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Exhibition View: 03: Soil

Between (De-)Composition and (Re-)Construction in the Climate Crisis

running till 6 Nov 2026

Image by ©
Image by ©
Big room with artworks, three cylinders filled with soil in the center. | Image by ©Drought Traces. Contribution by: Michael Bahn, Cornelia Dirnberger, Christian Prohammer Installation, 3 cylinders filled with soil
Graphic images on black paper hanging on a wall, graphs and handwritten notes around them | Image by ©Roots. Contribution by: Helena Detsch Monotypes, oil color, imprints on paper
Jacket to wear at the exhibition, with embroidered pebbles on top | Image by ©chainmail. Contribution by: Johanna Unterpertinger. Pebbles, fabric, cotton cords
Installation of hanging fabric with projection in the background | Image by ©Entangled. Contribution by: Helena Detsch. Painting, oil colour (plant and soil pigments) on canvas
Table with tools and wall installation with images of blue rubber working gloves and objects | Image by ©[Exhibit B] hands on – hands off. Contribution by: Konstantina Maria Serjannis. Installation: photo series, rubber, soil (on the left) / Exhibit A] Am Tat-Ort: ­Evidence on the Laboratory Table. Contribution by: Konstantina Maria Serjannis Installation: paper, wood, rubber (on the right)
Foil tunnel with projection inside and listening station inside | Image by ©The Experiment. Contribution by: Michael Bahn, Konstantina Maria Serjannis. Installation: foil tunnel, soil, video

About the exhibition:

Soil holds histories, stories and belowground storage systems – repositories of information and traces of past worlds, current developments and future scenarios.

Soil is a highly diverse and sensitive cosmos that is facing increasing pressure due to the climate crisis, as a result of more frequent and severe extreme events such as drought.

The exhibition 03: Soil - Between (De-)Composition and (Re-)Construction in the Climate Crisis emerges from the project 03: Soil, which is based on interdisciplinary and site-specific artistic research, rooted in a collective field exploration of a subalpine ecological research laboratory in the Stubai Valley (Tyrol, Austria).

At AIL, researchers and artists show their open, collaborative process, which unfolds in a multiperspective inquiry on soil and drought. This creates a dialogue at the intersection of data collection, scientific exploration and artistic translation, in which soil becomes a ground for research, creativity, evidence and metaphor.

Scientific instruments and equipment – such as foil tunnel, soil corer, gas analyser, sample bags, and rubber gloves – are referenced as material and symbolic embodiments for the experimental simulation and investigation of droughts’ effects on grasslands and their soils. As such, the exhibition is designed as a multilayered and multisensory discovery journey, bringing together haptic, acoustic and video installations and artworks. Visitors are invited not only to immerse themselves in this interdisciplinary environment, but also to participate in parts of the installation through dedicated recording assemblies, Soil Sessions, as well as interactive workshops.

With contributions by:

Franziska Allerberger (Geographer), Michael Bahn (Ecologist), Helena Detsch (Visual Artist), Cornelia Dirnberger (Visual Artist), Christian Prohammer (Musician, Audio Engineer), Nora Schöpfer (Visual Artist), Konstantina Maria Serjannis (Cultural Scientist), Johanna Unterpertinger (Musician)

Photos: Hannah Mayr

The exhibition is funded by the Austrian Academy of Science (ÖAW, National Committee Global Change). The art-science project on which the exhibition is based was funded by KulturServer City of Graz, University of Music and Performing Arts Graz, Student Union of the University of Music and Performing Arts Graz (ÖH-KUG), and the Austrian Student Union/Special Project Fund.