In its third edition, AIL Ping-Pong circles around the term and meaning of “collapse.”
Presented in the small vitrine of the Otto Wagner Postsparkasse, eight graduates of the University of Applied Arts Vienna open a window into their diverse artistic practices, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.
How do we navigate the tension between resistance and surrender? What forms of care, adaptation, or creativity can arise from breakdown?
Collapse can be both an ending and a beginning – a sudden breakdown or a quiet unraveling. It might describe the fall of systems: ecological, economic, or political structures that no longer sustain themselves. It can also speak to personal or emotional states, the moments when bodies, relationships, or identities falter under pressure. Collapse is not only destruction; it is also transformation – the point at which something gives way so that something else might emerge.
About the artists:
Francesca Aldegani graduated in 2019 from the Department of Site-Specific Art. In her artistic practice Aldegani dives into archetypal forms and geometries, interested in opening up dialogues between ancestral collective perception and today’s digital language. Her artistic work often focuses on the production of textile sculptures, experimental prints and ephemeral installations. Within her work she investigates the ways history’s layers, accumulated energy, and unseen possibilities exist within everything around us.
Rosa Andraschek is an artist living in Vienna whose work engages with the hidden layers of Austria’s past. Through photography, video, sound and public space interventions, she investigates how history permeates everyday environments. Rooted in political science and contemporary history, her practice makes visible the quiet traces and unresolved echoes of historical narratives in public space. At the University of Applied Arts Vienna, she studied in the Department of Site-Specific Art and graduated in 2025.
Anne Glassneris a visual artist and performer based in Vienna. Her performances, videos, installations and drawings deal with intensive observations of recurring, everyday acts. In her works she blurs the boundaries between art and life as well as fiction and reality, and she raises questions concerning self perception and external perception as well as the intersections of the private and the public. The theme of sleep has been a central point of her artistic work for some time now. Glassner graduated from the University of Applied Arts Vienna in 2016 from the Painting Department (Henning Bohl).
Sebastian Grande graduated in 2019 from the Department of Drawing and Printmaking. A central theme of his work is the transformation of everyday objects into independent protagonists. Objects of daily use shape our environment – they fulfill practical purposes, are consumed, and discarded. He approaches his projects as environments that reflect a society‘s collective ideas, longings, and personal histories.
Theresa Hattinger graduated in 2017 from the Department of Graphic Design (now: Design und narrative Medien). She is a multidisciplinary designer and artist based in Vienna and works with language, typography, textiles, drawing and the public space. Hattinger explores the tension between strict graphic order and poetic openness, leaving room for interpretation. Her works invite viewers to reflect on the perception of signs and symbols in everyday environments and to explore shifts in their meanings.
Matthias Kendler graduated in 2013 from the Institute of Studies in Art and Art Education. He works at the Albertina in Collection Management and as a visual artist in Vienna. His artistic practice focuses on minimalist kinetic works made of metal, wood, acrylic glass, PLA, and electronics. He uses manufacturing techniques such as CNC milling, laser cutting, engraving, 3D printing, as well as anodizing and powder coating. However, closer inspection reveals a deliberate visibility of the handmade and a precise painterly design.
Merve Sahingraduated in 2021 from the Department of Architecture. She is an architect and researcher addressing ecological, technological and political challenges of contemporary architecture through speculative storytelling and works with immersive media environments and parametric architecture. Within her practice she focuses on post-digital public spaces through world building, media ecologies and material experiments in the form of transmedia installations. Her recent projects reclaim agency through architecture in ecologically, socially and politically compromised environments.
Tsai-Ju Wu graduated from the Department of Site-Specific Art in 2022. She is a visual artist, curator, and graphic designer. Her work is rooted in close observation of everyday objects and phenomena, where playfulness meets a quiet, grounded presence. In contrast, her drawing practice is monochromatic and abstract, moving away from recognizable forms and fixed definitions.
With the aim of implementing playful interdisciplinary interventions in the unique space of the Kassenhalle, AIL Ping-Pong is a newly developed format that repurposes the building’s architecture – specifically a former display cabinet (in German: Vitrine) of the Otto Wagner Museum in the Kassenhalle – to showcase artistic projects by alumni of the University of Applied Arts Vienna.
A project by AIL, supported by ARTist.
Concept and production:
Nora Mayr, Eva Weber
Jury:
Katrin Hornek (Site-Specific Art), Nora Mayr (AIL), Eva Weber (AIL)
Preview image: Merve Sahin, Close-up the 3D-printed terrain panel
Weblinks to artists:
www.thespacearound.me
www.anneglassner.at
www.sebastiangrande.com
www.thehatdesign.com
www.matthiaskendler.com
www.mervesahin.me
www.mervesahin.me
www.tsaijuw.com
