al Halabi, Nancy Mensah-Offei, Johann Orsini-Rosenberg www.transparadiso.com",{"type":801,"content":1303},[1304],{"type":804,"content":1305},[1306],{"type":134,"attrs":1307,"content":1308},{"textAlign":34},[1309,1311,1312,1314,1315,1317,1318,1320,1321],{"text":1310,"type":138},"Shinseungback Kimyonghun, Seoul, Südkorea ",{"type":143},{"text":1313,"type":138},"Aposematic Jacket Tragbare 360' Videoweste mit verteilten Microkameras, welche die Umgebung live ins Angewandte Innovation Lab transferieren können ",{"type":143},{"text":1316,"type":138},"Donnerstag, 11. Juni im 20:00 Uhr, im AIL ",{"type":143},{"text":1319,"type":138},"Samstag, 13.Juni in der Kärntner Straße und Mariahilferstrasse ",{"type":143},{"text":1322,"type":138},"Dienstag, 16.Juni 2015 im öffentlichen Verkehr in Wien www.ssbkyh.com",{"type":801,"content":1324},[1325],{"type":804,"content":1326},[1327],{"type":134,"attrs":1328,"content":1329},{"textAlign":34},[1330,1332,1333,1335,1336],{"text":1331,"type":138},"Johan Lorbeer, Berlin, Deutschland ",{"type":143},{"text":1334,"type":138},"Tarzan / Standbein Lebende Skulptur an der Außenfassade der Angewandten Donnerstag, 11.Juni 2015 18:30 Uhr, Fassade Universität für angewandte Kunst, Ferstel Trakt ",{"type":143},{"text":1337,"type":138},"Freitag, 12.Juni 2015, 12 Uhr, Wien Mitte / Marxergasse www.johanlorbeer.com",{"type":801,"content":1339},[1340],{"type":804,"content":1341},[1342],{"type":134,"attrs":1343,"content":1344},{"textAlign":34},[1345,1347,1348,1350,1351],{"text":1346,"type":138},"Barbis Ruder, Wien Wertschöpfungskette 2F - Attacke Körperintervention ",{"type":143},{"text":1349,"type":138},"5. Juli, Start 17 Uhr Kunstransport zwischen AIL - MAK - Angewandter - Kunsthalle Wien Karlsplatz - Kunsthalle MQ - AzW ",{"type":143},{"text":1352,"type":138},"www.barbisruder.com",{"type":801,"content":1354},[1355],{"type":804,"content":1356},[1357],{"type":134,"attrs":1358,"content":1359},{"textAlign":34},[1360,1362,1363,1365,1366],{"text":1361,"type":138},"Amy Spiers & Catherine Ryan, Melbourne, Australien ",{"type":143},{"text":1364,"type":138},"Ordering the Public Gesellschaftsexperiment / Öffentliches Verhalten / Gefaktes Sicherheitspersonal ",{"type":143},{"text":1367,"type":138},"Freitag, 26.Juni – Sonntag 05.Juli 2015 Mariahilferstrasse, Praterstern und an anderen belebten Orten in Wien https://thefuturesofthepast.wordpress.com/",{"type":801,"content":1369},[1370],{"type":804,"content":1371},[1372],{"type":134,"attrs":1373,"content":1374},{"textAlign":34},[1375,1377,1378,1380,1381],{"text":1376,"type":138},"Wermke & Leinkauf, Berlin, Deutschland ",{"type":143},{"text":1379,"type":138},"Ausmisten ",{"type":143},{"text":1382,"type":138},"Samstag, 04. Juli 2015, Festumzug vom Leitturm ins Stadtzentrum um dort ein Denkmal zu errichten www.wermke-leinkauf.com",{"type":801,"content":1384},[1385],{"type":804,"content":1386},[1387],{"type":134,"attrs":1388,"content":1389},{"textAlign":34},[1390,1392,1393,1395,1396],{"text":1391,"type":138},"Der Wiener Beschwerdechor, Wien Wiener Beschwerdechor / Intervention LV Chor-Intervention im öffentlichen Raum und Aufbau eines Beschwerdepostkastens in der Aula der Angewandten. ",{"type":143},{"text":1394,"type":138},"Donnerstag 11. Juni 2015, 20:00, im AIL Montag, 15. Juni 2015 19:00 Uhr, Aula Universität für angewandte Kunst Ziel: AIL ",{"type":143},{"text":1397,"type":138},"Bei Schlechtwetter: Start 19:00 Uhr AIL www.wienerbeschwerdechor.at",{"type":801,"content":1399},[1400],{"type":804,"content":1401},[1402],{"type":134,"attrs":1403,"content":1404},{"textAlign":34},[1405,1407,1408],{"text":1406,"type":138},"Artur Zmijewski, Warschau, Polen ",{"type":143},{"text":1409,"type":138},"N.N. Non verbale, nicht visuelle Diskussion mittels Video/Photography über ‘Public Use of Art’ 11. Juni – 05. Juli 2015 AIL