26 May 2026, 17:00
Closing Reception and Guided Tour: Shaken Grounds
What holds us together, when the world is more than we can comprehend?Save the Date!
Not only natural but also anthropogenic forces give rise to (or intensify) seismic processes. What forms of precarity shape this socio-geological dynamic, and what new uncertainties does it produce?
How do human and more-than-human actors move on ground that is increasingly unstable – geologically, politically, and existentially?
Situated at the intersection of artistic research, geology, somatic practices, performance art, and film making, the project understands seismography as an open, transdisciplinary practice: a method of perceiving, translating, and relating bodies, technologies, and the planet Earth at sites of heightened seismic activity.
Shaken Grounds. Seismography of Precarious Presences is a transdisciplinary artistic research project that explores the interconnections between geological, social, and psychological upheavals. Starting point is the observation that not only natural processes but also human interventions such as climate change and technological interventions influence seismic dynamics and alter the stability of our environment.
At the center is the question of how these tremors inscribe themselves in bodies, environments, and social contexts. Seismography is understood here not only as a scientific method, but as an artistic practice of perception and relating. In this context, a “trembling thought” (Édouard Glissant) emerges, one that detaches itself from the notion of solid ground and engages with movements, shifts, and transitions.
Shaken Grounds brings together artists, scientists, and curators to develop new perspectives on the relationship between the body, technology, and the earth. Diverse media and practices, including performance, film, drawing, sound, and somatic approaches, enter into a dialogue with geological processes.
The exhibition presents the results of the research project of the same name funded by the Austrian Science Fund (FWF) and also marks the launch of the Creative Europe project Shaken Grounds. Art as Seismography, co-funded by the European Union.
With contributions by:
Valerio Acocella, Bjarki Bragason, Arno Böhler, Alexander Damianisch, Oscar Fernadez Bellon, Helga Franza, Nicolas Freytag, Sabine Folie, Aleksandar Gabovski, Nikolaus Gansterer, Mariella Greil, Victor Jaschke, Peter Kozek, Anna Líndal, Vesna Meštrić, Werner Moebius, Susanna Ravelli, Sylvia Scheidl, Ana Škegro, Lucie Strecker, VestAndPage, Et.al
The exhibition presents findings from the research project Shaken Grounds. Seismography of Precarious Presences (funded by Austrian Science Fund (FWF): AR 780. DOI: 10.55776) and also marks the launch of the Creative Europe project Shaken Grounds. Art as Seismography (funded by the European Union).
Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
Preview Image: Victor Jaschke, © Shaken Grounds