www.fgf.com.pl",{"_uid":1411,"component":218,"propImage":1412,"propAltText":1415,"propCaption":1416},"55b7212a-20c5-4e74-9918-444e97aecdbb",{"id":1413,"alt":21,"name":21,"focus":34,"title":21,"filename":1414,"copyright":21,"fieldtype":222},3937850,"https://a.storyblok.com/f/98682/2048x1367/8343182608/dsc_4024.jpg","Johan Lorbeer performing Tarzan /Standbein","Johan Lorbeer performing Tarzan / Standbei",{"_uid":1418,"component":218,"propImage":1419,"propAltText":1422,"propCaption":1423},"e8ff1167-8623-44d5-ba4d-4c2fcb863c84",{"id":1420,"alt":21,"name":21,"focus":34,"title":21,"filename":1421,"copyright":21,"fieldtype":222},3937845,"https://a.storyblok.com/f/98682/2048x1367/177052ec8e/dsc_4205.jpg","Jacket with surveillance cameras, part of performance","Performer with Shinseungback Kimyonghun‘s Aposematic Jacket",{"_uid":1425,"component":218,"propImage":1426,"propAltText":1429,"propCaption":1430},"3c1ab740-7d96-4579-ac3f-2ed7d90fa3f9",{"id":1427,"alt":21,"name":21,"focus":34,"title":21,"filename":1428,"copyright":21,"fieldtype":222},3937853,"https://a.storyblok.com/f/98682/2048x1367/e761d69afd/dsc_4049.jpg","Beschwerdechor performing at opening","Beschwerdechor Wien",{"_uid":1432,"component":218,"propImage":1433,"propAltText":1436,"propCaption":1436},"267ed1b0-ae8d-47de-8e30-d787e6dbd2b4",{"id":1434,"alt":21,"name":21,"focus":34,"title":21,"filename":1435,"copyright":21,"fieldtype":222},3937855,"https://a.storyblok.com/f/98682/2048x1367/e35c1caebb/dsc_4120.jpg","Gerald Bast and Peter Weibel opening the show",{"_uid":1438,"component":218,"propImage":1439,"propAltText":1442,"propCaption":1442},"30417e9d-a6b7-4950-9118-8b4b671b0912",{"id":1440,"alt":21,"name":21,"focus":34,"title":21,"filename":1441,"copyright":21,"fieldtype":222},3937861,"https://a.storyblok.com/f/98682/2048x1367/f38b90123a/dsc_4092.jpg","Opening Night of the exhibition",[1444],{"_uid":1445,"component":258,"propColor":1446,"propSubheadline":1449,"propPreviewImage":1450,"propPreviewVideo":1453,"propMakeTextWhite":294,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":1454,"propDescriptionShort":1455},"0fdf0e2a-3637-4c99-93ed-869c8c681ecb",{"_uid":1447,"color":1448,"plugin":262},"97dd41e1-46bc-45d0-856c-f0997abafe68","#7924d5","Vienna Biennale 2015",{"id":1451,"alt":21,"name":21,"focus":34,"title":21,"filename":1452,"copyright":21,"fieldtype":222},3938052,"https://a.storyblok.com/f/98682/1920x3358/91bcf98162/dsc_4009.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":222},"Vienna Biennale 2015 ","New forms of public space and Public Art","exhibition-view-performing-public-art",40,[],"63c9cd2d-d0be-4be1-b257-11d12a8699fb","2022-02-24T16:01:03.081Z",[],[1463,1468],{"_uid":1464,"component":218,"propImage":1465,"propAltText":21,"propCaption":21},"e2caa51f-5e7c-4e24-a3f7-db585b60f292",{"id":1466,"alt":21,"name":21,"focus":34,"title":21,"filename":1467,"copyright":21,"fieldtype":222},3861942,"https://a.storyblok.com/f/98682/1920x1348/3848c312f6/vb-2019-logo-quer_buero-bauer_fin.jpg",{"_uid":1469,"component":385,"propRichtext":1470},"a1014683-ebef-4ead-a21d-26a52823a650",{"type":131,"content":1471},[1472],{"type":134,"content":1473},[1474],{"text":1475,"type":138},"The Vienna Biennale is the first event of its kind to combine art, design, and architecture, with the aim of generating creative ideas and artistic projects to help improve the world. Its category-spanning, interdisciplinary approach and combination of artistic ambition and the creative economy open up new perspectives on central topics of our time and thus promote positive change in our society. The Vienna Biennale was established with the understanding that we are living in a new modernity in which the digital revolution penetrates all areas of our life and is thus fundamentally changing our civilization. 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